Book contents
- The Cambridge Companion to Shakespeare on Screen
- Cambridge Companions to Literature
- The Cambridge Companion to Shakespeare on Screen
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Note on References
- Introduction
- Part I Adaptation and Its Contexts
- Part II Genres and Plays
- 5 The Comedies
- 6 The Environments of Tragedy on Screen: Hamlet, King Lear, Macbeth
- 7 Two Tragedies of Love: Romeo and Juliet and Othello
- 8 ‘Sad Stories of the Death of Kings’: The Hollow Crown and the Shakespearean History Play on Screen
- 9 The Roman Plays on Film
- 10 Screening Shakespearean Fantasy and Romance in A Midsummer Night’s Dream and The Tempest
- Part III Critical Issues
- Part IV Directors
- Further Reading
- Filmography
- Index
- Cambridge Companions To …
8 - ‘Sad Stories of the Death of Kings’: The Hollow Crown and the Shakespearean History Play on Screen
from Part II - Genres and Plays
Published online by Cambridge University Press: 11 December 2020
- The Cambridge Companion to Shakespeare on Screen
- Cambridge Companions to Literature
- The Cambridge Companion to Shakespeare on Screen
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Note on References
- Introduction
- Part I Adaptation and Its Contexts
- Part II Genres and Plays
- 5 The Comedies
- 6 The Environments of Tragedy on Screen: Hamlet, King Lear, Macbeth
- 7 Two Tragedies of Love: Romeo and Juliet and Othello
- 8 ‘Sad Stories of the Death of Kings’: The Hollow Crown and the Shakespearean History Play on Screen
- 9 The Roman Plays on Film
- 10 Screening Shakespearean Fantasy and Romance in A Midsummer Night’s Dream and The Tempest
- Part III Critical Issues
- Part IV Directors
- Further Reading
- Filmography
- Index
- Cambridge Companions To …
Summary
The chapter discusses The Hollow Crown, a two-season television series, produced by Sam Mendes and broadcast on BBC2 in 2012 and 2016, placed in the context of earlier adaptations of the history plays. It argues that the series exemplifies a number of the central controversies surrounding contemporary Shakespeare adaptation, including political agendas, screen and stage traditions of acting and textual interpretation, together with the changing awareness of the viewing public of Shakespeare as a (high or pop) cultural phenomenon. The series also illustrates diverse responses to a number of critical debates, from the representation of female, non-English or non-British voices and accents, colour-blind or colour-conscious casting, set against the demands of historical realism expected from the contemporary screen. In this way, it offers a perfect case study for the Shakespearean history play on British television in the twenty-first century.
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- The Cambridge Companion to Shakespeare on Screen , pp. 105 - 118Publisher: Cambridge University PressPrint publication year: 2020