Book contents
- Memory and Mortality in Renaissance England
- Memory and Mortality in Renaissance England
- Copyright page
- Dedication
- Contents
- Figures
- Notes on Contributors
- Acknowledgements
- Introduction
- Part I The Arts of Remembering Death
- Chapter 1 Death and the Art of Memory in Donne
- Chapter 2 Spiritual Accountancy in the Age of Shakespeare
- Chapter 3 Recollection and Pre-emptive Resurrection in Shakespeare’s Sonnets
- Chapter 4 Learn How to Die
- Part II Grounding the Remembrance of the Dead
- Part III The Ends of Commemoration
- Parting Epigraph
- Bibliography
- Index
Chapter 4 - Learn How to Die
from Part I - The Arts of Remembering Death
Published online by Cambridge University Press: 06 October 2022
- Memory and Mortality in Renaissance England
- Memory and Mortality in Renaissance England
- Copyright page
- Dedication
- Contents
- Figures
- Notes on Contributors
- Acknowledgements
- Introduction
- Part I The Arts of Remembering Death
- Chapter 1 Death and the Art of Memory in Donne
- Chapter 2 Spiritual Accountancy in the Age of Shakespeare
- Chapter 3 Recollection and Pre-emptive Resurrection in Shakespeare’s Sonnets
- Chapter 4 Learn How to Die
- Part II Grounding the Remembrance of the Dead
- Part III The Ends of Commemoration
- Parting Epigraph
- Bibliography
- Index
Summary
Recent popular accounts of how to face death have strikingly hinged on passages from early modern literature, whether invoking Montaigne’s essays or Shakespeare’s elegiac verse. As there is currently a struggle to face a climate crisis and declining faith in institutions, can a previous era’s confrontation with death provide resources for present-day quandaries? This chapter argues that it can, through a renewed attention to the formal homologies between ‘craft of dying’ handbooks and dramaturgical practice. These manuals, often framed in the theatricalized form of a series of dialogues, were performative in their very structure. They provide behaviour that is scripted, and then practised, and then enacted, with actors and audiences. Like the anatomy theatre and the rhetorical quaestiones tradition, the craft of dying ought to be considered one of the fundamental cultural practices that led to early modern drama's staging of death. At today's crucial juncture, returning to this theatrical craft of dying might help, in Tennyson’s words, to ‘teach [us] how to hope, / Or tell [us] how to die'.
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- Memory and Mortality in Renaissance England , pp. 78 - 96Publisher: Cambridge University PressPrint publication year: 2022