Book contents
- The Cambridge Introduction to Literary Posthumanism
- The Cambridge Introduction to Literary Posthumanism
- Copyright page
- Contents
- Illustrations
- Acknowledgments
- Introduction
- Chapter 1 Beyond the Two Cultures?
- Chapter 2 Mary Shelley’s Modern and Shelley Jackson’s Postmodern Prometheus
- Chapter 3 Postperiodization
- Chapter 4 Posthuman Sublime
- Chapter 5 Ah Bartleby, Ah Humanities!
- Chapter 6 The Posthuman Imagination in Contemporary Literature
- Chapter 7 Posthuman Epic in the Era of AI
- Chapter 8 Interlude
- Chapter 9 Digital Posthumanism (On the Periphery)
- Epilogue:
- A Collaborative Glossary of Terms (In Process)
- Works Cited
- Index
- Cambridge Introductions to Literature
Chapter 9 - Digital Posthumanism (On the Periphery)
Published online by Cambridge University Press: 04 December 2024
- The Cambridge Introduction to Literary Posthumanism
- The Cambridge Introduction to Literary Posthumanism
- Copyright page
- Contents
- Illustrations
- Acknowledgments
- Introduction
- Chapter 1 Beyond the Two Cultures?
- Chapter 2 Mary Shelley’s Modern and Shelley Jackson’s Postmodern Prometheus
- Chapter 3 Postperiodization
- Chapter 4 Posthuman Sublime
- Chapter 5 Ah Bartleby, Ah Humanities!
- Chapter 6 The Posthuman Imagination in Contemporary Literature
- Chapter 7 Posthuman Epic in the Era of AI
- Chapter 8 Interlude
- Chapter 9 Digital Posthumanism (On the Periphery)
- Epilogue:
- A Collaborative Glossary of Terms (In Process)
- Works Cited
- Index
- Cambridge Introductions to Literature
Summary
Literature – etymologically, “things made from letters” – is American novelist Robert Coover’s starting point in a 2018 essay that does not forecast so much as inhabit “The End of Literature.” This essay by Coover, like his overall career and lifework, exemplifies a kind of writing that is “all over” – in the double sense of being finished but also dispersing, even as the printed word itself is displaced into and reconfigured within digital media. Indeed, there is today an emerging recognition that computation and universalized digitization might be regarded not as a displacement of writing so much as its continuation and expansion. As Serge Bouchardon and Victor Petit have argued, “the computer is a multi-faceted and complex machine which has at least one very clear consequence: the extension of the domain of writing, in the same way as our possibilities for calculation have been enhanced and multiplied.”
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- The Cambridge Introduction to Literary Posthumanism , pp. 135 - 151Publisher: Cambridge University PressPrint publication year: 2024