Book contents
- Immaterial Texts in Late Medieval England
- Immaterial Texts in Late Medieval England
- Copyright page
- Epigraph
- Contents
- Figures
- Acknowledgements
- Abbreviations, Quotations and References
- Chapter 1 Prologue
- Chapter 2 ‘Hele alle maner of schabbis’
- Chapter 3 ‘Who by prudence Rule him shal’
- Chapter 4 ‘Þe leef torned’
- Chapter 5 ‘Rede … and ʒe may se’
- Chapter 6 ‘This is the copy’
- Chapter 7 Conclusions
- Bibliography
- List of Manuscripts
- General Index
Chapter 5 - ‘Rede … and ʒe may se’
Reading Plain Text
Published online by Cambridge University Press: 12 May 2022
- Immaterial Texts in Late Medieval England
- Immaterial Texts in Late Medieval England
- Copyright page
- Epigraph
- Contents
- Figures
- Acknowledgements
- Abbreviations, Quotations and References
- Chapter 1 Prologue
- Chapter 2 ‘Hele alle maner of schabbis’
- Chapter 3 ‘Who by prudence Rule him shal’
- Chapter 4 ‘Þe leef torned’
- Chapter 5 ‘Rede … and ʒe may se’
- Chapter 6 ‘This is the copy’
- Chapter 7 Conclusions
- Bibliography
- List of Manuscripts
- General Index
Summary
Chapter 5 examines the annotations by scribes and marginalia by readers in manuscripts of the poems of Geoffrey Chaucer and John Lydgate. A quantitative survey of the treatment of margins shows that, although poets planned elaborate paratexts for their works, scribes and readers seldom used the page for annotation or marginalia. From this survey the author deduces that scribes and readers in the fifteenth century were more interested in reading the poem continuously and for kinds of reading aloud or for pleasure, in ways that do not lend themselves to written record in margins. The poem lives in an immaterial dimension of cognition and feeling, beyond what appears on the material page.
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- Immaterial Texts in Late Medieval EnglandMaking English Literary Manuscripts, 1400–1500, pp. 154 - 191Publisher: Cambridge University PressPrint publication year: 2022