Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-dh8gc Total loading time: 0 Render date: 2024-11-15T01:44:16.816Z Has data issue: false hasContentIssue false

Chapter 5 - Rehearsals and Confusion

Published online by Cambridge University Press:  17 May 2024

Theodore Albrecht
Affiliation:
Kent State University, Ohio
Get access

Summary

Monday, May 3, 1824—Tabbing the Scherzo

On Monday, May 3, copyist Peter Gläser (possibly accompanied by a member of his staff) arrived at Beethoven's apartment in the Ungargasse by 10 o’clock in the morning. Schindler had presumably arrived prior to that time to set up the assembly line for pasting tabs into the orchestral parts for the Scherzo of the Ninth Symphony to facilitate page turning. Beethoven probably indicated where they should be placed; Gläser tipped them in; and Beethoven double-checked their placement.

Assuming two players per stand in the strings, this would have entailed work on at least 6 first violin parts, 6 seconds, 5 violas, and a total of at least 6 violoncello/contrabass parts; plus 2 flute parts, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trombones, 2 trumpets, and 1 timpani part, for a total of at least 41 orchestral parts. The project probably took several hours.

There are no conversation book entries from this session. Probably Beethoven was busy checking the work, possibly because there were plenty of cut or leftover slips of paper to use in writing questions, but more likely they simply spoke loudly among themselves when they needed to. Schindler presumably worked along with the others but evidently took some time out in the afternoon to run various errands, including going to the Kärntnertor Theater to remind stage director Gottdank and manager Duport to call the orchestra for a rehearsal the next morning.

With the orchestral parts for the Scherzo tied up in revisions, it would have been difficult to hold an orchestral rehearsal during this period. It is also questionable whether Beethoven would have been able to get away long enough to walk the ca. 35 minutes to the Kärntnertor Theater, where Dirzka's choral rehearsal was being held in the afternoon.

In any case, nephew Karl attended that choral rehearsal, returned home, and reported, “For a first time, it went very well. The basses got going like blazes. It will be splendid when all the participants are present for the whole thing. I’m going to the general rehearsal on Thursday [May 6] in any case.”

Type
Chapter
Information
Beethoven's Ninth Symphony
Rehearsing and Performing its 1824 Premiere
, pp. 95 - 119
Publisher: Boydell & Brewer
Print publication year: 2024

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×