Book contents
- The Cambridge Companion to American Theatre since 1945
- Cambridge Companions to Theatre and Performance
- The Cambridge Companion to American Theatre since 1945
- Copyright page
- Contents
- Notes on Contributors
- Acknowledgments
- Introduction
- Part I Commercial and Mainstream Theatre
- Part II Regional Theatre Movement
- Part III Experimental Theatre and Other Forms of Entertainment
- Chapter 8 Experimental Collectives of the 1960s and Their Legacies
- Chapter 9 Post-Avant-Garde Theatre
- Chapter 10 Populist Provocations and Commercial Cavalcades
- Index
- References
Chapter 8 - Experimental Collectives of the 1960s and Their Legacies
from Part III - Experimental Theatre and Other Forms of Entertainment
Published online by Cambridge University Press: 20 August 2021
- The Cambridge Companion to American Theatre since 1945
- Cambridge Companions to Theatre and Performance
- The Cambridge Companion to American Theatre since 1945
- Copyright page
- Contents
- Notes on Contributors
- Acknowledgments
- Introduction
- Part I Commercial and Mainstream Theatre
- Part II Regional Theatre Movement
- Part III Experimental Theatre and Other Forms of Entertainment
- Chapter 8 Experimental Collectives of the 1960s and Their Legacies
- Chapter 9 Post-Avant-Garde Theatre
- Chapter 10 Populist Provocations and Commercial Cavalcades
- Index
- References
Summary
This chapter traces the development of American experimental theatre ensembles from the 1960s to the 2010s. It emphasizes how the values of the 1960s youth culture and Off-Off-Broadway, including egalitarianism and anticommercialism, informed the devising practices of groups such as the Open Theater, the Performance Group, and the San Francisco Mime Troupe. It also addresses how efforts to critique and expand on the work of 1960s ensembles have informed the work of such later groups as Spiderwoman, Split Britches, the SITI Company, Tectonic Theatre Project, Pig Iron Theatre, and the Nature Theatre of Oklahoma. It argues that developments in form and process by American devising ensembles reflect an evolving understanding of theatre’s relationship to the social sphere and to the practice of freedom.
- Type
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- Information
- The Cambridge Companion to American Theatre since 1945 , pp. 207 - 227Publisher: Cambridge University PressPrint publication year: 2021