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Afterword

Published online by Cambridge University Press:  12 November 2024

Laura Rademaker ,
Sally K. May ,
Gabriel Maralngurra  and
Joakim Goldhahn
By
Joe Watkins
Laura Rademaker
Affiliation:
Australian National University, Canberra
Sally K. May
Affiliation:
University of Adelaide
Gabriel Maralngurra
Affiliation:
Injalak Arts
Joakim Goldhahn
Affiliation:
University of Adelaide
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Summary

When the authors contacted me about writing an afterword for this volume, I was immediately excited to use the opportunity to take another glimpse into the rock art world of Australia – an area I am only peripherally involved in nowadays. It has been a while since I spent time in Gunbalanya in western Arnhem Land. With Injalak Hill as a backdrop, and a billabong out the back door, my time there was pleasurable and full of wonderment at the abundance of rock art and the community that nurtured the art and that was, in turn, nurtured by the art. It’s been much too long since I was ‘on Country’ – June 2009 was my last visit ‘up top’ to see Kojan and other friends and mates. To my Jawoyn relatives in Barunga and Beswick I am bangardi.

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Aboriginal Rock Art and the Telling of History , pp. 155 - 159
Publisher: Cambridge University Press
Print publication year: 2024

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