Book contents
- Tom Stoppard in Context
- Frontispiece
- Tom Stoppard in Context
- Copyright page
- Contents
- Notes on Contributors
- Chronology
- Abbreviations
- Introduction
- Part I Origins
- Part II Influences
- Part III Ideas
- Part IV Aesthetics
- Part V Politics
- Chapter 19 Ideology
- Chapter 20 Communism
- Chapter 21 The Cold War
- Chapter 22 Human Rights and Censorship
- Chapter 23 Empire, Colonialism, and Post-Colonialism
- Part VI Page, Stage, and Screen
- Further Reading
- Index
Chapter 21 - The Cold War
from Part V - Politics
Published online by Cambridge University Press: 09 June 2021
- Tom Stoppard in Context
- Frontispiece
- Tom Stoppard in Context
- Copyright page
- Contents
- Notes on Contributors
- Chronology
- Abbreviations
- Introduction
- Part I Origins
- Part II Influences
- Part III Ideas
- Part IV Aesthetics
- Part V Politics
- Chapter 19 Ideology
- Chapter 20 Communism
- Chapter 21 The Cold War
- Chapter 22 Human Rights and Censorship
- Chapter 23 Empire, Colonialism, and Post-Colonialism
- Part VI Page, Stage, and Screen
- Further Reading
- Index
Summary
The thematics of the Cold War, including the daily ambient threat of nuclear annihilation, permeate much of Stoppard’s writing – implicitly in the absurdity and fatalism of early plays like Rosencrantz and Guildenstern Are Dead and explicitly in works dealing with interactions across the Iron Curtain like Squaring the Circle and Professional Foul.
- Type
- Chapter
- Information
- Tom Stoppard in Context , pp. 173 - 180Publisher: Cambridge University PressPrint publication year: 2021