Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-jn8rn Total loading time: 0 Render date: 2024-12-28T04:25:28.517Z Has data issue: false hasContentIssue false

8 - Creative writing and new media

from PART I - GENRES AND TYPES

Published online by Cambridge University Press:  28 March 2012

David Morley
Affiliation:
Warwick University
Philip Neilsen
Affiliation:
Queensland University of Technology
Get access

Summary

From page to screen, from human to computer

Writing has always involved forms of technology, whether the pen, the typewriter or the computer. But the growth of new media technologies is offering many exciting possibilities for experimentation and innovation in creative writing. In new media writing – or networked and programmable writing, e-literature or digital writing as it is variously called – the screen replaces the page. In such writing environments we can make words kinetic, pursue new forms of interactivity and link disparate web pages. We can also interweave text, sound and image, and create environments in which readers/viewers transform texts through their bodily movements. Most radically, we can program the computer to compose fiction or poetry, thereby shifting our conception of authorship. Consequently, new media writing is a very diverse and challenging field which stretches from animated poetry and interactive fiction to computer-generated text and computer-interactive installations.

However, new media writing does not constitute a break with the literary tradition, rather it shows the influence of twentieth-century experimental writing from the modernists to the postmodernists. It incorporates techniques drawn from modernist collage, and visual and sound poetry, as well as the syntactical dislocations of American Language poetry. It can project alternative storylines like those we find in postmodern fiction, though to a higher degree of complexity, and its linking system provides an excellent environment for cross-genre writing, that is writing which mixes prose and poetry or critical and creative writing.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2012

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×