Book contents
- The Cambridge Companion to Tango
- Cambridge Companions to Music
- The Cambridge Companion to Tango
- Copyright page
- Dedication
- Contents
- Figures
- Musical Examples
- Notes on Contributors
- Notes on the Text
- Acknowledgments
- Introduction: Tango Studies across Disciplinary and Geographic Boundaries
- 1 A Brief History of Tango
- Part I Tango Music
- 2 The Bandoneón: The Magical Sound and Soul of Tango
- 3 Ángel Villoldo and Early Sound Recordings
- 4 Orchestral Rhythmic Designs and Performance Practices: Juan D’Arienzo and Aníbal Troilo
- 5 Guitar Heroes: Roberto Grela and Aníbal Arias
- 6 Post–Golden Age Pillars: Horacio Salgán and Astor Piazzolla
- 7 Tango and Jazz: Cross-Genre Relations in History and Practice
- Part II Tango Song
- Part III Tango Dance
- Part IV Interdisciplinary Tango Studies
- Appendix: Tango Chronology
- Song Title Index
- Index
- References
7 - Tango and Jazz: Cross-Genre Relations in History and Practice
from Part I - Tango Music
Published online by Cambridge University Press: 15 March 2024
- The Cambridge Companion to Tango
- Cambridge Companions to Music
- The Cambridge Companion to Tango
- Copyright page
- Dedication
- Contents
- Figures
- Musical Examples
- Notes on Contributors
- Notes on the Text
- Acknowledgments
- Introduction: Tango Studies across Disciplinary and Geographic Boundaries
- 1 A Brief History of Tango
- Part I Tango Music
- 2 The Bandoneón: The Magical Sound and Soul of Tango
- 3 Ángel Villoldo and Early Sound Recordings
- 4 Orchestral Rhythmic Designs and Performance Practices: Juan D’Arienzo and Aníbal Troilo
- 5 Guitar Heroes: Roberto Grela and Aníbal Arias
- 6 Post–Golden Age Pillars: Horacio Salgán and Astor Piazzolla
- 7 Tango and Jazz: Cross-Genre Relations in History and Practice
- Part II Tango Song
- Part III Tango Dance
- Part IV Interdisciplinary Tango Studies
- Appendix: Tango Chronology
- Song Title Index
- Index
- References
Summary
As a composer/practitioner, Julián Graciano offers insights into tango as a transnational musical form by analyzing the performance element of spontaneity and improvisation in two musical genres typically associated with the United States and Argentina, namely jazz and tango respectively. Graciano shows show how the two genres have impacted each other in sound, style, and technique, illustrated with numerous musical examples of his own tango-jazz hybrid compositions and other tango and jazz composers. As a bonus, Graciano provides a video tutorial on how to realize a tango lead sheet.
- Type
- Chapter
- Information
- The Cambridge Companion to Tango , pp. 112 - 130Publisher: Cambridge University PressPrint publication year: 2024