Book contents
- Byron in Context
- Byron in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Contributors
- Chronology
- Abbreviations and Note on the Text
- Introduction
- Part I Life and Works
- Part II Political, Social and Intellectual Transformations
- Chapter 7 Politics
- Chapter 8 War
- Chapter 9 Greece’s Byron
- Chapter 10 Byron’s Italy
- Chapter 11 Orientalism
- Chapter 12 Religion
- Chapter 13 Natural Philosophy
- Chapter 14 Sexuality
- Chapter 15 Libertinism
- Chapter 16 Fashion, Self-Fashioning and the Body
- Part III Literary Cultures
- Part IV Reception and Afterlives
- Further Reading
- Index
Chapter 11 - Orientalism
from Part II - Political, Social and Intellectual Transformations
Published online by Cambridge University Press: 04 October 2019
- Byron in Context
- Byron in Context
- Copyright page
- Dedication
- Contents
- Illustrations
- Contributors
- Chronology
- Abbreviations and Note on the Text
- Introduction
- Part I Life and Works
- Part II Political, Social and Intellectual Transformations
- Chapter 7 Politics
- Chapter 8 War
- Chapter 9 Greece’s Byron
- Chapter 10 Byron’s Italy
- Chapter 11 Orientalism
- Chapter 12 Religion
- Chapter 13 Natural Philosophy
- Chapter 14 Sexuality
- Chapter 15 Libertinism
- Chapter 16 Fashion, Self-Fashioning and the Body
- Part III Literary Cultures
- Part IV Reception and Afterlives
- Further Reading
- Index
Summary
Ever since the appearance of Edward Said’s postcolonial tour de force, Orientalism (1978), Byron’s taste for Eastern characters and settings has provoked much commentary from scholars. Byron, after all, spent a large part of his poetic career depicting the contemporary and historical Middle East, starting with Canto II of Childe Harold’s Pilgrimage (1812), through the Turkish tales of 1813–14 (The Giaour, The Bride of Abydos, The Corsair, Lara) to his Assyrian historical drama Sardanapalus (1821) and Don Juan’s Greek and Turkish cantos (1819–23).
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- Information
- Byron in Context , pp. 93 - 100Publisher: Cambridge University PressPrint publication year: 2019