Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Introduction
- 185 Canonization and Obsolescence: Classic Translations versus Retranslations
- 186 Signing Shakespeare (ASL)
- 187 Shakespeare into Creole
- 188 Translating Shakespeare for the Screen
- 189 Translating Shakespeare for Performance
- 190 Idioms, Proverbs, Quotations: Shakespeare’s Influence on Language Evolution
- 191 Shakespeare’s Entry into the Arabic World
- 192 The Merchant of Venice in the Jewish Diaspora: German, Hebrew, Yiddish
- 193 Shakespeare Translations in Asia
- 194 The Cultural Politics of Spanish Translations
- 195 Shakespeare without Sweat: Updating and Simplifying Shakespeare’s English
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
186 - Signing Shakespeare (ASL)
from Part XIX - Translation
Published online by Cambridge University Press: 17 August 2019
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Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Introduction
- 185 Canonization and Obsolescence: Classic Translations versus Retranslations
- 186 Signing Shakespeare (ASL)
- 187 Shakespeare into Creole
- 188 Translating Shakespeare for the Screen
- 189 Translating Shakespeare for Performance
- 190 Idioms, Proverbs, Quotations: Shakespeare’s Influence on Language Evolution
- 191 Shakespeare’s Entry into the Arabic World
- 192 The Merchant of Venice in the Jewish Diaspora: German, Hebrew, Yiddish
- 193 Shakespeare Translations in Asia
- 194 The Cultural Politics of Spanish Translations
- 195 Shakespeare without Sweat: Updating and Simplifying Shakespeare’s English
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
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- The Cambridge Guide to the Worlds of Shakespeare , pp. 1357 - 1362Publisher: Cambridge University PressPrint publication year: 2016
References
Sources cited
ASL Shakespeare Project. University of San Francisco. http://www.aslshakespeare.com.Google Scholar
Bauman, H-Dirksen L. “Getting Out of Line: Towards a Visual and Cinematic Poetics of ASL.” Signing the Body Poetic: Essays on American Sign Language Literature. Berkeley: U of California P, 2006. 95–117.CrossRefGoogle Scholar
Donno, Elizabeth Story, ed. Twelfth Night. The New Cambridge Shakespeare. Cambridge: Cambridge University Press, 1985.Google Scholar
Klima, Edward, and Bellugi, Ursula. The Signs of Language. Cambridge: Harvard UP, 1979.Google Scholar
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Further reading
Bauman, H-Dirksen L., Nelson, Jennifer L., and Rose, Heidi M., eds. Signing the Body Poetic: Essays on American Sign Language Literature. Berkeley: U of California P, 2006.CrossRefGoogle Scholar
Gurr, Andrew, ed. King Henry V. The New Cambridge Shakespeare. Cambridge: Cambridge University Press, 1999.Google Scholar
Lane, Harlan. When the Mind Hears: A History of the Deaf. New York: Random House, 1984.Google Scholar
Lindley, David, ed. The Tempest. The New Cambridge Shakespeare. Cambridge: Cambridge University Press, 2002.Google Scholar
Llewellyn-Jones, Peter. “Interpreting Shakespeare’s Plays into British Sign Language.” Shakespeare and the Language of Translation. Ed. Hoenselaars, Ton. Rev. ed. London: Arden Shakespeare, 2012. 199–213.CrossRefGoogle Scholar
Neill, Michael. “Amphitheaters in the Body: Playing with Hands on the Shakespearian Stage.” Shakespeare Survey 48 (1995): 23–50.Google Scholar
Novak, Peter. “‘Where Lies Your Text?’ Twelfth Night in American Sign Language Translation.” Shakespeare Survey 61 (2008): 74–90.Google Scholar
Padden, Carol, and Humphries, Tom. Deaf in America: Voices from a Culture. Cambridge: Harvard UP, 1988.Google Scholar
Rowe, Katherine. Dead Hands: Fictions of Agency, Renaissance to Modern. Stanford: Stanford UP, 1999.Google Scholar
Shaw, Emily, and Delaporte, Yves. “New Perspectives on the History of American Sign Language.” Sign Language Studies 7.2 (2011): 158–206.Google Scholar