Book contents
- Clement of Alexandria and the Shaping of Christian Literary Practice
- Clement of Alexandria and the Shaping of Christian Literary Practice
- Copyright page
- Contents
- Acknowledgements
- 1 Introduction
- 2 Clement’s Miscellanism and the Scholarly Trope of Christian Difference
- 3 Studying Ancient Miscellanism
- 4 Early Imperial Cultures of Miscellany-Making
- 5 Self-Introductions and Clement’s Miscellanistic Vocation
- 6 Miscellany Titles and Clement’s Divine Paratexts
- 7 The Miscellanist’s Trope of Deselecting Titles and Clement’s Conversion of Imagery
- 8 Muses in the Miscellanists’ Frame
- 9 Clement’s Theology of Hiddenness and the Logic of Christian Miscellanism
- 10 Mystery Initiation and Clement’s Literary Paideia
- 11 Poikilia
- 12 Conclusion
- Appendix The Literary Sequence of Protrepticus, Paedagogus, Stromateis (and Hypotyposeis)
- Bibliography
- Index
6 - Miscellany Titles and Clement’s Divine Paratexts
Published online by Cambridge University Press: 16 December 2020
- Clement of Alexandria and the Shaping of Christian Literary Practice
- Clement of Alexandria and the Shaping of Christian Literary Practice
- Copyright page
- Contents
- Acknowledgements
- 1 Introduction
- 2 Clement’s Miscellanism and the Scholarly Trope of Christian Difference
- 3 Studying Ancient Miscellanism
- 4 Early Imperial Cultures of Miscellany-Making
- 5 Self-Introductions and Clement’s Miscellanistic Vocation
- 6 Miscellany Titles and Clement’s Divine Paratexts
- 7 The Miscellanist’s Trope of Deselecting Titles and Clement’s Conversion of Imagery
- 8 Muses in the Miscellanists’ Frame
- 9 Clement’s Theology of Hiddenness and the Logic of Christian Miscellanism
- 10 Mystery Initiation and Clement’s Literary Paideia
- 11 Poikilia
- 12 Conclusion
- Appendix The Literary Sequence of Protrepticus, Paedagogus, Stromateis (and Hypotyposeis)
- Bibliography
- Index
Summary
Clement’s title, Stromateis, is his most explicit genre marker; it is a miscellanistic cliché, by which he positions his work squarely within the culture of Classical miscellany- making. Classical miscellanists often invented clever titles and drew attention to them; on the surface, Clement’s Stromateis appears to be, by contrast, dull and prosaic. On closer inspection, we find that he uses his sequence of titles creatively to guide his readers into a deepening relation to God. Protrepticus and Paedagogus become scripturally authorised ways of figuring the Lord as the one who is addressing the reader, while Clement as author oscillates between accompanying his readers and sharing the Lord’s voice. In the Stromateis,Clement emphasises that the title is a miscellanistic cliché and does not endeavour to discover it in Scripture, but that in itself turns out to have significance. His point is that what is strewn (διεστρωμένα) is strewn in the world more widely than in Scripture, and the work has its telos in something that lies beyond the words on the page.
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- Clement of Alexandria and the Shaping of Christian Literary PracticeMiscellany and the Transformation of Greco-Roman Writing, pp. 120 - 165Publisher: Cambridge University PressPrint publication year: 2020