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3 - Performing Emotion, Embodying Country in Australian Aboriginal Ritual

from Part One - Landscope and Emotion

Published online by Cambridge University Press:  05 December 2013

Fiona Magowan
Affiliation:
Professor of Anthropology at Queen's University, Belfast
Louise Wrazen
Affiliation:
Associate Professor of Music at York University
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Summary

The saltwater … here it rests in the saltwater country, but it all has names. … Also the rocks. Rocks that the country holds. Where the water moves … where it rests. There are places there, names there, names that are special that Yolngu receive in their heads. And sing and give names to children.

—Djambawa Marawili

Performing the Law

After a rough drive along the dirt road leading away from the township of Galiwin'ku, in northeast Arnhem Land, we came into an outstation on the coast (see map 3.1). Some family members were sitting on their raised verandas in the shade. One of the three Yolngu women traveling in the car gestured that they should go to a thick mangrove cluster close to the sea to gather shellfish and mud crabs. As they departed, I, along with another non-Aboriginal friend who also knew the family and had a long history in the region, took the opportunity to meet with one of the clan leaders. We walked toward the shoreline, where an inlet led around to a rocky headland along the white beach. After some general conversation, and in response to some questions about the genealogy of the area, he offered fragments of information about the ancestor who had traversed the promontory in the distant past, establishing his clan rights and those of his kin there. I had already analyzed a range of song series in the region and knew something of the history of the ancestors in the area.

Type
Chapter
Information
Performing Gender, Place, and Emotion in Music
Global Perspectives
, pp. 63 - 82
Publisher: Boydell & Brewer
Print publication year: 2013

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