Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-78c5997874-mlc7c Total loading time: 0 Render date: 2024-11-10T09:48:58.380Z Has data issue: false hasContentIssue false

245 - Rhetoric, Form, Aesthetics

from Part XXV - Shakespeare and the Critics

Published online by Cambridge University Press:  17 August 2019

By
Mark David Rasmussen
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'

Keywords

Adorno, Theodoraesthetics (aesthetic, aestheticism)Altman, Joel B.BanquoBardolatryBooth, StephenBrooks, CleanthBurke, KennethColeridge, Samuel TaylordeconstructionEmpson, WilliamFerdinandfigurative languageform (formal, formalism)Frye, NorthropgenreGrady, HughGreenblatt, Stephenimage (images, imagery)Johnson, SamuelLady MacbethMacbeth (the character)Macbeth (the play)MacduffmetaphorA Midsummer Night’s DreamMirandaneoclassicism (neoclassical)new aestheticism (new aestheticist)New Criticism (New Critical)new formalism (new formalist)new historicism (new historicist)organic form (organicism)Parker, PatriciaProsperopunsRestorationrhetoric (rhetorical)Romanticism (Romantic)Rymer, ThomasThe TempestVendler, Helen
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1738 - 1746
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Sources cited

Altman, Joel B. The Improbability of Othello: Rhetorical Anthropology and Shakespearean Selfhood. Chicago: U of Chicago P, 2010.CrossRefGoogle Scholar
Altman, Joel B. The Tudor Play of Mind: Rhetorical Inquiry and the Development of Elizabethan Drama. Berkeley: U of California P, 1978.Google Scholar
Barber, C. L. Shakespeare’s Festive Comedy: A Study of Dramatic Form and Its Relation to Social Custom. 1959. New ed. Intro. Greenblatt, Stephen. Princeton: Princeton UP, 2012.CrossRefGoogle Scholar
Barish, Jonas A. Ben Jonson and the Language of Prose Comedy. Cambridge: Harvard UP, 1960.Google Scholar
Booth, Stephen. “Shakespeare’s Language and the Language of Shakespeare’s Time.” Shakespeare Survey 50 (1997): 1–17.Google Scholar
Bradley, A. C. Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth. 1904. 4th ed. Ed. Shaughnessy, Robert. Basingstoke: Palgrave Macmillan, 2007.CrossRefGoogle Scholar
Brooks, Cleanth. The Well Wrought Urn: Studies in the Structure of Poetry. New York: Harcourt, Brace, and World, 1947.Google Scholar
Brooks, Cleanth, and Warren, Robert Penn. Understanding Poetry. 3rd ed. New York: Holt, Rinehart, and Winston, 1960.Google Scholar
Burke, Kenneth. Kenneth Burke on Shakespeare. Ed. Newstok, Scott. West Lafayette: Parlor, 2007.Google Scholar
Cohen, Stephen, ed. Shakespeare and Historical Formalism. Aldershot: Ashgate, 2007.Google Scholar
Coleridge, Samuel Taylor. Biographia Literaria. Ed. Engell, James and Bate, W. Jackson. 2 vols. The Collected Works of Samuel Taylor Coleridge 7. Princeton: Princeton UP, 1983.Google Scholar
Coleridge, Samuel Taylor. Coleridge’s Criticism of Shakespeare. Ed. Foakes, R. A.. Detroit: Wayne State UP, 1989.Google Scholar
Dubrow, Heather. A Happier Eden: Politics and Marriage in the Stuart Epithalamium. Ithaca: Cornell UP, 1990.Google Scholar
Empson, William. Seven Types of Ambiguity. 1930. New York: New Directions, 1947.Google Scholar
Empson, William. The Structure of Complex Words. 1951. Intro. Culler, Jonathan. Cambridge: Harvard UP, 1989.Google Scholar
Frye, Northrop. Anatomy of Criticism: Four Essays. 1957. Updated ed. Princeton: Princeton UP, 2000.Google Scholar
Frye, Northrop. Fools of Time: Studies in Shakespearean Tragedy. 1967. New ed. Toronto: U of Toronto P, 1996.Google Scholar
Frye, Northrop. A Natural Perspective: The Development of Shakespearean Comedy and Romance. 1965. New ed. New York: Columbia UP, 1995.Google Scholar
Grady, Hugh. Shakespeare and Impure Aesthetics. Cambridge: Cambridge University Press, 2009.CrossRefGoogle Scholar
Greenblatt, Stephen. Introduction. The Forms of Power and the Power of Forms in the Renaissance. Spec. issue of Genre 15 (1982): 3–6.Google Scholar
Heilman, Robert B. Magic in the Web: Action and Language in Othello. Lexington: U of Kentucky P, 1956.Google Scholar
Heilman, Robert B. This Great Stage: Image and Structure in King Lear. Baton Rouge: Louisiana State UP, 1948.Google Scholar
Johnson, Samuel. Johnson on Shakespeare. 2 vols. The Yale Edition of the Works of Samuel Johnson 7 and 8. New Haven: Yale UP, 1968.Google Scholar
Joseph, Sister Miriam. Shakespeare’s Use of the Arts of Language. New York: Columbia UP, 1947.Google Scholar
Kermode, Frank. Shakespeare’s Language. New York: Farrar, Straus and Giroux, 2000.Google Scholar
Levin, Richard. New Readings vs. Old Plays: Recent Trends in the Reinterpretation of English Renaissance Drama. Chicago: U of Chicago P, 1979.Google Scholar
Levinson, Marjorie. “What Is New Formalism?” Publications of the Modern Language Association of America 122 (2007): 558–69.CrossRefGoogle Scholar
Lyne, Raphael. Shakespeare, Rhetoric and Cognition. Cambridge: Cambridge University Press, 2011.CrossRefGoogle Scholar
Mahood, M. M. Shakespeare’s Wordplay. 1957. New ed. London: Routledge, 2001.Google Scholar
McDonald, Russ. Shakespeare and the Arts of Language. Oxford: Oxford UP, 2001.Google Scholar
McDonald, Russ. Shakespeare’s Late Style. Cambridge: Cambridge University Press, 2006.CrossRefGoogle Scholar
Parker, Patricia. Shakespeare From the Margins: Language, Culture, Context. Chicago: U of Chicago P, 1997.Google Scholar
Pope, Alexander. “The Art of Sinking.” The Twickenham Edition of the Poems of Alexander Pope. Vol. 6. Ed. Ault, Norman and Butt, John. New Haven: Yale UP, 1954.Google Scholar
Ransom, John Crowe. The New Criticism. Norfolk: New Directions, 1941.Google Scholar
Rasmussen, Mark David, ed. Renaissance Literature and Its Formal Engagements. Basingstoke, UK: Palgrave Macmillan, 2002.CrossRefGoogle Scholar
Taylor, Gary. Reimagining Shakespeare: A Cultural History from the Restoration to the Present. New York: Weidenfeld and Nicholson, 1989.Google Scholar
Vendler, Helen. The Art of Shakespeare’s Sonnets. Cambridge: Harvard UP, 1997.Google Scholar
Vickers, Brian. The Artistry of Shakespeare’s Prose. 1968. New ed. London: Routledge, 2008.Google Scholar
Vickers, Brian, ed. Shakespeare: The Critical Heritage. 6 vols. London: Routledge and Kegan Paul, 1974–81.Google Scholar
Wright, George T. Shakespeare’s Metrical Art. Berkeley: U of California Press, 1988.CrossRefGoogle Scholar

Further reading

Badawi, M. M. Coleridge, Critic of Shakespeare. Cambridge: Cambridge University Press, 1973.Google Scholar
Bate, Jonathan, ed. The Romantics on Shakespeare. London: Penguin, 1992.Google Scholar
Grady, Hugh. The Modernist Shakespeare: Critical Texts in a Material World. Oxford: Clarendon Press, 1991.Google Scholar
McDonald, Russ. Shakespeare: An Anthology of Criticism and Theory, 1945–2000. Oxford: Wiley Blackwell, 2004.Google Scholar
Parker, G. F. Johnson’s Shakespeare. Oxford: Oxford UP, 1989.Google Scholar
Taylor, Michael. Shakespeare Criticism in the Twentieth Century. Oxford: Oxford UP, 2001.CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×