Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-lj6df Total loading time: 0 Render date: 2024-11-14T04:18:49.286Z Has data issue: false hasContentIssue false

9 - The consumption of music

from Part One - 1800–1850

Published online by Cambridge University Press:  28 March 2008

Jim Samson
Affiliation:
Royal Holloway, University of London
Get access

Summary

Social background

For most Europeans and North Americans at the beginning of the nineteenth century, the legacy of the French and the Industrial Revolutions was a social and economic transformation which saw the virtual destruction of one social class, the peasantry, and the hegemony of a newer one, the bourgeoisie. In the ensuing ‘age of capital’ the rise of the bourgeoisie and its relationship with the nobility is as complex as it is important, and a degree of generalisation must be forgiven in what is a musical, rather than a social, history. The pace and the precise nature of this transformation differed from region to region; this chapter, however, is concerned only with the principal areas of Europe in which it is evident: Great Britain, France and the German-speaking lands. And although the bourgeoisie was by no means exclusively citified, my focus will be London, Paris and Vienna, as it is in these, the major European capitals of the early nineteenth century, that the developments can be seen at their most concentrated.

Because Britain had had her political revolution at an earlier date, the power of the monarchy posed no great threat, and, for the most part, little inconvenience. Nor did the rise of the bourgeoisie significantly challenge the nobility, since new industrial capital soon formed the main component in national capital, overtaking landed inheritance, and leaving the latter safe in the hands of its hereditary owners for their own posterity. This also meant that surplus aristocratic capital could be invested in new and exciting ventures such as the railways which had the advantage of being not only British, but on home ground, as opposed to some of the more distant foreign ventures, where the volatility of local conditions could, and often did, jeopardise investments; the loss of the American states was a sobering lesson, in terms of national imperial pride as well as of economics.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2001

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Beaud, M. A., A History of Capitalism 1500–1980, trans. Dickman, T. and Lefebvre, A.. London and Basingstoke, 1984Google Scholar
Berlioz, H., The Memoirs of Hector Berlioz, trans. and ed. Cairns, D.. London, 1970Google Scholar
Byron, ( Lord G. G., ‘The Waltz: An Apostrophic Hymn’. In The Works of Lord Byron. Ware, 1994Google Scholar
Citron, M. J., ‘The Lieder of Fanny Mendelssohn Hensel’. Musical Quarterly, 69 (1983)Google Scholar
Clare, J., The Parish: A Satire, ed. Robinson, E.. Harmondsworth, 1986Google Scholar
Dahlhaus, C., Nineteenth-Century Music, trans. Robinson, J. B.. Berkeley and Los Angeles, 1989Google Scholar
de Courcy, G. I. C., Paganini, the Genoese, rep. edn. 2 vols., New York, 1977Google Scholar
De Staël, Mme. G., De la Littérature consideré dans ses rapports avec les institutions sociales. Paris, 1872Google Scholar
Fantel, H., Johann Strauss Father and Son and Their Era. Newton Abbott, 1971Google Scholar
Hallé, C., The Autobiography of Charles Hallé with Correspondence and Diaries, ed. Kennedy, M.. New York, 1981Google Scholar
Hamm, C., Yesterdays: Popular Song in America. New York, 1979Google Scholar
Hobsbawm, E. J., The Age of Revolution: Europe 1789–1848. Rep. edn., London, 1977; original edn 1962Google Scholar
Lasdun, S., Victorians at Home. London, 1981Google Scholar
Moore, T., The Works of Thomas Moore, Esq. accurately printed from the last original editions with additional notes complete in one volume. Leipzig, 1826Google Scholar
Sadie, S., (ed.),The New Grove Dictionary of Music and Musicians, (London, 1995), XIGoogle Scholar
Sperling, D., Mrs. Hurst Dancing & other scenes from Regency life 1812–1823, Mingay, G. (text). London, 1981Google Scholar
The Harmonicon: A Journal of Music, ed. Ayrton, W.. London, 1823–33Google Scholar
Young, A., Tours in England and Wales: (selected from the Annals of Agriculture). School of Economic and Political Science, London, 1932Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • The consumption of music
  • Edited by Jim Samson, Royal Holloway, University of London
  • Book: The Cambridge History of Nineteenth-Century Music
  • Online publication: 28 March 2008
  • Chapter DOI: https://doi.org/10.1017/CHOL9780521590174.010
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • The consumption of music
  • Edited by Jim Samson, Royal Holloway, University of London
  • Book: The Cambridge History of Nineteenth-Century Music
  • Online publication: 28 March 2008
  • Chapter DOI: https://doi.org/10.1017/CHOL9780521590174.010
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • The consumption of music
  • Edited by Jim Samson, Royal Holloway, University of London
  • Book: The Cambridge History of Nineteenth-Century Music
  • Online publication: 28 March 2008
  • Chapter DOI: https://doi.org/10.1017/CHOL9780521590174.010
Available formats
×