Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-ndw9j Total loading time: 0 Render date: 2024-11-14T04:12:32.766Z Has data issue: false hasContentIssue false

20 - Nations and nationalism

from Part Two - 1850–1900

Published online by Cambridge University Press:  28 March 2008

Jim Samson
Affiliation:
Royal Holloway, University of London
Get access

Summary

Nationalisms

The French Revolution brought into sharp focus a cluster of ideas about freedom and rights that had been bred in seventeenth-century England and nurtured in eighteenth-century France. Unsurprisingly, it is far from easy to disentangle these ideas – to be clear about causes and effects. Notions of freedom and rights were no doubt promoted by the mode of production of an emergent capitalism in the seventeenth century. But they were promoted too by the Protestant reformation and its influential ethos; and by the philosophical empiricism cultivated by English thinkers. How is one to define a relation between these levels? A (broadly) Marxist position claims that changes in the polity, as also in the cultural and intellectual domains, are invariably motivated by changes in the socio-economic base. Yet this is in competition with the claim (by, for example, Max Weber) that ideas can change the world. Then again, more recent critical theory takes refuge in dialectics, a seductive solution to the chicken and egg problem, but one that may on occasion amount to a failure of nerve. Whatever the underlying causality, it is clear that on a political level strengthening notions of popular sovereignty were given practical meaning and propaganda by the Revolution in France, as earlier by the American War of Independence. These events effectively inaugurated an age of revolution and of liberalism, though it should be noted that from the start liberalism involved a dimension of contractualism as well as of freedom.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2001

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Anderson, B., Imagined Communities. London, 1983Google Scholar
Armstrong, J., Nations before Nationalism. Chapel Hill, 1962Google Scholar
Beller, S., Vienna and the Jews 1867–1938: A Cultural History. Cambridge, 1989Google Scholar
Breilly, J., Nationalism and the State. Manchester, 1982; 2nd edn Chicago, 1993Google Scholar
Calvocoressi, M. D., Mussorgsky. London, 1946Google Scholar
Chopin, F. F., Korespondencja Fryderyka Chopina, ed. Sydow, B. E.. Warsaw, 1955Google Scholar
Cooper, M., French Music from the Death of Berlioz to the Death of Fauré. Oxford, 1951Google Scholar
Dahlhaus, C., Between Romanticism and Modernism: Four Studies in the Music of the Later Nineteenth Century, trans. Whittall, M.. Berkeley and Los Angeles, 1980; original edn 1974Google Scholar
Deathridge, J., ‘Germany: The “Special Path”’. In Samson, Jim (ed.), The Late Romantic Era. London and Basingstoke, 1991Google Scholar
DiGrazia, D. M., Concert Societies in Paris and their Choral Repertories c. 1828–1880. 2 vols., Ann Arbor, 1995Google Scholar
Elsner, JózefKorespondencja Fryderyka Chopina, ed. Sydow, B. E. (Warsaw, 1955), I.Google Scholar
Fauser, A., ‘World Fair – World Music: Musical Politics in 1889 Paris’. In Samson, Jim and Zon, Bennett (eds.), Nineteenth-Century Music: Selected Proceedings of the Tenth International Conference on Nineteenth-Century Music. Aldershot, forthcoming
Friedenthal, R., Goethe: His Life and Times. London, 1963Google Scholar
Friedman, J. (ed.), Critical Review, 10/2 (Spring 1996)Google Scholar
Gellner, E., Nations and Nationalism. Oxford, 1983Google Scholar
Greenfeld, L., Nationalism: Five Roads to Modernity. Cambridge, Mass., 1992Google Scholar
Greenfeld, LiahNationalism: Five Roads to Modernity (Cambridge, Mass., 1992).Google Scholar
Hobsbawm, E. J., Nations and Nationalism since 1870: Programme, Myth and Reality. Cambridge, 1990Google Scholar
Kohn, H., Nationalism: Its Meaning and History. Princeton, 1955Google Scholar
Kossmaly, KarlNeue Zeitschrift für Musik, 19 February 1841.
Lambert, P. (ed.), Ives Studies. Cambridge, 1997Google Scholar
May, F., The Life of Johannes Brahms. 2 vols., London, 1905Google Scholar
Morgan, Robert“The Things Our Fathers Loved”: Charles Ives and the European Tradition’, in Lambert, Philip (ed.), Ives Studies (Cambridge, 1997).Google Scholar
Newman, E., The Life of Richard Wagner. 4 vols., Cambridge, 1976Google Scholar
Oxal, I., Pollak, M. and Botz, G. (eds.), Jews, Antisemitism and Culture in Vienna. London, Boston and Henley, 1987Google Scholar
Porter, C. H., The Rhine as Musical Metaphor: Cultural Identity in German Romantic Music. Boston, 1996Google Scholar
Porter, Cecelia HopkinsThe Rhine as Musical Metaphor: Cultural Identity in German Romantic Music (Boston, 1996).Google Scholar
Robertson, R., The ‘Jewish’ Question in German Literature 1749–1939. Oxford, 1999Google Scholar
Rosselli, J., ‘Italy: The Decline of a Tradition’. In Samson, (ed.), The Late Romantic Era
Said, E., Orientalism. New York, 1979Google Scholar
Salter, L., ‘Spain: A Nation in Turbulence’. In Samson, (ed.), The Late Romantic Era
Spitta, P., Johann Sebastian Bach: His Work and Influence on the Music of Germany, trans. Bell, Clara and Maitland, J. A. Fuller. 3 vols., London, 1899Google Scholar
Taruskin, R., ‘Some Thoughts on the History and Historiography of Russian Music’. The Journal of Musicology, 3/4 (1984)Google Scholar
Taruskin, R., ‘Some Thoughts on the History and Historiography of Russian Music’. Defining Russia Musically: Historical and Hermeneutical Essays. Princeton, 1997Google Scholar
Tyrrell, J., Czech Opera. Cambridge, 1988Google Scholar
Weber, M., The Protestant Ethic and the Spirit of Capitalism, trans. Parsons, Talcott. London, 1930Google Scholar
Wolff, L., Inventing Eastern Europe: The Map of Civilization on the Mind of the Enlightenment. Stanford, 1994Google Scholar
Xenos, NicholasCivic Nationalism: Oxymoron?Critical Review, 10/2 (1996).CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Nations and nationalism
  • Edited by Jim Samson, Royal Holloway, University of London
  • Book: The Cambridge History of Nineteenth-Century Music
  • Online publication: 28 March 2008
  • Chapter DOI: https://doi.org/10.1017/CHOL9780521590174.021
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Nations and nationalism
  • Edited by Jim Samson, Royal Holloway, University of London
  • Book: The Cambridge History of Nineteenth-Century Music
  • Online publication: 28 March 2008
  • Chapter DOI: https://doi.org/10.1017/CHOL9780521590174.021
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Nations and nationalism
  • Edited by Jim Samson, Royal Holloway, University of London
  • Book: The Cambridge History of Nineteenth-Century Music
  • Online publication: 28 March 2008
  • Chapter DOI: https://doi.org/10.1017/CHOL9780521590174.021
Available formats
×