Book contents
- Geoffrey Chaucer in Context
- Geoffrey Chaucer in Context
- Copyright page
- Contents
- Illustrations
- Contributors
- Abbreviations
- Introduction
- Part I Chaucer as Context
- Part II Books, Discourse and Traditions
- Chapter 3 Chaucer’s Linguistic Invention
- Chapter 4 Chaucer and London English
- Chapter 5 Manuscripts and Manuscript Culture
- Chapter 6 Chaucer’s Books
- Chapter 7 Authority
- Chapter 8 Literary Theory and Literary Roles
- Chapter 9 Metre and Versification
- Chapter 10 Dialogue
- Chapter 11 Romance
- Chapter 12 Love
- Chapter 13 Chaucer and the Classics
- Chapter 14 The French Context
- Chapter 15 The Italian Tradition
- Chapter 16 The English Context
- Chapter 17 Chaucer’s Competitors
- Chapter 18 Boethius
- Part III Humans, the World and Beyond
- Part IV Culture, Learning and Disciplines
- Part V Political and Social Contexts
- Part VI Chaucer Traditions
- Further Reading
- Index
Chapter 11 - Romance
from Part II - Books, Discourse and Traditions
Published online by Cambridge University Press: 24 June 2019
- Geoffrey Chaucer in Context
- Geoffrey Chaucer in Context
- Copyright page
- Contents
- Illustrations
- Contributors
- Abbreviations
- Introduction
- Part I Chaucer as Context
- Part II Books, Discourse and Traditions
- Chapter 3 Chaucer’s Linguistic Invention
- Chapter 4 Chaucer and London English
- Chapter 5 Manuscripts and Manuscript Culture
- Chapter 6 Chaucer’s Books
- Chapter 7 Authority
- Chapter 8 Literary Theory and Literary Roles
- Chapter 9 Metre and Versification
- Chapter 10 Dialogue
- Chapter 11 Romance
- Chapter 12 Love
- Chapter 13 Chaucer and the Classics
- Chapter 14 The French Context
- Chapter 15 The Italian Tradition
- Chapter 16 The English Context
- Chapter 17 Chaucer’s Competitors
- Chapter 18 Boethius
- Part III Humans, the World and Beyond
- Part IV Culture, Learning and Disciplines
- Part V Political and Social Contexts
- Part VI Chaucer Traditions
- Further Reading
- Index
Summary
A productive way of approaching Chaucer’s sustained, innovative, often enigmatic engagement with romance can be to entertain the proposition that for him romance was as much a received literary form, predicated on its protagonists’ engagement with adventure and marvel, as it was a model for authorial adventurousness that invited him to compose new and counterintuitive literary marvels. In this, Chaucer’s Knight’s Tale shares something of the Gawain-poet’s grave subversion of and experimentation with existing romance form. However, Chaucer’s knowledge of the scholastic impossibilium (as articulated, for instance, through the Franklin and the Wife of Bath), points to a further experimental underpinning, such that we see in his romances the marvel of the marvel-made-empirical.
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- Geoffrey Chaucer in Context , pp. 89 - 96Publisher: Cambridge University PressPrint publication year: 2019
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