Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-s2hrs Total loading time: 0 Render date: 2024-11-16T12:34:02.234Z Has data issue: false hasContentIssue false

15 - Rethinking Community: The Indic Carvings of Quanzhou

Published online by Cambridge University Press:  03 November 2017

Risha Lee
Affiliation:
Columbia University in New York
Get access

Summary

INTRODUCTION

In the late thirteenth century, a Tamil-speaking community in southern China's coastal city of Quanzhou built a temple devoted to the Hindu god Siva. The temple is no longer intact, but over 300 carvings are still within the city, on display in the collection of the local museum, and rebuilt into the walls of the city's main Buddhist temple. The known carvings are distinguishable by their South Indian style, with its closest parallels in thirteenth century temples constructed in the Kaveri Delta Region in Tamil Nadu, and are dispersed across five primary sites in Quanzhou and its surroundings. Almost all are carved with greenish-gray granite, which was widely available in the nearby hills and used frequently in the region's contemporaneous architecture. The remains attest to the presence of a settled South Indian community in southern China during the late thirteenth century and indicate an even longer history of cross-cultural exchange between China and India.

Scholars have charted the movement and motivations of the twelfth to thirteenth century Sino-Indian exchange, analyzing the Indic carvings to show persistent cultural and mercantile relations between the two regions. However, existing scholarship stops short of reading from the carvings a fresh politics of culture and identity, one that challenges today's regnant theories in philosophy, history, and political theory. For, as I will show, the carvings resist a binary understanding of cultural interaction, where bounded, definable cultures or ethnicities “influenced” one another. Indeed, I argue that neither the temple patrons in Quanzhou, nor the city's local artisans, viewed themselves as culturally distinct selves or others when they interacted. Quanzhou's Indic carvings, I argue, index an active translation of ideas and images in built-form.

HISTORICAL BACKGROUND

What little we know of the community of Siva worshippers in Quanzhou comes directly from the carvings themselves; apart from the material remains of a Siva temple, history has not documented or referenced its creators. The strongest evidence for its construction date is a bilingual inscription found in Quanzhou, written in both Chinese and Tamil on a block of diabase stone, which records the consecration of a Siva temple in 1281.

Type
Chapter
Information
Nagapattinam to Suvarnadwipa
Reflections on the Chola Naval Expeditions to Southeast Asia
, pp. 240 - 270
Publisher: ISEAS–Yusof Ishak Institute
Print publication year: 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×