Book contents
- Jonathan Swift in Context
- Jonathan Swift in Context
- Copyright page
- Contents
- Notes on Contributors
- Preface
- Acknowledgements
- Chronology
- Abbreviations
- Part I Personal
- Part II Publishing History and Legacy
- Part III Literary Background
- Part IV Genres
- Chapter 16 Satire
- Chapter 17 Pamphleteering and Political Journalism
- Chapter 18 Familiar Verse
- Chapter 19 Fables and Fantasy
- Chapter 20 Parody and Hoax
- Chapter 21 Sermons
- Chapter 22 History
- Chapter 23 Correspondence
- Chapter 24 The Novel
- Part V The External World
- Part VI Social and Intellectual Topics
- Further Reading
- Index
Chapter 20 - Parody and Hoax
from Part IV - Genres
Published online by Cambridge University Press: 02 May 2024
- Jonathan Swift in Context
- Jonathan Swift in Context
- Copyright page
- Contents
- Notes on Contributors
- Preface
- Acknowledgements
- Chronology
- Abbreviations
- Part I Personal
- Part II Publishing History and Legacy
- Part III Literary Background
- Part IV Genres
- Chapter 16 Satire
- Chapter 17 Pamphleteering and Political Journalism
- Chapter 18 Familiar Verse
- Chapter 19 Fables and Fantasy
- Chapter 20 Parody and Hoax
- Chapter 21 Sermons
- Chapter 22 History
- Chapter 23 Correspondence
- Chapter 24 The Novel
- Part V The External World
- Part VI Social and Intellectual Topics
- Further Reading
- Index
Summary
This chapter explores how Swift used hoax and parody in his satirical writings and pamphlets. An opening section looks at the five short pamphlets that constituted the 1708–9 Bickerstaff hoax, in which Swift predicted and then falsely confirmed the death of the Whig astrologer John Partridge. The second section shifts the focus on the Drapier’s Letters, where Swift similarly created a mock-author, albeit to very different ends. The chapter argues that such vividly realised personae are characteristic of Swift’s writing and sometimes result in works that are neither straightforward hoax nor parody.
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- Information
- Jonathan Swift in Context , pp. 156 - 164Publisher: Cambridge University PressPrint publication year: 2024