Book contents
- Latin American Literature in Transition 1980–2018
- Latin American Literature in Transition
- Latin American Literature in Transition 1980–2018
- Copyright page
- Contents
- Contributors
- Acknowledgments
- Introduction
- Part I Security
- Part II New Genres
- Part III Mobilities
- Part IV Positionalities
- Part V Latin American Literature in Global Markets
- Index
- References
Part II - New Genres
Published online by Cambridge University Press: 24 November 2022
Book contents
- Latin American Literature in Transition 1980–2018
- Latin American Literature in Transition
- Latin American Literature in Transition 1980–2018
- Copyright page
- Contents
- Contributors
- Acknowledgments
- Introduction
- Part I Security
- Part II New Genres
- Part III Mobilities
- Part IV Positionalities
- Part V Latin American Literature in Global Markets
- Index
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- Latin American Literature in Transition 1980–2018 , pp. 77 - 182Publisher: Cambridge University PressPrint publication year: 2022
References
Works Cited
Alaimo, Stacy. Bodily Natures: Science, Environment, and the Material Self. Bloomington: Indiana University Press, 2010.Google Scholar
Chaviano, Daína. Los mundos que amo (fotonovela de ciencia ficción). Havana: Letras Cubanas, 1982.Google Scholar
Corbatta, Jorgelina. Narrativas de la Guerra Sucia en Argentina. Buenos Aires: Corregidor, 1999.Google Scholar
Ginway, Elizabeth. “Simian, cyborg and reptiles: Oviparity in the works of Latin American scriptural science fiction and fantasy.” Revista Iberoamericana, 83 (2017): 645–656.Google Scholar
González, Maielis. “Latin America and cyberpunk: Notes towards a poetics of the subgenre on our continent.” Paradoxa: Latin American Speculative Fiction, 31. December 2019.Google Scholar
Jiménez, Morato, Antonio. “Entre paréntesis, sobre ‘Un año sin primavera’ de Marcelo Cohen.” Revista Penúltima, 2019.Google Scholar
King, Edward. Science Fiction and Digital Technologies in Argentine and Brazilian Culture. New York: Palgrave Macmillan, 2013.Google Scholar
Parodi, Marco M. Conversión, aversión y Zombis filosóficos: aspectos del colonialismo moderno y ciencia ficción en la literatura de Puerto Rico del siglo XX y de lo que va del XXI. M.A. DISS. Nashville, TN: Vanderbilt University, 2017.Google Scholar
Spedding, Alison. De cuando en cuando Saturnina. Una historia oral del futuro. La Paz: Mama Huaco, 2010.Google Scholar
Zimmer, Zac. “A year in rewind, and five centuries of continuity: El año del desierto’s dialectical image.” MLN, 128.2 (March 2013): 373–383.Google Scholar
Works Cited
Aarseth, Espen J. Cybertext: Perspectives on Ergodic Literature. Baltimore, MD: Johns Hopkins University Press, 1997.Google Scholar
Bolter, Jay David and Grusin, Richard. Remediation: Understanding New Media. Cambridge, MA: MIT Press, 2000.Google Scholar
Bouchardon, Serge. “Mind the gap! 10 gaps for digital literature?” Electronic Book Review (May 2019), https://electronicbookreview.com/essay/mind-the-gap-10-gaps-for-digital-literature.Google Scholar
Flores, Leonardo. “La literatura electrónica latinoamericana, caribeña y global: generaciones, fases y tradiciones.” Artelogie 11, 2017. http://journals.openedition.org/artelogie/1590. doi: 10.4000/artelogie.1590.Google Scholar
Hayles, N. Katherine. Electronic Literature: New Horizons for the Literary. Notre Dame, IN: Notre Dame University Press, 2008.Google Scholar
Kittler, Friedrich A. Gramophone, Film, Typewriter. Trans. Geoffrey Winthrop-Young and Michael Wutz. Stanford, CA: Stanford University Press: 1999 [1986].Google Scholar
Kozak, Claudia. “Latin American electronic literature: When, where, and why.” #WomenTechLit. Ed. María, Mencía. Rochester, NY: Center for Literary Computing, 2017. 55–72.Google Scholar
Kozak, Claudia “Digital Latin American poetry: Experimental language in the times of bits.” Latin American Literature Today 1.10 (May 2019).Google Scholar
Landow, George. Hypertext 3.0: Critical Theory and New Media in an Era of Globalization. Baltimore, MD: Johns Hopkins University Press, 2006 [1992].CrossRefGoogle Scholar
Latin American Electronic Literature Network. http://litelat.net.Google Scholar
Martín-Barbero, Jesús. “Foreword: Latin American cyberliterature – From the lettered city to the creativity of its citizens.” Latin American Cyberculture and Cyberliterature. Eds. Taylor, Claire and Thea, Pitman. Liverpool: Liverpool University Press, 2007. xi–xv.Google Scholar
Rodríguez, Jaime Alejandro. Gabriella Infinita. Hypermedia narrativo, 2002. www.javeriana.edu.co/gabriella_infinita/principal.htm.Google Scholar
Romano, Gustavo. The IP Poetry Project. 2004 – actualidad. http://ip-poetry.findelmundo.com.ar/index.html.Google Scholar
Taylor, Claire and Pitman, Thea (eds.). Latin American Cyberculture and Cyberliterature. Liverpool: Liverpool University Press, 2007.Google Scholar
Taylor, Claire and Pitman, Thea. Latin American Identity in Online Cultural Production. Abingdon: Routledge, 2013.CrossRefGoogle Scholar
Works Cited
Cosse, Isabella. Mafalda: historia social y política. Buenos Aires: Fondo de Cultura Económica, 2014.Google Scholar
Garralón, Ana. “Temas y modos de la literatura infantil latinoamericana.” Cuadernos Hispanoamericanos, 776 (2015): 33–47.Google Scholar
Hanán, Díaz, Fanuel. “Realism and magic in Latin American children’s books.” The Routledge Companion to International Children’s Literature. Ed. Stephens, John. New York: Routledge, 2018. 31–38.Google Scholar
Josiowicz, Alejandra. La cruzada de los niños: Intelectuales, infancia y modernidad literaria en América Latina. Bernal: Universidad Nacional de Quilmes Editorial, 2018.Google Scholar
Lajolo, Marisa and Zilberman, Regina. Literatura Infantil Brasileira: Uma Nova Outra História. Curitiba: Editoria Universitária Champagnat, 2017.Google Scholar
Lluch, Gemma. Análisis de narrativas infantiles y juveniles. Cuenca: Ediciones de la Universidad De Castilla–La Mancha, 2003.Google Scholar
Montes, Graciela. El corral de la infancia. 2nd ed. Mexico: Fondo de Cultura Económica, 2002.Google Scholar
Nodelman, Perry. The Hidden Adult: Defining Children’s Literature. Baltimore, MD: Johns Hopkins University Press, 2008.CrossRefGoogle Scholar
Qvortrup, Jens, Corsaro, William A. and Honig, Michael-Sebastian. “Why social studies of childhood? An introduction to the Handbook.” The Palgrave Handbook of Childhood Studies. Eds. Qvortrup, Jens, Corsaro, William A., and Michael-Sebastian, Honig. New York: Palgrave Macmillan, 2009. 1–18.CrossRefGoogle Scholar
Rey, Mario. Historia y muestra de la literatura infantil mexicana. Mexico City: Ediciones SM-Conaculta, 2000.Google Scholar
Siskind, Mariano. Cosmopolitan Desires: Global Modernity and World Literature in Latin America. Evanston, IL: Northwestern University Press, 2014.Google Scholar
Soriano, Marc. La literatura para niños y jóvenes: guía de exploración de sus grandes temas. Buenos Aires: Ed. Colihue, 1995.Google Scholar
Torremocha, Pedro Cerillo, C. and Sotomayor, Ma Victoria. Censuras y LIJ en el Siglo XX (En España y 7 países latinoamericanos). Cuenca: Ediciones de la Universidad de Castilla–La Mancha, 2016.Google Scholar
Works Cited
Alarcón, Daniel and Paz, Diego Trelles. “Enter the post-post-boom.” Special issue of Zoetrope: All Story, 13.1 (2009): 11–13.Google Scholar
Anderson, Jon Lee. “Private eyes: A crime novelist navigates Cuba’s shifting reality.” The New Yorker. October 21, 2013. https://www.newyorker.com/magazine/2013/10/21/private-eyes.Google Scholar
Beverley, John. “The margin at the center: On testimonio (testimonial narrative).” Modern Fiction Studies, 35.1 (1989): 11–28.Google Scholar
Bollig, Ben. “Sergio Raimondi (Argentina, 1968).” Poetry International Web, April 25, 2016. https://www.poetryinternational.org/pi/site/poet/item/27796/11625/Sergio-Raimondi.Google Scholar
Brown, J. Andrew and Ginway, M. Elizabeth. “Introduction.” Latin American Science Fiction: Theory and Practice. Ed. Ginway, M. Elizabeth and Brown, Andrew. New York: Palgrave Macmillan, 2012. 1–18.Google Scholar
Capretto, Lisa. “Paulo Coelho explains how The Alchemist went from flop to record-breaking bestseller.” OWN. Huffpost.com, September 4, 2014. www.huffpost.com/entry/the-alchemist-paulo-coelho-oprah_n_5762092?guccounter=1.Google Scholar
Emre, Merve. Paraliterary: The Making of Bad Readers in Postwar America. Chicago, IL: The University of Chicago Press, 2017.Google Scholar
Gabriel, Ruan de Sousa. “O escritor Ricardo Lísias faz libelo contra os intelectuais e suas velhas bibliografias.” Época. Globo.com, December 15, 2018. https://epoca.globo.com/o-escritor-ricardo-lisias-faz-libelo-contra-os-intelectuais-suas-velhas-bibliografias-23307454.Google Scholar
Kusumoto, Meire. “Parece ficção: folhetim virtual vira alvo da Polícia Federal.” Veja. Abril.com, September 11, 2015. https://veja.abril.com.br/entretenimento/parece-ficcao-folhetim-virtual-vira-alvo-da-policia-federal.Google Scholar
Ludmer, Josefina. Aquí América latina: una especulación. Buenos Aires: Eterna Cadencia, 2010.Google Scholar
Pron, Patricio. El libro tachado: prácticas de la negación y del silencio en la crisis de la literatura. Madrid: Turner, 2014.Google Scholar
Rivera, Garza, Cristina . Los muertos indóciles. Necroescrituras y desapropiación. Mexico City: Editoras Tusquets, 2013.Google Scholar
Solotorovsky, Myrna. “Para-literature.” Encyclopedia of Latin American Literature. Ed. Smith, Verity. London: Fitzroy Dearborn, 1997.Google Scholar
Tatum, Chuck. “Paraliterature.” Handbook of Latin American Literature. Ed. Foster, David William, 2nd ed. New York: Garland Publishing, 1992. 687–728.Google Scholar
Warner, Michael. “Uncritical reading.” Polemic: Critical or Uncritical. Ed. Gallop, Jane. New York: Routledge, 2004. 13–38.Google Scholar
Wilkinson, Stephen. “Leonardo Padura Fuentes.” The Contemporary Spanish-American Novel: Bolano and After. Ed. Corral, Will H., De Castro, Juan E., and Birns, Nicholas. New York: Bloomsbury Academic, 2013.Google Scholar
Works Cited
Aceves, Sepúlveda, Gabriela. Women Made Visible: Feminist Art and Media in Post-1968 Mexico City. Lincoln: University of Nebraska Press, 2019.Google Scholar
Alcazar, Josefina. Performance: un arte del yo. Autobiografía, cuerpo e identidad. Mexico City: Siglo XXI Editores, 2016.Google Scholar
Boal, Augusto. Teatro del oprimido 1: Teoría y práctica. Mexico City: Nueva Imagen, 1980.Google Scholar
Bruguera, Tania. tania bruguera | Home. www.taniabruguera.com/cms. Accedido 15 de junio de 2020.Google Scholar
Carroll, Amy Sara. REMEX: Toward an Art History of the NAFTA Era. Austin: University of Texas Press, 2018.Google Scholar
Fusco, Coco. “Introduction: Latin American performance and the reconquista of civil space.”Corpus Delecti: Performance Art of the Americas. Ed. Fusco, Coco. London: Routledge, 2000. 1–20.Google Scholar
Goldberg, RoseLee. Performance Art: From Futurism to the Present. New York: Thames and Hudson, 2005.Google Scholar
Lanza, Cecilia, Sáenz, Jaime, Monsiváis, Coralos, and Lemebel, Pedro. Crónicas de la identidad: Ensayos sobre la crónica latinoamericana. Saarbrucken: Editorial académica española, 2012.Google Scholar
Mayer, Mónica. Rosa chillante: mujeres y performance en México. Mexico City: Conaculta-Fonca, AVJ Ediciones, Pinto mi Raya, 2004.Google Scholar
Minujín, Marta. “Under the same sun: Marta Minujín on demystifying the Statue of Liberty.” Guggenheim UBS MAP Global Art Initiative, video transcript. www.guggenheim.org/wp-content/uploads/2017/07/guggenheim-video-transcript-marta-minujin-on-demystifying-the-statue-of-liberty.pdf, accessed May 3, 2019.Google Scholar
Muñoz, José. “Performing Greater Cuba: Tania Bruguera and the burden of guilt.” Women & Performance: A Journal of Feminist Theory, 11.2 (2000): 251–265.Google Scholar
Padín, Clemente. “El arte en las calles.” Performance y arte-acción en América Latina. Ed. Josefina Alcázar and Fernando Fuentes. Mexico City: Ediciones Sin Nombre, 2005. 15–31.Google Scholar
Portocarrero, Florencia. “New Bourgeois Latin American immigrant who learned shopping and has good taste: Identity subversions in the work of Elena Tejada-Herrera.” Terremoto, 8, March 2017, https://terremoto.mx/article/elena-tejada-herrera, accessed May 28, 2019.Google Scholar
Ramos-Yzquierdo, Marta. “Felipe Ehrenberg: Las partituras visuales: nuevas propuestas colectivas de creación artística.” Museo Reina Sofía. www.museoreinasofia.es/sites/default/files/banner/descargas/felipe_ehrenberg_las_partituras_visuales-_nuevas_propuestas_colectivas_de_creacioun_artiustica.pdf, accessed May 10, 2019.Google Scholar
Schneider, Rebecca. “Solo Solo Solo” After Criticism: New Essays in Art and Performance. London: Blackwell, 2005.Google Scholar
Spencer, Catherine. “Performing pop: Marta Minujín and the Argentine image-makers.” Tate Papers, 24, autumn 2015, www.tate.org.uk/research/publications/tate-papers/24/performing-pop-marta-minujin-and-the-argentine-image-makers, accessed June 6, 2019.Google Scholar
Taylor, Diana. The Archive and the Repertoire. Durham, NC: Duke University Press, 2003.Google Scholar
Taylor, Diana “Introducción: Performance, teoría y práctica” Estudios avanzados de performance. Ed. Taylor, Diana and Fuentes, Marcela. Mexico City: Fondo de Cultura Económica, 2011. 7–30.Google Scholar
Turner, Victor. From Ritual to Theatre: The Human Seriousness of Play. New York: PAJ Publishing, 1982.Google Scholar
Works Cited
Aldama, Frederick Luis. Latinx Superheroes in Mainstream Comics. Tucson: University of Arizona Press, 2017.Google Scholar
Breckenridge, Janis. “Tracing (Argentine) feminism across time, or how Maitena plays with La Histori(et)a.” Chasqui, 45.1 (May 2016): 42–53.Google Scholar
Cannon, Sam. “Feminist riots and gay giants: The Mayo feminista and cultural context of contemporary queer Chilean comics.” The Routledge Companion to Gender and Sexuality in Comics. Ed. Aldama, Frederick Luis. New York: Routledge, 2020. 403–417.Google Scholar
Carrasco, Catalá, Jorge, L., Paulo, Paulo Drinot, and Scorer, James. Eds. Comics and Memory in Latin America. Pittsburgh, PA: University of Pittsburgh Press, 2017.Google Scholar
Cosse, Isabella. “Mafalda: Middle class, everyday life, and politics in Argentina, 1964–1973.” Hispanic American Historical Review, 94.1 (2014):35–75.Google Scholar
Cuevas, Marco Polo, Hernández. “Memín Penguín: Uno de los comics mexicanos más populares como instrument para codificar al negro.” Afro-Hispanic Review, 22.1 (2003): 52–59.Google Scholar
Dio, Paula Di. “Aventuras éticas y epistemológicas en un viaje sin retorno: El Eternauta de H. G. Oesterheld y F. Solano López.” Hispanic Research Journal, 13.2 (April 2012): 131–148.CrossRefGoogle Scholar
Dorfman, Ariel and Mattelart, Armand. Para leer al Pato Donald. Buenos Aires: Siglo veintiuno Argentina, 1972.Google Scholar
Dorr, Kristie. “‘Putting a stamp on racism’: Political geographies of race and nation in the Memín Penguin polemic.” Aztlan: A Journal of Chicano Studies, 39.1 (Spring 2014): 13–40.Google Scholar
Espinoza, Mauricio. “Drawing up a ‘post’-Latin America: The possibilities and limits of gender imagination in post-apocalyptic, post-human, and post-historical graphic narrative.” The Routledge Companion to Gender, Sex and Pop Culture in Latin America. Ed. Aldama, Frederick Luis. New York: Routledge, 2018. 83–90.Google Scholar
Fernández-L’Hoeste, Héctor. “Clément, Edgar.” http://professorlatinx.com/comics/clement-edgar.Google Scholar
Foster, David Williams. El Eternauta, Daytripper and Beyond: Graphic Narrative in Argentina and Brazil. Austin: University of Texas Press, 2016.Google Scholar
García, Enrique. “‘Coon imagery’ in Will Eisner’s The Spirit, and Yolanda Vargas Dulché’s Memín Pinguín.” International Journal of Comic Art, 12.2–3 (2010): 112–124.Google Scholar
Garcia-Liendo, Javier. “Memory in pieces: Chola Power’s origin story and the quest for memory in Peru.” Graphic Indigeneity: Comics in the Americas and Australasia. Ed. Aldama, Frederick Luis. Jackson: University of Mississippi Press, 2020. 144–167.Google Scholar
Irwin, Robert McKee. “Memín Penguín: Líos Gordos con los Gringos.” Redrawing the Nation: National Identity in Latin/o American Comics. Eds. Fernández L’Hoeste, Héctor and Juan, Poblete. New York: Palgrave Macmillan, 2009. 111–130.Google Scholar
Kastner, Carolyn. “The cosmopolitan circles of Miguel Covarrubias.” American Art, 30.1 (2016): 11–15.Google Scholar
King, Edward and Page, Joanna. Posthumanism and the Graphic Novel in Latin America. London: UCL Press, 2017.Google Scholar
Neria, Leticia and Aspinwall, Mark. “Popular comics and authoritarian injustice frames in Mexico.” Latin American Research Review, 51.1 (2016): 22–42.Google Scholar
Espinoza, Mauricio. “Drawing up a ‘post’-Latin America: The possibilities and limits of gender imagination in post-apocalyptic, post-human, and post-historical graphic narrative.” The Routledge Companion to Gender, Sex and Latin American Culture. Ed. Aldama, Frederick Luis. London: Routledge, 2018.Google Scholar
Ouweneel, Arij. “Outsmarting the lords of death: An Amerindian cognitive script in comics.” Graphic Indigeneity: Comics in The Americas and Australasia. Ed. Aldama, Frederick Luis. Jackson: University of Mississippi Press, 2020. 127–143.Google Scholar
Pellegrin, Annick. “Real men choose vasectomy: Questioning and redefining Mexican national masculinity in Los Supermachos, from Rius to anonymous authors.” The Routledge Companion to Gender and Sexuality in Comics. Ed. Aldama, Frederick Luis. New York: Routledge, 2020. 66–77.Google Scholar
Premat, Adriana. “Popular culture, politics and alternative gender imaginaries in 1960s and 1970s Argentina.” Studies in Latin American Popular Culture, 33 (2015): 41–56.Google Scholar
Rommens, Aarnoud. “Memory in camouflage: Alberto Breccia and Guillermo Saccomanno’s ‘William Wilson’ as catalyst for memory.” Poetics Today, 26.2 (Summer 2005): 305–347.Google Scholar
Rubenstein, Anne. Bad Language, Naked Ladies and Other Threats to the Nation: A Political History of Comic Books in Mexico. Durham, NC: Duke University Press, 1998.Google Scholar
Rutherford, Jessica. “Visualizing an alternate Mesoamerican archive: Daniel Parada’s comic series Zotz in historical perspective.” In Graphic Indigeneity: Comics in The Americas and Australasia. Ed. Aldama, Frederick Luis. Austin: University of Mississippi Press, 2020. 168–180.Google Scholar
Santos, Jorge. “Critical Impulses in Daniel Parada’s Zotz: A Case Study in Indigenous Comics.” In Graphic Indigeneity: Comics in the Americas and Australasia. Ed. Aldama, Frederick Luis. Jackson: University of Mississippi Press, 2020. 181–196.Google Scholar
Scorer, James. “Man, myth and sacrifice: Graphic biographies of Ernesto ‘Che’ Guevara.” Journal of Graphic Novels and Comics, 1.2 (December 2010): 137–150.Google Scholar
Stavans, Ilan and Aldama, Frederick Luis. ¡Muy Pop! Conversations on Latino Popular Culture. Ann Arbor: University of Michigan Press, 2013.Google Scholar
Stavans, Ilan and Sokol, Neal. “Redrawing the Historieta: An interview between Ilan Stavans and Neal Sokol.” The Literary Review, 51.4 (Summer 2008): 231–240.Google Scholar
Stefkova, Radmila (Lale). “My grandmother collects memories: Gender and remembrance in Hispanic graphic narratives.” In The Routledge Companion to Gender and Sexuality in Comics. Ed. Aldama, Frederick Luis. New York: Routledge, 2020. 390–402.Google Scholar
Tullis, Brittany. “Out of the mouths of babes: Mafalda’s interrogation of the Argentine angel in the house.” Picturing Childhood: Youth in Transnational Comics. Eds. Heimermann, Mark and Tullis, Brittany. Austin: University of Texas Press, 2017. 92–107.Google Scholar
Works Cited
Grandón, Araya, Gabriel, Juan. “Aproximaciones al estudio ecocrítico de la literatura chilena.”Logos: Revista de Lingüística, Filosofía y Literatura, 26.2 (2016): 278–285.Google Scholar
Aridjis, Homero. Eyes to See Otherwise (Ojos de otro mirar): Selected Poems. Eds. Ferber, Betty and McWhirter, George. New York: New Directions, 2002.Google Scholar
Aridjis, Homero Del cielo y sus maravillas, de la tierra y sus miserias. Mexico City: Fondo de cultura económica, 2013.Google Scholar
Bravo, Luis. Juan Angel Italiano “Paso de los Trovos 100 DADÁ,” https://juanangelitaliano.bandcamp.com/album/2016-paso-de-los-trovos-100-dad.Google Scholar
Buell, Lawrence. Writing for an Endangered World: Literature, Culture and Environment in the United States and Beyond. Cambridge, MA: Harvard University Press, 2001.Google Scholar
Calderón, Esthela. Los huesos de mi abuelo (The Bones of My Grandfather) (Eco-poesía sin fronteras). Trans. Steven F. White. Madrid: Amargord Ediciones, 2018.Google Scholar
Campo, Rafael. The Healing Art: A Doctor’s Black Bag of Poetry. New York: W. W. Norton, 2003.Google Scholar
Chihuailaf, Elicura. Sueños de luna azul. Buenos Aires: Editorial Cuatro Vientos, 2008.Google Scholar
Chihuailaf, Elicura and Sergio Rodríguez Saavedra. “‘The Blue World’: A conversation between Sergio Rodríguez Saavedra and Elicura Chihuailaf.” Latin American Literature Today (2017): 1–9 (www.latinamericanliteraturetoday.org/en).Google Scholar
Feinsod, Harris. The Poetry of the Americas: From Good Neighbors to Countercultures. Oxford: Oxford University Press, 2017.Google Scholar
Forns-Broggi, Roberto. “Introduction.” Los huesos de mi abuelo (The Bones of My Grandfather) (Eco-poesía sin fronteras). Madrid: Amargod Ediciones, 2018. 147–153.Google Scholar
Freud, Sigmund. “Reflections on War and Death.” Trans. A. A. Brill and Alfred B. Kuttner. Moffat, Yard and Co. (1918). Sophia Project, www.sophiaomni.org. 1–12.Google Scholar
Gonzáles Cargas, Yanko. “Elicura Chihuailaf: Los chilenos son como niños mal criados.” Héroes civiles y santos laicos: Palabra y periferia – trece entrevistas a escritores del Sur de Chile. 5/29/2019; 1–14. https//web.uchile.cl/publicaciones/cyber/15/vida1 c.html.Google Scholar
Hernández, de Valle-Arizpe, Claudia. Hemicránea. Mexico City: Ediciones Sin Nombre, 1998.Google Scholar
Kac, Eduardo. “Holopoetry and fractal holopoetry: Digital holography as an art medium.” Leonardo, 22.3/4 (1989): 397–402. www.ekac.org/holo.leonardo.eng.html.Google Scholar
Kuhnheim, Jill S. Beyond the Page: Poetry and Performance in Spanish America. Tucson: University of Arizona Press, 2014.Google Scholar
McNee, Malcolm K. The Environmental Imaginary in Brazilian Poetry and Art. London: Palgrave Macmillan, 2014.Google Scholar
Parra, Nicanor. El cielo está cayendo a pedazo: Ecopoemas. Barcelona: Vegueta Ediciones, 2016.Google Scholar
Perrone, Charles. Brazil, Lyric, and the Americas. Gainesville: University Press of Florida, 2010.Google Scholar
Stauder, Thomas, ed. La luz queda en el aire: Estudios internacionales en torno a Homero Aridjis. Frankfurt: Vervuert Verlag, 2005.Google Scholar
White, Steven. “Translator’s preface.” Los huesos de mi abuelo (The Bones of My Grandfather) (Eco-poesía sin fronteras). Madrid: Amargord, 2018. 155–159.Google Scholar
Woolf, Virginia. “On being ill.” The Moment and Other Essays. London: The Hogarth Press, 1947. 14–24.Google Scholar