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from Part II - The Western Canon, the East, Contexts of Reception
Published online by Cambridge University Press: 16 January 2020
Throughout his career as a writer, Borges strategically strove to create an image of James Joyce as the artificer of intricately woven labyrinths whose sheer scope and encyclopaedic bulk both fascinated and horrified him. The chapter charts the twists and turns of Borges’s ambivalent relationship with Joyce, from his 1925 review of Ulysses and translation of a page of its final chapter, to the development of a more problematic attitude where he sought to reposition his own art of brevity as the antithesis of Joyce’s epic legacy.
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