Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-4rdpn Total loading time: 0 Render date: 2024-11-19T08:40:49.689Z Has data issue: false hasContentIssue false

5 - Faust: The Instrumentalisation of an Icon

from Part I - Goethe's Faust: Content and Context

Published online by Cambridge University Press:  30 August 2017

Osman Durrani
Affiliation:
Magdalen College in Oxford
Lorraine Byrne Bodley
Affiliation:
Maynooth University
Get access

Summary

Historical Faustus

Doctor Faustus emerges in vastly different guises in every age and culture following his appearance in late medieval times. Controversial from the outset, he has changed from villain to hero and, in the eyes of many, back to villain again, not at the mere whim of individual artists’ intent on reshaping the original material, but in accordance with the ever shifting values of successive epochs. The object of this chapter is to highlight key stages in the evolution of this extraordinary figure and thereby to convey a necessarily fleeting impression of some of the factors that made him an instrument of successive ideologies. The term ‘instrument’ is relevant in two senses: it reveals his dependence on each generation's necessarily shifting perspective, while at the same time referring to the playability and playfulness of the underlying theme. It is for this reason that Faustus has proved to be so attractive to the many musicians whose work is the focus of this volume. Their diverse settings and compositions are seen to mirror, complement and in some cases even anticipate literary reworkings of the theme.

Faustus is the product of an age from which few reliable documents have survived, but a lack of evidence has not prevented scholars from attempting to reconstruct elusive or absent data. A recent biography goes so far as to propose a precise date of birth, namely 23 April 1480. Wildly speculative as this suggestion may seem, it derives from a not totally implausible conjecture based on his first name. The given name most frequently associated with Faustus in the earliest sources is not Johann, as the chapbook would have it, and certainly not Heinrich, the alias employed by Goethe's seducer and hurled back at him by his distraught victim moments before her death. The earliest documents speak of Faustus as Jörg, a derivative of Georg or George. In those God-fearing times it was common practice to name children after the saint on whose day they were born; St George's Day is celebrated on 23 April.

Type
Chapter
Information
Music in Goethe's Faust
Goethe's Faust in Music
, pp. 86 - 98
Publisher: Boydell & Brewer
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×