Book contents
- Tom Stoppard in Context
- Frontispiece
- Tom Stoppard in Context
- Copyright page
- Contents
- Notes on Contributors
- Chronology
- Abbreviations
- Introduction
- Part I Origins
- Part II Influences
- Part III Ideas
- Chapter 10 Philosophy
- Chapter 11 Science
- Chapter 12 Mathematics
- Chapter 13 History and Biography
- Chapter 14 Love and Sexuality
- Part IV Aesthetics
- Part V Politics
- Part VI Page, Stage, and Screen
- Further Reading
- Index
Chapter 10 - Philosophy
from Part III - Ideas
Published online by Cambridge University Press: 09 June 2021
- Tom Stoppard in Context
- Frontispiece
- Tom Stoppard in Context
- Copyright page
- Contents
- Notes on Contributors
- Chronology
- Abbreviations
- Introduction
- Part I Origins
- Part II Influences
- Part III Ideas
- Chapter 10 Philosophy
- Chapter 11 Science
- Chapter 12 Mathematics
- Chapter 13 History and Biography
- Chapter 14 Love and Sexuality
- Part IV Aesthetics
- Part V Politics
- Part VI Page, Stage, and Screen
- Further Reading
- Index
Summary
Stoppard’s fascination with philosophy spans his whole career, from early pieces like Jumpers and Dogg’s Hamlet to Darkside and The Hard Problem. Though he was extraordinarily conversant in the disciplinary questions of British analytic philosophy, even striking up correspondences with some of its leading figures, Stoppard also always harboured reservations as to philosophy’s utility and insight, finding it in many cases insufficient compared to the depth of human exploration available in the theatre.
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- Tom Stoppard in Context , pp. 81 - 88Publisher: Cambridge University PressPrint publication year: 2021