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from Part II - Form and Genre
Published online by Cambridge University Press: 05 August 2021
How Norman Mailer enters the discussion of Modernism may be as opaque as the discussion of Modernism itself. Several lines of approach, however, may be useful: First, which traditions did Mailer gravitate towards; second, how did Mailer define himself as an artist; third, what were the central elements of his worldview and poetics; and fourth, what questions of form and style did his work attempt to explore? This chapter situates Mailer’s work within the literary and historical context of the Modernist movement by focusing on his use of persona, his worldview, and the thematic content of his work.
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