Transforming the Church Interior in Renaissance Florence Screens and Choir Spaces, from the Middle Ages to Tridentine Reform
Book contents
- Transforming the Church Interior in Renaissance Florence
- Transforming the Church Interior in Renaissance Florence
- Copyright page
- Dedication
- Contents
- Figures
- Acknowledgments
- Note to the Reader
- Introduction
- Chapter 1 Accessing the Italian Church Interior
- Chapter 2 Transforming Churches in Fifteenth-Century Florence
- Chapter 3 Transforming Churches in Sixteenth-Century Florence
- Chapter 4 Community and Access in the Mendicant Church
- Chapter 5 Patronage and Place in Monastic Churches
- Chapter 6 Gender and Ceremony in the Nuns’ Church
- Chapter 7 Behavior and Reform in the Civic Oratory
- Chapter 8 Duke Cosimo I de’ Medici, Religious Reform, and the Florentine Church Interior
- Glossary
- Archival Bibliography
- Bibliography
- Index
- References
Bibliography
Published online by Cambridge University Press: 30 April 2022
Book contents
- Transforming the Church Interior in Renaissance Florence
- Transforming the Church Interior in Renaissance Florence
- Copyright page
- Dedication
- Contents
- Figures
- Acknowledgments
- Note to the Reader
- Introduction
- Chapter 1 Accessing the Italian Church Interior
- Chapter 2 Transforming Churches in Fifteenth-Century Florence
- Chapter 3 Transforming Churches in Sixteenth-Century Florence
- Chapter 4 Community and Access in the Mendicant Church
- Chapter 5 Patronage and Place in Monastic Churches
- Chapter 6 Gender and Ceremony in the Nuns’ Church
- Chapter 7 Behavior and Reform in the Civic Oratory
- Chapter 8 Duke Cosimo I de’ Medici, Religious Reform, and the Florentine Church Interior
- Glossary
- Archival Bibliography
- Bibliography
- Index
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- Transforming the Church Interior in Renaissance FlorenceScreens and Choir Spaces, from the Middle Ages to Tridentine Reform, pp. 311 - 338Publisher: Cambridge University PressPrint publication year: 2022
References
Acidini Luchinat, Cristina. “L’altar maggiore.” In La chiesa e il convento di Santo Spirito a Firenze, edited by Luchinat, Cristina Acidini and Capretti, Elena, 337–56. Florence, 1996.Google Scholar
Ackerman, James S. “The Gesù in the Light of Contemporary Church Design.” In Baroque Art: The Jesuit Contribution, edited by Wittkower, Rudolf and Jaffe, Irma B., 15–28. New York, 1972.Google Scholar
Ackerman, James S. “Observations on Renaissance Church Planning in Venice and Florence, 1470–1570.” In Florence and Venice: Comparisons and Relations, edited by Bertelli, Sergio, Rubinstein, Nicolai, and Smyth, Craig Hugh, 287–307. Florence, 1980.Google Scholar
Ackerman, James S. “Pellegrino Tibaldi, San Carlo Borromeo e l’architettura ecclesiastica del loro tempo.” In San Carlo e il suo tempo: atti del Convegno Internazionale nel IV centenario della morte (Milano, 21–26 maggio 1984), 574–86. Rome, 1986.Google Scholar
Adriani, Giovanni Battista. Oratio Ioannisbaptistae Adrianij habita in funere Cosmi Medicis Magni Etruriae Ducis
. Florence, 1574.
Google Scholar
Agnelli, Francesco Antonio. The Excellences of the Congregation of the Oratory of St Philip Neri. Translated by Frederick Ignatius Antrobus. London, 1881.Google Scholar
Aiazzi, Giuseppe. Narrazioni istoriche delle più considerevoli inondazioni dell’Arno e notizie scientifiche sul medesimo
. Florence, 1845. Reprinted 1996.Google Scholar
Alban, Kevin. ed. We Sing a Hymn of Glory to the Lord: Preparing to Celebrate Seven Hundred Years of Sibert de Beka’s Ordinal 1312–2012: Proceedings of the Carmelite Liturgical Seminar, Rome, 6–8 July 2009. Rome, 2010.Google Scholar
Albèri, Eugenio. Relazioni degli ambasciatori veneti al Senato; raccolte, annotate, ed edite da Eugenio Albèri, a spese di una società
. Florence, 1839–63.Google Scholar
Alberigo, Giuseppe. “Altoviti, Antonio.” In Dizionario biografico degli Italiani, edited by Caravale, Mario, Vol. 2, 572–73. Rome, 1960.Google Scholar
Alberti, Leon Battista. Ten Books on Architecture
. Translated by Cosimo Bartoli and James Leoni. Edited by Rykwert, Joseph. London, 1955.Google Scholar
Albertini, Francesco. Memorial of Many Statues and Paintings in the Illustrious City of Florence (1510)
. Translated by Waldemar H. de Boer. Florence, 2010.Google Scholar
Alexander, John. From Renaissance to Counter-Reformation: The Architectural Patronage of Carlo Borromeo during the Reign of Pius IV
. Milan, 2007.Google Scholar
Alidori Battaglia, Laura, and Battaglia, Marco. “Il ritrovato Messale di San Pier Maggiore ed una proposta per la datazione dell’intervento del Maestro Daddesco nel Graduale Santorale della Badia a Settimo.” Arte Cristiana 106, no. 907 (2018): 300–07.Google Scholar
Allen, Joanne. “Choir Stalls in Venice and Northern Italy: Furniture, Ritual and Space in the Renaissance Church Interior.” PhD thesis, University of Warwick, 2010.Google Scholar
Allen, Joanne. “Carthusian Choir Stalls and the Misericord in Italy.” The Antiquaries Journal 92 (2012): 307–30.Google Scholar
Allen, Joanne. “Giovanni Bellini’s Baptism of Christ in Its Visual and Devotional Context: Transforming Sacred Space in Santa Corona in Vicenza.” Renaissance Studies 27, no. 5 (2013): 681–704.CrossRefGoogle Scholar
Allen, Joanne. “Innovation or Afterthought? Dating the San Giobbe Retrochoir.” In Art, Architecture and Identity in Venice and Its Territories 1450–1750, edited by Avcioğlu, Nebahat and Jones, Emma, 171–81. Farnham, 2013.Google Scholar
Allen, Joanne. “Nicholas V’s Tribuna for Old St. Peter’s in Rome as a Model for the New Apsidal Choir at Padua Cathedral.” Journal of the Society of Architectural Historians 72, no. 2 (2013): 166–89.Google Scholar
Allen, Joanne. “The San Zaccaria Choir in Context.” In La chiesa e il monastero di San Zaccaria, Chiese di Venezia: nuove prospettive di ricerca, edited by Aikema, Bernard, Mancini, Massimo, and Modesti, Paola, 151–74. Venice, 2016.Google Scholar
Allen, Joanne. “Exhibition Review: ‘Sacred Drama: Performing the Bible in Renaissance Florence, Museum of the Bible’.” Renaissance Studies 33, no. 3 (2018): 502–09.Google Scholar
Alonso, Alicia, Suárez, Rafael, and Sendra, Juan J.. “The Acoustics of the Choir in Spanish Cathedrals.” Acoustics 1 (2018): 35–46.Google Scholar
Amati, Antonietta. “Cosimo I e i frati di S. Marco.” Archivio Storico Italiano 81, no. 307/308 (1923): 227–77.Google Scholar
Amici di San Giacomo di Savona ODV. “Storia del San Giacomo di Savona.” http://amicidelsangiacomo.org/ilsangiacomo/storiadelsangiacomo/.Google Scholar
Andreini, Alessandro, Cerrato, Cristina, and Feola, Giuliano. “I cicli costruttivi della chiesa e del convento di S. Francesco dal XIII al XV secolo: analisi storico-architettonica.” In S. Francesco: la chiesa e il convento in Pistoia, edited by Gai, Lucia and Andreini, Alessandro, 47–68. Ospedaletto, 1993.Google Scholar
Andrews, Frances. The Other Friars: The Carmelite, Augustinian, Sack and Pied Friars in the Middle Ages
. Woodbridge, 2006.Google Scholar
“The Angel of the Annunciation.” National Gallery of Art. www.nga.gov/collection/art-object-page.1472.html#provenance.Google Scholar
Angèli, Pietro. Oratione funerale di m. Pietro Angelio da Barga: fatta nelle essequie del sereniss. Cosimo de Medici gran duca di Toscana, recitata nel Duomo di Pisa il di xiiij. giugno MDLXXIIII / e tradotta in lingua fiorentina. Florence, 1574.
Google Scholar
Aquino, Lucia, and Badino, Grazia. “Due legnaioli e un pittore per San Michele Arcangelo a Passignano nel Cinquecento: Bastiano Confetto, Michele Tosini e L’Atticciato.” In Passignano in Val di Pesa: un monastero e la sua storia. 2, Arte nella Chiesa di San Michele Arcangelo (sec. XV–XIX), edited by Moretti, Italo, Vol. 2, 115–35. Florence, 2014.Google Scholar
Armstrong, Lilian. “Benedetto Bordon and the Illumination of Venetian Choirbooks around 1500: Patronage, Production, Competition.” In Wege zum illuminierten Buch: Herstellungsbedingungen für Buchmalerei in Mittelalter und früher Neuzeit, edited by Beier, Christine and Kubina, Evelyn Theresia, 221–44. Vienna, 2014.Google Scholar
Aronow, Gail Schwarz. “A Documentary History of the Pavement Decoration in Siena Cathedral, 1362 through 1506.” PhD thesis, Columbia University, 1985.Google Scholar
Aston, Elizabeth. “Segregation in Church.” In Women in the Church: Papers Read at the 1989 Summer Meeting and the 1990 Winter Meeting of the Ecclesiastical History Society, edited by Sheils, W. J. and Wood, Diana, 237–94. Cambridge, MA, 1990.Google Scholar
Aston, Elizabeth. “Cross and Crucifix in the English Reformation.” In Macht und Ohnmacht der Bilder: reformatorischer Bildersturm im Kontext der europäischen Geschichte, edited by Blickle, Peter, Holenstein, André, Schmidt, Heinrich Richard, and Sladeczek, Franz-Josef, 253–72. Munich, 2002.Google Scholar
Augusti, Adriana. “Una proposta per Andrea Verrocchio.” In Studi per Pietro Zampetti, edited by Varese, Ranieri, 211–13. Ancona, 1993.Google Scholar
Bacchi, Giuseppe. “La compagnia di Santa Maria delle Laudi e di Sant’Agnese nel Carmine di Firenze.” Rivista storica carmelitana 2 (1930): 137–51.Google Scholar
Bacchi, Giuseppe. “La compagnia di Santa Maria delle Laudi e di Sant’Agnese nel Carmine di Firenze.” Rivista storica carmelitana 2 (1931): 12–39, 97–122.Google Scholar
Badino, Grazia. “Le disposizioni testamentarie di Bernardo di Castello Quaratesi e le opere di Gentile da Fabriano nella chiesa fiorentina di San Niccolò Oltrarno.” In Gentile da Fabriano “Magister Magistrorum”: atti delle giornate di studio, Fabriano 28–30 giugno 2005: XXVI Congresso internazionale di Studi Umanis, edited by Prete, Cecilia, 55–62. Sassoferrato, 2006.Google Scholar
Badino, Grazia. “San Niccolò Oltrarno 1420 circa: note sulla chiesa dei Quaratesi e di Gentile.” In Il Gentile risorto: Il “Polittico dell’Intercessione” di Gentile da Fabriano, edited by Ciatti, Marco, Frosinini, Cecilia, and Bellucci, Roberto, 45–54. Studi e restauro. Florence, 2006.Google Scholar
Bagatin, Pier Luigi. La tarsia rinascimentale a Ferrara: il coro di Sant’Andrea
. Florence, 1991.Google Scholar
Bagemihl, Rolf. “Francesco Botticini’s Palmieri Altar-Piece.” The Burlington Magazine 138, no. 1118 (1996): 308–14.Google Scholar
Bagnoli, Martina. “Cenni di Francesco, Antifonario-Graduale W.153.” In L’eredità di Giotto: Arte a Firenze 1340–1375, edited by Tartuferi, Angelo, 232. Florence, 2008.Google Scholar
Baldini, Baccio. Orazione fatta nell’Accademia Fiorentina in lode del Sereniss. S. Cosimo Medici Gran Duca di Toscana, Gloriosa Memoria, da M. Baccio Baldini suo protomedico
. Florence, 1578.Google Scholar
Baldisseri, Lorenzo. La nunziatura in Toscana: le origini, l’organizzazione e l’attività dei primi due nunzi Giovanni Campeggi e Giorgio Cornaro. Vatican City, 1977.Google Scholar
Bandini, Fabrizio, Lanterna, Giancarlo, Mazzinghi, Anna et al. “Il restauro del Sant’Agostino di Botticelli nella chiesa di Ognissanti e le relative indagini diagnostiche.” OPD Restauro, 26 (2014): 15–34.Google Scholar
Bandini, Maria. “Vestigia dell’antico tramezzo nella chiesa di San Remigio a Firenze.” Mitteilungen des Kunsthistorischen Institutes in Florenz 54, no. 2 (2010–12): 211–30.Google Scholar
Bangs, Jeremy Dupertuis. Church Art and Architecture in the Low Countries before 1566
. Kirksville, MO, 1997.Google Scholar
Barbiche, Bernard. “Leo XI.” In The Papacy: An Encyclopedia, edited by Levillain, Philippe, Vol. 2, 929. New York and London, 2002.Google Scholar
Barbieri, Costanza, Barchiesi, Sofia, and Ferrara, Daniele. Santa Maria in Vallicella: Chiesa Nuova. Rome, 1995.Google Scholar
Barclay Lloyd, Joan. “Medieval Dominican Architecture at Santa Sabina in Rome, c. 1219–c. 1320.” Papers of the British School at Rome 72 (2004): 231–92.Google Scholar
Barocchi, Paola. “Il Vasari architetto.” Atti della Accademia Pontaniana 6, new series (1956–57): 113–36.Google Scholar
Barr, Cyrilla. “Music and Spectacle in Confraternity Drama of Fifteenth-Century Florence: The Reconstruction of a Theatrical Event.” In Christianity and the Renaissance: Image and Religious Imagination in the Quattrocento, edited by Verdon, Timothy and Henderson, John, 376–404. Syracuse, NY, 1990.Google Scholar
Bartoli, Maria Teresa. “Designing Orsanmichele: The Rediscovered Rule.” In Orsanmichele and the History and Preservation of the Civic Monument, edited by Strehlke, Carl Brandon, 35–52. New Haven, CT, 2012.Google Scholar
Barzman, Karen-edis. The Florentine Academy and the Early Modern State: The Discipline of Disegno
. Cambridge and New York, 2000.Google Scholar
Baseggio Omiccioli, Eveline. “Andrea Riccio’s Reliefs for the Altar of the True Cross in Santa Maria dei Servi, Venice: A Political Statement within the Sacred Walls.” Explorations in Renaissance Culture 38, no. 1–2 (2012): 101–21.Google Scholar
Basso, Laura, and Beccaria, Carlotta. “La Madonna dell’Umiltà con sei angeli e i santi Anna, Angelo da Licata e Alberto da Trapani (Madonna Trivulzio).” Kermes 5, no. 87 (2012): 50–56.Google Scholar
Basso, Laura, and Natale, Mauro. eds. La Pinacoteca del Castello Sforzesco a Milano. Milan, 2005.Google Scholar
Battaglia, Salvatore, and Squarotti, Giorgio Bàrberi. Grande dizionario della lingua italiana
. Turin, 1961–2002.
Google Scholar
Becchis, Michela. “Giovanni dal Ponte.” In Dizionario biografico degli Italiani, edited by Caravale, Mario, Vol. 56, 182–85. Rome, 2001.Google Scholar
Belli, Gianluca. “Vasari, Ammannati, Borghini, e l’’età dell’oro’ cosimiana.” In Ammannati e Vasari per la città dei Medici, edited by Luchinat, Cristina Acidini and Pirazzoli, Giacomo, 116–24. Florence, 2011.Google Scholar
Bellosi, Luciano. “The Function of the Rucellai Madonna in the Church of Santa Maria Novella.” Studies in the History of Art 61, no. Symposium Papers XXXVIII: Italian Panel Painting of the Duecento and Trecento (2002): 146–59.Google Scholar
Benati, Daniele. La bottega degli Erri e la pittura del Rinascimento a Modena
. Modena, 1988.Google Scholar
Bent, George. “Santa Maria degli Angeli and the Arts: Patronage, Production and Practice in a Trecento Florentine Monastery.” PhD thesis, Stanford University, 1993.Google Scholar
Benzoni, Gino. “Francesco I de’ Medici, granduca di Firenze.” In Dizionario biografico degli Italiani, edited by Caravale, Mario, Vol. 49, 797–804. Rome, 1997.Google Scholar
Bernstein, Jane A. “Bindo Altoviti and Music.” In Raphael, Cellini, and a Renaissance Banker: The Patronage of Bindo Altoviti, edited by Chong, Alan, Pegazzano, Donatella, and Zikos, Dimitrios, 207–12. Boston, 2003.Google Scholar
Bertani, Licia. “Dallo spendore ‘antiquo’ dell’età di Cosimo il Vecchio e di Lorenzo il Magnifico al rigorismo della repubblica piagnona: capolavori artistici per le chiese di San Salvatore tra due stagioni dell’Umanesimo.” In San Salvatore al Monte: “Antiquæ elegantiæ” per un “acropolis” laurenziana, edited by Trotta, Giampaolo, 43–63. Florence, 1997.Google Scholar
Bertoncini Sabatini, Paolo. “La vicenda architettonica della chiesa di Santa Trinita.” In Alla riscoperta delle chiese di Firenze: 6. Santa Trinita, edited by Verdon, Timothy, 39–73. Florence, 2009.Google Scholar
Bertoncini Sabatini, Paolo. “I primi due secoli: dal ‘tabernacolo di via’ alla basilica tardo gotica.” In La Basilica della Santissima Annunziata: dal duecento al cinquecento, edited by Sisi, Carlo, 27–41. Florence, 2013.Google Scholar
Betti, Benedetto. Orazione funerale di Benedetto Betti: da lui publicamente recitata nelle esequie del sereniss. Cosimo Medici gran duca di Toscana: celebrate il dì 13. de giugnio 1574. nella Compagnia di S. Giouanni Vangelista: con la descrizione dell’apparato messa nel fine
. Florence, 1574.Google Scholar
Bietti Favi, Monica. “Gaddo Gaddi: un’ipotesi.” Arte Cristiana 71, no. 694 (1983): 49–52.Google Scholar
Bietti Favi, Monica. “La Pittura nella Chiesa di San Marco.” In La chiesa e il convento di San Marco a Firenze, Vol. 2, 213–46. Florence, 1989.Google Scholar
Bietti Favi, Monica. “Indizi documentari su Lippo di Benivieni.” Studi di storia dell’arte 1 (1990): 243–52.Google Scholar
Bietti Favi, Monica. “Dal Savonarola al pontificato di Leone X: artisti e patroni in San Pier Maggiore a Firenze.” In Nello splendore mediceo: Papa Leone X e Firenze, edited by Nicoletta Baldini and Monica Bietti Favi, 127–37. Florence, 2013.Google Scholar
Biliotti, Modesto. “Venerabilis Coenobii: Sanctae Mariae Novellae de Florentia: Chronica.” Analecta Sacri Ordinis Fratrum Praedicatorum 9 (1909): 125–28, 97–200.Google Scholar
Bireley, Robert. “Redefining Catholicism: Trent and Beyond.” In The Cambridge History of Christianity: Reform and Expansion 1500–1660, edited by Po-Chia Hsia, R., Vol. 6, 143–61. Cambridge, 2007.Google Scholar
Bisson, Massimo. “Controriforma e spazio liturgico: i cori della Basilica di Santa Giustina di Padova.” Atti dell’Istituto Veneto di Scienze, Lettere ed Arti 172 (2013–14): 441–518.Google Scholar
Bisson, Massimo. “San Giorgio Maggiore a Venezia: la chiesa tardo-medievale e il coro del 1550.” AFAT: Arte in Friuli Arte a Trieste 33 (2014): 11–38.Google Scholar
Blake McHam, Sarah. “Visualizing the Immaculate Conception: Donatello, Francesco delle Rovere, and the High Altar and Choir Screen at the Church of the Santo in Padua.” Renaissance Quarterly 69, no. 3 (2016): 831–64.Google Scholar
Boccalatte, Paola Elena. Fabbri e ferri: Italia, XII–XVI secolo. BAR International Series. Oxford, 2013.Google Scholar
Bocchi, Francesco. The Beauties of the City of Florence: A Guidebook of 1591
. Translated by Thomas Frangenberg and Robert Williams. London, 2006.Google Scholar
Bocchi, Francesco, and Cinelli, Giovanni. Le bellezze della città di Fiorenza
. Florence, 1677.
Google Scholar
Bonniwell, William R. A History of the Dominican Liturgy 1215–1945
. 2nd ed. New York, 1945.Google Scholar
Borden, Iain, Penner, Barbara, and Rendell, Jane. Gender Space Architecture: An Interdisciplinary Introduction. London, 1999.Google Scholar
Borghero, Francesco. “Il Polittico di Santa Reparata di Bernardo Daddi: Fonti notarili inedite sulla committenza e la datazione dell’opera.” Mitteilungen des Kunsthistorischen Institutes in Florenz 61, no. 2 (2019): 265–71.Google Scholar
Borghini, Vincenzo, and Manni, Domenico Maria. Discorsi di monsignore D. Vincenzio Borghini: con annotazioni. Florence, 1755.
Google Scholar
Borghini, Vincenzo, and Razzi, Silvano. La descrizione della pompa e dell’apparato fatto in Firenze nel battesimo del serenissimo principe di Toscana
. Florence, 1577.
Google Scholar
Bori, Mario. “‘L’Annunziazione’ di Piero del Donzello in una cappella Frescobaldi nella chiesa di Santo Spirito.” Rivista d’Arte 4 (1906): 117–23.Google Scholar
Borromeo, Federico, Rothwell, Kenneth S., and Jones, Pamela M.. Sacred Painting; Museum. Cambridge, MA, 2010.Google Scholar
Borsook, Eve. “Art and Politics at the Medici Court I: The Funeral of Cosimo I de’ Medici.” Mitteilungen des Kunsthistorisches Institut in Florenz 12, no. 1/2 (1965): 31–54.Google Scholar
Borsook, Eve. “Art and Politics at the Medici Court II: The Baptism of Filippo de’ Medici in 1577.” Mitteilungen des Kunsthistorischen Institutes in Florenz 13, no. 1/2 (1967): 95–114.Google Scholar
Borsook, Eve. “Cults and Imagery at Sant’Ambrogio in Florence.” Mitteilungen des Kunsthistorischen Institutes in Florenz 25, no. 2 (1981): 147–202.Google Scholar
Borsook, Eve, and Offerhaus, Johannes. Francesco Sassetti and Ghirlandaio at Santa Trinita: History and Legend in a Renaissance Chapel. Doornspijk, 1981.Google Scholar
Boskovits, Miklós. “Fra Filippo Lippi, i Carmelitani e il Rinascimento.” Arte Cristiana 74, no. 715 (1986): 235–52.Google Scholar
Boskovits, Miklós. “Maestà monumentali su tavola tra XIII e XIV secolo: funzione e posizione nello spazio sacro.” Arte cristiana 99, no. 862 (2011): 13–30.Google Scholar
Boskovits, Miklós, and Steinweg, Klara. A Critical and Historical Corpus of Florentine Painting, Section 3, Vol. 9. Florence, 1984.Google Scholar
Botto, Carlo. “Note e documenti sulla chiesa di S. Trinita in Firenze.” Rivista d’Arte 20, no. 1 (1938): 1–22.Google Scholar
Boyce, James. Praising God in Carmel: Studies in Carmelite Liturgy
. Washington, DC, 1999.Google Scholar
Boyce, James. “The Office of St Anne in the Carmelite Liturgy.” Carmelus 52 (2005): 165–84.Google Scholar
Brackett, John K. “The Florentine Onestà and the Control of Prostitution, 1403–1680.” The Sixteenth Century Journal 24, no. 2 (1993): 273–300.Google Scholar
Brook, Anthea, Zikos, Dimitrios, and Montagu, Jennifer. Ferdinando Tacca’s High Altar for Santo Stefano al Ponte and Its Bronze Adornments: A Commission by Anton Maria, Giovanni Battista, and Girolamo Bartolommei
. Florence, 2017.Google Scholar
Brown, Beverly Louise. “The Tribuna of SS. Annunziata in Florence.” PhD thesis, Northwestern University, 1978.Google Scholar
Brown, Beverly Louise. “The Patronage and Building History of the Tribuna of SS. Annunziata in Florence.” Mitteilungen des Kunsthistorischen Institutes in Florenz 25 (1981): 59–146.Google Scholar
Brown, Beverly Louise. “Choir and Altar Placement: A Quattrocento Dilemma.” Machiavelli Studies 5 (1996): 147–80.Google Scholar
Brown, Patricia Fortini. Venetian Narrative Painting in the Age of Carpaccio
. New Haven, CT, 1988.Google Scholar
Bruzelius, Caroline. “Hearing Is Believing: Clarissan Architecture, ca. 1213–1340.” Gesta 31, no. 2 (1992): 83–91.Google Scholar
Bruzelius, Caroline. Preaching, Building, and Burying: Friars and the Medieval City
. New Haven, CT and London, 2014.Google Scholar
Bruzelius, Caroline. “The Tramezzo of Sta. Chiara: Hypotheses and Proposals.” In Ingenita Curiositas: studi sull’Italia medievale per Giovanni Vitolo, edited by Figliuolo, Bruno, Di Meglio, Rosalba, and Ambrosio, Antonella, Vol. 2, 951–64. Battipaglia, 2018.Google Scholar
Bruzelius, Caroline. “Introduction.” In Spaces for Friars and Nuns, edited by Morvan, Haude, forthcoming.Google Scholar
Budwey, Stephanie. Sing of Mary: Giving Voice to Marian Theology and Devotion
. Collegeville, MN, 2014.Google Scholar
Bulgarelli, Massimo. “La sagrestia di Santa Trinita a Firenze: architettura, memoria, rappresentazione.” Quaderni dell’Istituto di Storia dell’Architettura / Università degli Studi di Roma La Sapienza, Dipartimento di Storia dell’Architettura, Restauro e Conservazione dei Beni Architettonici 57/59, 2011/12 (2013): 25–36.Google Scholar
Bullarum Diplomatum et Privilegiorum Sanctorum Romanorum Pontificum Taurinensis Editio
. Edited by Tomassetti, Luigi, Cocquelines, Charles, Gaude, Francesco, and Bilio, Luigi, Vol. 7. Turin, 1862.Google Scholar
Buoninsegni, Tommaso. Descrizione della traslazione del corpo del Santo Antonino Arcivescovo di Firenze. Fatta nella chiesa di San Marco l’anno MDLXXXIX. Composta dal Reverendo P. Teologo, Maestro Tommaso Buoninsegni O.P. Florence, 1589.Google Scholar
Burke, Jill. Changing Patrons: Social Identity and the Visual Arts in Renaissance Florence
. University Park, PA, 2004.Google Scholar
Busignani, Alberto, and Bencini, Raffaeollo. Le chiese di Firenze. Quartiere di Santo Spirito. Florence, 1974.Google Scholar
Butters, Suzanne B. The Triumph of Vulcan: Sculptors’ Tools, Porphyry, and the Prince in Ducal Florence
. Florence, 1996.Google Scholar
Butters, Suzanne B. “The Duomo Perceived and the Duomo Remembered: Sixteenth-Century Descriptions of Santa Maria del Fiore.” In Atti del VII centenario del Duomo di Firenze, edited by Timothy Verdon and Annalisa Innocenti, Vol. 2.2, 457–502. Florence, 2001.Google Scholar
Cadogan, Jean K. Domenico Ghirlandaio: Artist and Artisan. New Haven, CT and London, 2000.Google Scholar
Caglioti, Francesco. “Giovanni di Balduccio at Orsanmichele: The Tabernacle of the Virgin before Andrea Orcagna.” In Orsanmichele and the History and Preservation of the Civic Monument, edited by Strehlke, Carl Brandon, 75–110. New Haven, CT, 2012.Google Scholar
Caioli, Paolo. “Un’opera dimenticata di Fra Filippo Lippi.” Il Monte Carmelo 25, no. 8 (1939): 230–32.Google Scholar
Campigli, Marco. “Il Cinquecento, fino a Vasari: pittura e scultura.” In Santa Maria Novella: La basilica e il convento, edited by Andrea De Marchi, Vol. 2, 239–61. Florence, 2015.Google Scholar
Canali, Ferruccio. “La basilica di Santa Trinita (e la chiesa di Santo Stefano al Ponte, ‘a pendant’) a Firenze: Il ‘problema’ delle ‘aggiunte’ (‘superfetazioni’ e ‘superedificazioni’) di Bernardo Buontalenti e del barocco durante il ripristino neomedievale (1884–1905).” Bollettino della Società di studi fiorentini 23 (2014): 172–204.Google Scholar
Cannon Brookes, Peter. “Three Notes on Maso da San Friano.” The Burlington Magazine 107, no. 745 (1965): 192–97.Google Scholar
Cannon, Joanna. “Pietro Lorenzetti and the History of the Carmelite Order.” Journal of the Warburg and Courtauld Institutes 50 (1987): 18–28.Google Scholar
Cannon, Joanna. “The Era of the Great Painted Crucifix: Giotto, Cimabue, Giunta Pisano, and their Anonymous Contemporaries.” Renaissance Studies 16, no. 4 (2002): 571–81.Google Scholar
Cannon, Joanna. “Dominican Shrines and Urban Pilgrimage in Later Medieval Italy.” In Architecture and Pilgrimage, 1000–1500: Southern Europe and Beyond, edited by Davies, Paul, Howard, Deborah, and Pullan, Wendy, 143–63. Farnham, 2013.Google Scholar
Cannon, Joanna. Religious Poverty, Visual Riches: Art in the Dominican Churches of Central Italy in the Thirteenth and Fourteenth Centuries
. New Haven, CT, 2013.Google Scholar
Canosa, Romano, and Colonnello, Isabella. Storia della prostituzione in Italia: dal Quattrocento alla fine del Settecento
. Rome, 1989.Google Scholar
Cantatore, Flavia. San Pietro in Montorio: la chiesa dei re cattolici a Roma
. Rome, 2007.Google Scholar
Cantini, Lorenzo. Vita di Cosimo de’ Medici primo, Gran-Duca di Toscana
. Florence, 1805.Google Scholar
Caperna, Maurizio. “San Carlo Borromeo, cardinale di S. Prassede, e il rinnovamento della sua chiesa titolare a Roma.” Palladio: rivista di storia dell’architettura e restauro 12 (1993): 43–58.Google Scholar
Capretti, Elena. “Vasari, Ammannati e la Controriforma.” In Ammannati e Vasari per la città dei Medici, edited by Luchinat, Cristina Acidini and Pirazzoli, Giacomo, 125–37. Florence, 2011.Google Scholar
Carbonai, Franco, and Salmi, Mario. “La chiesa di S. Marco e il chiostro di S. Domenico.” In La chiesa e il convento di San Marco a Firenze, 259–302. Florence, 1989.Google Scholar
Carl, Doris. “Il Ciborio di Benedetto da Maiano nella cappella maggiore di S. Domenico a Siena: Un contributo al problema dei cibori quattrocenteschi con un excursus per la storia architettonica della chiesa.” Rivista d’Arte 42 (4th series, Vol. 6) (1990): 3–74.Google Scholar
Carl, Doris. “Verloren und Wiedererfunden: Desiderio da Settignano, die Ximenes und das Ziborium der National Gallery in Washington.” Mitteilungen des Kunsthistorischen Institutes in Florenz 56 (2014): 285–323.Google Scholar
Casalini, Eugenio M. Michelozzo di Bartolommeo e l’Annunziata di Firenze
. Florence, 1995.Google Scholar
Casalini, Eugenio M. Registro di entrata e uscita di Santa Maria di Cafaggio (REU), 1286–1290
. Florence, 1998.Google Scholar
Cassidy, Brendan. “The Financing of the Tabernacle of Orsanmichele.” Source: Notes in the History of Art 8, no. 1 (1988): 1–6.Google Scholar
Cassidy, Brendan. “A Relic, Some Pictures and the Mothers of Florence in the Late Fourteenth Century.” Gesta 30, no. 2 (1991): 91–99.Google Scholar
Cassidy, Brendan. “Orcagna’s Tabernacle in Florence: Design and Function.” Zeitschrift für Kunstgeschichte 55, no. 2 (1992): 180–211.Google Scholar
Casu, Stefano G. “Bernardo Daddi.” In La fortuna dei primitivi: tesori d’arte dalle collezioni italiane fra sette e ottocento, edited by Tartuferi, Angelo and Tormen, Gianluca, 320–25. Florence, 2014.Google Scholar
Catitti, Silvia. “Balaustro e balaustrata tra metà Quattrocento e primo Cinquecento.” Quaderni dell’Istituto di Storia dell’Architettura / Università degli Studi di Roma La Sapienza, Dipartimento di Storia dell’Architettura, Restauro e Conservazione dei Beni Architettonici. New series 60/62 (2013/14): 21–32.Google Scholar
Cattaneo, Enrico. “Il primo concilio provinciale milanese (a. 1565).” In Il Concilio di Trento e la riforma tridentina. Atti del Convegno storico internazionale, Trento, 2–6 settembre 1963, 215–75. Rome, 1965.Google Scholar
Cattin, Giulio, and Vildera, Anna. eds. Il “Liber Ordinarius” della chiesa padovana Vol. 27, Fonti e ricerche di storia ecclesiastica padovana. Padua, 2002.Google Scholar
Cecchi, Alessandro. “Gli arredi e i serramenti lignei e in ferro battuto.” In Vallombrosa: santo e meraviglioso luogo, edited by Ciardi, Roberto Paolo, 239–53. Florence, 1999.Google Scholar
Cecchi, Alessandro. “Maestri d’intaglio e tarsia.” In Arti fiorentine. La grande storia dell’Artigianato. Il Quattrocento, edited by Franceschi, Franco and Fossi, Gloria, Vol. 2, 215–49. Florence, 1999.Google Scholar
Cecchi, Alessandro. “Pontormo e Bronzino nel coro di San Lorenzo.” In San Lorenzo: A Florentine Church, edited by Gaston, Robert W. and Waldman, Louis Alexander, 525–32. Florence, 2017.Google Scholar
Centi, Tito. “La chiesa e il convento di S. Marco a Firenze.” In La chiesa e il convento di San Marco a Firenze, Vol. 1, 13–59. Florence, 1989.Google Scholar
Ceriana, Matteo. “Fra Carnevale and the Practice of Architecture.” In From Filippo Lippi to Piero della Francesca: Fra Carnevale and the Making of a Renaissance Master, edited by Christiansen, Keith, 97–136. New York; Milan; New Haven, CT and London, 2005.Google Scholar
Ceriana, Matteo. “Gli spazi e l’ornamento della chiesa camaldolese di San Michele in Isola.” In San Michele in Isola: Isola della conoscenza: ottocento anni di storia e cultura camaldolesi nella laguna di Venezia. Mostra organizzata in occasione del millenario della fondazione della congregazione camaldolese, edited by Brusegan, Marcello, Eleuteri, Paolo, and Fiaccadori, Gianfranco, 97–109. Turin, 2012.Google Scholar
Chédozeau, Bernard. Choeur clos, choeur ouvert: De l’église medievale a l’eglise tridentine (France, XVII–XVIII siècle). Paris, 1998.Google Scholar
“Chiesa di San Vito.” www.chiesadisanvito.it/page.php?44.Google Scholar
Chiodi, Alberto Mario. “Bartolomeo degli Erri e i polittici domenicani.” Commentari 2 (1951): 17–25.Google Scholar
Chiodo, Sonia. “Uno sguardo indietro sul filo dalla memoria: la chiesa degli Umiliati nel età gotica.” In San Salvatore in Ognissanti: la chiesa e il convento, edited by Spinelli, Riccardo, 51–79. Florence, 2018.Google Scholar
Chong, Alan, Pegazzano, Donatella, and Zikos, Dimitrios. eds. Raphael, Cellini, and a Renaissance Banker: The Patronage of Bindo Altoviti. Boston, 2003.Google Scholar
Christiansen, Keith, Kanter, Laurence B., and Strehlke, Carl Brandon. Painting in Renaissance Siena 1420–1500
. New York, 1989.Google Scholar
Chronica Gestorum in partibus Lombardie et reliquis Italie (Diarium parmense)
. Rerum Italicarum Scriptores. Edited by Muratori, L. A., Città di Castello, 1904.Google Scholar
Ciabani, Roberto, Elliker, Beatrix, and Nistri, Enrico. Le famiglie di Firenze
. Florence, 1992.Google Scholar
Ciappelli, Giovanni. Un santo alla battaglia di Anghiari: La “vita” e il culto di Andrea Corsini nella Firenze del Rinascimento
. Florence, 2007.Google Scholar
Ciardi, Roberto Paolo. “I Vallombrosani e le arti figurative. Qualche traccia e varie ipotesi.” In Vallombrosa: santo e meraviglioso luogo, edited by Ciardi, Roberto Paolo, 27–117. Florence, 1999.Google Scholar
Cinelli, Carlo, and Vossilla, Francesco. “Baccio Bandinelli e Giovanni Bandini per il coro della Cattedrale. Note d’archivio.” In Atti del VII centenario del Duomo di Firenze, edited by Verdon, Timothy and Innocenti, Annalisa, Vol. 2.1, 325–34. Florence, 2001.Google Scholar
Clearfield, Janis. “The Tomb of Cosimo de’ Medici in San Lorenzo.” Rutgers Art Review 2 (1981): 13–30.Google Scholar
Cobianchi, Roberto. Lo temperato uso delle cose: la committenza dell’osservanza francescana nell’Italia del Rinascimento
. Spoleto, 2013.Google Scholar
Comanducci, Rita Maria. “‘L’altare Nostro de la Trinità’: Masaccio’s Trinity and the Berti Family.” The Burlington Magazine 145, no. 1198 (2003): 14–21.Google Scholar
Commentaria Innocentii quarti pont. maximi super libros quinque decretalium
. Frankfurt, 1570.
Google Scholar
Conigliello, Lucilla. Le vedute del Sacro Monte della Verna: Jacopo Ligozzi pelligrino nei luoghi di Francesco
. Florence, 1999.Google Scholar
Cooper, Donal. “In Medio Ecclesiae: Screens, Crucifixes and Shrines in the Franciscan Church Interior in Italy, c. 1230–c. 1400.” PhD thesis, University of London, 2000.Google Scholar
Cooper, Donal. “Franciscan Choir Enclosures and the Function of Double-Sided Altarpieces in Pre-Tridentine Umbria.” Journal of the Warburg and Courtauld Institutes 64 (2001): 1–54.Google Scholar
Cooper, Donal. “Raphael’s Altar-Pieces in S. Francesco al Prato, Perugia: Patronage, Setting and Function.” The Burlington Magazine 143, no. 1182 (2001): 554–61.Google Scholar
Cooper, Donal. “‘In loco tutissimo et firmissimo’: The Tomb of St. Francis in History, Legend and Art.” In Art of the Franciscan Order in Italy, edited by Cook, William R., 1–37. Leiden and Boston, 2005.Google Scholar
Cooper, Donal. “Projecting Presence: The Monumental Cross in the Italian Church Interior.” In Presence: The Inherence of the Prototype within Images and Other Objects, edited by Maniura, Robert and Shepherd, Rupert, 47–69. Aldershot, 2006.Google Scholar
Cooper, Donal. “Access All Areas? Spatial Divides in the Mendicant Churches of Late Medieval Tuscany.” In Ritual and Space in the Middle Ages: Proceedings of the 2009 Harlaxton Symposium, edited by Andrews, Frances, 90–107. Donington, 2011.Google Scholar
Cooper, Donal. “Redefining the Altarpiece in Early Renaissance Italy: Giotto’s Stigmatization of St Francis and Its Pisan Context.” Art History 36, no. 4 (2013): 686–713.Google Scholar
Cooper, Donal. “Recovering the Lost Rood Screens of Medieval and Renaissance Italy.” In The Art and Science of the Church Screen in Medieval Europe: Making, Meaning, Preserving, edited by Bucklow, Spike, Marks, Richard, and Wrapson, Lucy, 220–45. Woodbridge, 2017.Google Scholar
Cooper, Donal. “Firenze scomparsa: le chiese di Santa Chiara e San Pier Maggiore e la loro ricostruzione digitale presso i musei di Londra.” Archaeologia e Calcolatori 10 (2018): 67–80.Google Scholar
Cooper, Donal. “Revisiting the Umbrian Retro-Choir: Plurality and Choice in the Medieval Franciscan Church Interior.” In Spaces for Friars and Nuns, edited by Morvan, Haude, forthcoming.Google Scholar
Cooper, Donal, and Banker, James R.. “The Church of San Francesco in Borgo San Sepolcro in the Late Middle Ages and Renaissance.” In Sassetta: The Borgo San Sepolcro Altarpiece, edited by Israëls, Machtelt, 53–105. Florence and Leiden, 2009.Google Scholar
Cooper, Donal, and Robson, Janet. The Making of Assisi: The Pope, the Franciscans, and the Painting of the Basilica
. New Haven, CT, 2013.Google Scholar
Cooper, Donal, and Sliwka, Jennifer. “In Context: San Pier Maggiore.” Apollo 182, no. 636 (2015): 76–81.Google Scholar
Cooper, Tracy E. “Locus meditandi e orandi: Architecture, Liturgy and Identity at San Giorgio Maggiore.” In Musica, scienza e idee nella Serenissima durante il Seicento, edited by Passadore, Francesco and Rossi, Franco, 79–105. Venice, 1996.Google Scholar
Cooper, Tracy E. Palladio’s Venice: Architecture and Society in a Renaissance Republic
. New Haven, CT, 2005.Google Scholar
Cornelison, Sally J. “Art and Devotion in Late Medieval and Renaissance Florence: The Relics and Reliquaries of Saints Zenobius and John the Baptist.” PhD thesis, University of London, 1999.Google Scholar
Cornelison, Sally J. “Lorenzo Ghiberti and the Renaissance Reliquary: The Shrine of the Three Martyrs from Santa Maria degli Angeli, Florence.” In De Re Metallica: The Uses of Metal in the Middle Ages, edited by Bork, Robert, 163–79. Aldershot and Burlington, VT, 2005.Google Scholar
Cornelison, Sally J. “Tales of Two Bishop Saints: Zenobius and Antoninus in Florentine Renaissance Art and History.” The Sixteenth Century Journal 38, no. 3 (2007): 627–56.Google Scholar
Cornelison, Sally J. “Relocating Fra Bartolomeo at San Marco.” Renaissance Studies 23, no. 3 (2009): 311–34.Google Scholar
Cornelison, Sally J. Art and the Relic Cult of St. Antoninus in Renaissance Florence
. Farnham and Burlington, VT, 2012.Google Scholar
Cornelison, Sally J. “Accessing the Holy: Words, Deeds, and the First Tomb of St. Antoninus in Renaissance Florence.” In Mendicant Cultures in the Medieval and Early Modern World: Word, Deed, and Image, edited by Cornelison, Sally J., Ben-Aryeh Debby, Nirit, and Howard, Peter F., 223–44. Turnhout, 2016.Google Scholar
Cornelison, Sally J. “‘Michelangelo’s Panel’: Content, Context, and Vasari’s Buonarroti Altarpiece.” Art History 42, no. 3 (2019): 416–49.Google Scholar
Cornelison, Sally J. “Art and Religion in Late Renaissance Arezzo: Reconsidering Vasari’s Church Renovations.” In Renaissance Religions: Modes and Meanings in History, edited by Saccenti, Riccardo, Terpstra, Nicholas, and Howard, Peter, 301–23. Turnhout, 2021.Google Scholar
Cornelison, Sally J. “Recycling, Renaissance Style: Hybridity and Vasari’s Pieve Altarpieces.” In Hybridity in Late Medieval and Early Modern Art, edited by Elston, Ashley and Rislow, Madeline. New York and London, forthcoming.Google Scholar
Corpus juris canonici emendatum et notis illustratum. Gregorii XIII. pont. max. iusslu. editum
. Rome, 1582.
Google Scholar
Cox-Rearick, Janet. “Fra Bartolomeo’s St. Mark Evangelist and St. Sebastian with an Angel.” Mitteilungen des Kunsthistorischen Institutes in Florenz 18, no. 3 (1974): 329–54.Google Scholar
Cox-Rearick, Janet. “La Ill.ma Sig.ra Duchessa felice memoria: The Posthumous Eleonora di Toledo.” In The Cultural World of Eleonora di Toledo, Duchess of Florence and Siena, edited by Eisenbichler, Konrad, 225–66. Aldershot and Burlington, VT, 2004.Google Scholar
Cresti, Carlo. “Architettura della Controriforma a Firenze.” In Architetture di altari e spazio ecclesiale: episodi a Firenze, Prato e Ferrara, edited by Cresti, Carlo, 7–73. Florence, 1995.Google Scholar
Cresti, Carlo. “Altari fiorentini controriformati: lineamenti di fortuna e sfortuna critica.” In Altari controriformati in Toscana: architettura e arredi, edited by Cresti, Carlo, 9–73. Florence, 1997.Google Scholar
Crum, Roger J. “Donatello’s ‘Ascension of St. John the Evangelist’ and the Old Sacristy as Sepulchre.” Artibus et Historiae 16, no. 32 (1995): 141–61.Google Scholar
Crum, Roger J., and Wilkins, David G.. “In the Defense of Florentine Republicanism: Saint Anne and Florentine Art, 1343–1575.” In Interpreting Cultural Symbols: Saint Anne in Late Medieval Society, edited by Ashley, Kathleen M. and Sheingorn, Pamela, 131–68. Athens, GA and London, 1990.Google Scholar
Cunningham, Dawn. “One Pontile, Two Pontili: The Choir Screens of Modena Cathedral.” Renaissance Studies 19, no. 5 (2005): 673–85.Google Scholar
Cunningham, Dawn. “Sacrament and Sculpture: Liturgical Influences on the Choir Screen of Modena Cathedral.” Material Religion 4, no. 1 (2008): 32–53.Google Scholar
Cutini, Matteo. Oratio funebris Matthaei Cutinij in summa aede ludimagistri de laudibus Antonii Altovitae Archiepiscopi Florentini
. Florence, 1574.
Google Scholar
D’Accone, Frank. “Reclaiming the Past: Archbishop Antonio Altoviti’s Entrance into Florence in 1567.” In Instruments, Ensembles, and Repertory, 1300–1600: Essays in Honour of Keith Polk, edited by McGee, Timothy J. and Carter, Stuart, 237–62. Turnhout, 2013.Google Scholar
D’Ovidio, Stefano. “La trasformazione dello spazio liturgico nelle chiese medievali di Napoli durante il XVI secolo: alcuni casi di studio.” In Re-thinking, Re-making, Re-living Christian Origins, edited by Romano, Serena, Foletti, Ivan, Manuela, Gianandrea, and Scirocco, Elisabetta, 93–119. Rome, 2018.Google Scholar
Damiani, Giovanna. “La chiesa quattrocentesca: ipotesi di ricostruzione.” In San Niccolò Oltrarno: la chiesa, una famiglia di antiquari, edited by Damiani, Giovanna and Laghi, Anna, Vol. 1, 25–86. Florence, 1982.Google Scholar
Damiani, Giovanna, and Laghi, Anna. eds. San Niccolò Oltrarno: la chiesa, una famiglia di antiquari. Florence, 1982.Google Scholar
Davies, Jonathan. Culture and Power: Tuscany and Its Universities 1537–1609
. Leiden, 2009.Google Scholar
Davies, Paul. “The Lighting of Pilgrimage Shrines in Renaissance Italy.” Analecta Romana Instituti Danici. Supplementum 35 (2004): 57–80.Google Scholar
Davies, Paul. “Architettura e culto a Venezia e nelle città di terraferma 1475–1490.” In Pietro Barozzi: un vescovo del Rinascimento, edited by Nante, Andrea, Cavalli, Carlo, and Gios, Pierantonio, 193–203. Padua, 2012.Google Scholar
Davies, Paul. “Framing the Miraculous: The Devotional Functions of Perspective in Italian Renaissance Tabernacle Design.” Art History 36, no. 5 (2013): 898–921.Google Scholar
Davies, Paul, and Hemsoll, David. “Renaissance Balusters and the Antique.” Architectural History 26 (1983): 1–23, 117–22.Google Scholar
Davis, Charles. “Giorgio Vasari: Descrizione dell’apparato fatto nel Tempio di S. Giovanni di Fiorenza per lo battesimo della Signora prima figliuola dell’Illustrissimo, et Eccellentissimo S. Principe di Fiorenza, et Siena Don Francesco Medici, e della Serenissima Reina Giovanna D’Austria (Florenz 1568).” Fontes: Quellen und Dokumente zur Kunst 1350–1750 6 (2008): 1–110.Google Scholar
De Benedictis, Cristina. “Riflessioni sulla Maestà fiorentina di Cimabue.” In Scritti di Storia dell’Arte in onore di Roberto Salvini, edited by De Benedictis, Cristina, 131–34. Florence, 1984.Google Scholar
De Benedictis, Cristina. “Devozione-collezione: sulla committenza fiorentina nell’età della Controriforma.” In Altari e committenza: Episodi a Firenze nell’età della Controriforma, edited by Cristina De Benedictis, 7–18. Florence, 1996.Google Scholar
De Benedictis, Elaine. “The ‘Schola Cantorum’ in Rome during the High Middle Ages.” PhD thesis, Bryn Mawr College, 1983.Google Scholar
De Blaauw, Sible. Cultus et decor: liturgia e architettura nella Roma tardoantica e medievale: Basilica Salvatoris, Sanctae Mariae, Sancti Petri. Vatican City, 1994.Google Scholar
De Blaauw, Sible. “Private Tomb and Public Altar: The Origins of the Mausoleum Choir in Rome.” In Memory & Oblivion: Proceedings of the XXIXth International Congress of the History of Art, Held in Amsterdam, 1–7 September 1996, edited by Reinink, Adriaan Wessel and Stumpel, Jeroen, 475–82. Dordrecht, 1999.Google Scholar
De Blaauw, Sible. “Innovazioni nello spazio di culto fra basso Medioevo e Cinquecento: La perdita dell’orientamento liturgico e la liberazione della navata.” In Lo spazio e il culto: relazioni tra edificio ecclesiale e uso liturgico dal XV al XVI secolo, edited by Stabenow, Jörg, 25–51. Venice, 2006.Google Scholar
De Blaauw, Sible. “Origins and Early Development of the Choir.” In La place du choeur: architecture et liturgie du Moyen Âge aux Temps modernes: actes du colloque de l’EPHE, Institut national d’histoire de l’art, les 10 et 11 décembre 2007, edited by Frommel, Sabine, Lecomte, Laurent, and Tassin, Raphaël, 25–32. Paris and Rome, 2012.Google Scholar
De Canistris, Opicinus. Liber de laudibus civitatis Ticinensis que dicitur Papia
. Edited by Ambaglio, Dino. Pavia, 2004.Google Scholar
de Fabriczy, C. “Memorie sulla chiesa di S. Maria Maddalena de’ Pazzi a Firenze e sulla Badia di S. Salvatore a Settimo.” L’Arte 9 (1906): 255–62.Google Scholar
De Luca, Francesca. “La Cappella Salviati e gli altari laterali nella chiesa di San Marco a Firenze.” In Altari e committenza: Episodi a Firenze nell’età della Controriforma, edited by De Benedictis, Cristina, 115–35. Florence, 1996.Google Scholar
De Marchi, Andrea. “Un raggio di luce su Filippo Lippi a Padova.” Nuovi studi 1, no. 1 (1996): 5–23.Google Scholar
De Marchi, Andrea. “Due fregi misconosciuti e il problema del tramezzo in San Fermo Maggiore a Verona.” In Arredi liturgici e architettura, edited by Quintavalle, Arturo Carlo, 129–42. Milan, 2007.Google Scholar
De Marchi, Andrea. “Il “podiolus” e il “pergolum” di Santa Caterina a Treviso: cronologia e funzione delle pitture murali in rapporto allo sviluppo della fabbrica architettonica.” In Medioevo: arte e storia, edited by Quintavalle, Arturo Carlo, 385–407. Milan, 2008.Google Scholar
De Marchi, Andrea. “‘Cum dictum opus sit magnum’. Il documento pistoiese del 1274 e l’allestimento trionfale dei tramezzi in Umbria e Toscana fra Due e Trecento.” In Medioevo: immagine e memoria, edited by Quintavalle, Arturo Carlo, 603–21. Parma, 2009.Google Scholar
De Marchi, Andrea. La pala d’altare: dal paliotto al polittico gotico
. Florence, 2009.Google Scholar
De Marchi, Andrea. “La diffusione della pittura su tavola nel Duecento e la ricostruzione del tramezzo perduto del Duomo di Pistoia.” In Il museo e la città: vicende artistiche pistoiesi dalla metà del XII secolo alla fine del Duecento, edited by Cervini, Fulvio, De Marchi, Andrea, and Tigler, Guido, 61–85. Pistoia, 2011.Google Scholar
De Marchi, Andrea. “Relitti di un naufragio: affreschi di Giotto, Taddeo Gaddi e Maso di Banco nelle navate di Santa Croce.” In Santa Croce: oltre le apparenze, edited by De Marchi, Andrea and Piraz, Giacomo, 33–71. Pistoia, 2011.Google Scholar
De Marchi, Andrea. “Duccio e Giotto, un abbrivo sconvolgente per la decorazione del tempio domenicano ancora in fieri.” In Santa Maria Novella: La basilica e il convento, edited by De Marchi, Andrea, Vol. 1, 125–55. Florence, 2015.Google Scholar
de Witte, Charles-Martial. “Les monastères vallombrosains aux XVe e XVIe siècles: Un ‘status quaestionis’.” Benedictina 17, no. 2 (1970): 234–53.Google Scholar
Debby, Nirit Ben-Aryeh. The Renaissance Pulpit: Art and Preaching in Tuscany, 1400–1550. Turnhout, 2007.Google Scholar
Debby, Nirit Ben-Aryeh. “The Santa Croce Pulpit in Context: Sermons, Art and Space.” Artibus et Historiae 29, no. 57 (2008): 75–93.Google Scholar
Debby, Nirit Ben-Aryeh. “Preaching, Saints, and Crusade Ideology in the Church of Ognissanti in Florence.” In Mendicant Cultures in the Medieval and Early Modern World: Word, Deed, and Image, edited by Cornelison, Sally J., Ben-Aryeh Debby, Nirit, and Howard, Peter, 297–322. Turnhout, 2016.Google Scholar
Decreta Provincialis Synodi Florentinae; praesidente in ea reverendiss. D. Antonio Altovita Metropolitanae Ecclesiae Florentinae Archiepiscopo. Florence, 1574.
Google Scholar
Dee, Elaine Evans. Views of Florence and Tuscany by Giuseppe Zocchi, 1711–1767: Seventy-Seven Drawings from the Collection of the Pierpont Morgan Library, New York. Meriden, CT, 1968.Google Scholar
Dei, Benedetto. La Cronica dall’anno 1400 all’anno 1500
. Edited by Barducci., Roberto Florence, 1984.Google Scholar
Del Migliore, Ferdinando Leopoldo. Firenze città nobilissima illustrata
. Florence, 1684.
Google Scholar
Della Torre, Stefano. “Le architetture monumentali: disciplina normativa e pluralismo delle opere.” In Carlo Borromeo e l’opera della “grande riforma”: cultura, religione e arti del governo nella Milano del pieno Cinquecento, edited by Buzzi, Franco and Zardin, Danilo, 216–26. Cinisello Balsamo, 1997.Google Scholar
Denny, Walter B. “Tessuti e tappeti orientali a Venezia.” In Venezia e l’Islam 828–1797, edited by Carboni, Stefano, 185–205. Venice, 2007.Google Scholar
DePrano, Maria. Art Patronage, Family, and Gender in Renaissance Florence: The Tornabuoni. Cambridge, 2018.Google Scholar
DeSilva, Jennifer Mara. ed. Episcopal Reform and Politics in Early Modern Europe. Kirksville, MO, 2012.Google Scholar
DeSilva, Jennifer Mara. ed. The Sacralization of Space and Behavior in the Early Modern World: Studies and Sources. London and New York, 2016.Google Scholar
Dezzi Bardeschi, Marco. “Il complesso monumentale di S. Pancrazio a Firenze ed il suo restauro.” Quaderni dell’Istituto di Storia dell’Architettura, serie XIII, no. 73–78 (1966): 1–66.Google Scholar
Di Cagno, Gabriella, and Pegazzano, Donatella. “San Salvatore in Ognissanti: gli altari del Cinquecento (1561–1582) e il loro arredo nel contesto della Riforma Cattolica.” In Altari e committenza: Episodi a Firenze nell’età della Controriforma, edited by De Benedictis, Cristina, 92–103. Florence, 1996.Google Scholar
Di Stasi, Michelina. Stefano di Francesco Rosselli: antiquario fiorentino del XVII sec. e il suo Sepoltuario
. Florence, 2014.Google Scholar
Dionisi, Aurelio. Il Gesù di Roma: breve storia e illustrazione della prima chiesa eretta dalla Compagnia di Gesù
. Rome, 1982.Google Scholar
Ditchfield, Simon. “Carlo Borromeo in the Construction of Roman Catholicism as a World Religion.” Studia borromaica 25 (2011): 3–23.Google Scholar
Ditchfield, Simon. “Tridentine Catholicism.” In The Ashgate Research Companion to the Counter-Reformation, edited by Bamji, Alexandra, Janssen, Geert H., and Laven, Mary, 15–31. Farnham, 2013.Google Scholar
Ditchfield, Simon. “Catholic Reformation and Renewal.” In The Oxford Illustrated History of the Reformation, edited by Marshall, Peter, 152–85. Oxford, 2017.Google Scholar
Doberer, Erika. “Der Lettner.” Mitteilungen der Gesellschaft für vergleichende Kunstforschung in Wein 9, no. 2 (1956): 117–22.Google Scholar
Dodson, Alexandra. “Mount Carmel in the Commune: Promoting the Holy Land in Central Italy in the 13th and 14th Centuries.” PhD thesis, Duke University, 2016.Google Scholar
Donetti, Dario, Faietti, Marzia, and Frommel, Sabine. eds. Giuliano da Sangallo: Disegni degli Uffizi. Florence, 2017.Google Scholar
Eckstein, Nicholas A. The District of the Green Dragon: Neighbourhood Life and Social Change in Renaissance Florence
. Florence, 1995.Google Scholar
Eckstein, Nicholas A. ed. The Brancacci Chapel: Form, Function, and Setting: Acts of an International Conference, Florence, Villa I Tatti, June 6, 2003. Florence, 2007.Google Scholar
Eckstein, Nicholas A. Painted Glories: The Brancacci Chapel in Renaissance Florence
. New Haven, CT and London, 2014.Google Scholar
Eckstein, Nicholas A. “Saint Peter, the Carmelites, and the Triumph of Anghiari: The Changing Context of the Brancacci Chapel in Mid-Fifteenth-Century Florence.” In Studies on Florence and the Italian Renaissance in Honour of F. W. Kent, edited by Howard, Peter and Hewlett, Cecilia, 317–37. Turnhout, 2016.Google Scholar
Eisenbichler, Konrad. The Boys of the Archangel Raphael: A Youth Confraternity in Florence, 1411–1785
. Toronto, 1998.Google Scholar
Eisler, Colin, Kornfeld, Abbey, and Strauber, Alison Rebecca W.. “Words on an Image: Francesco da Sangallo’s Sant’Anna Metterza for Orsanmichele.” In Orsanmichele and the History and Preservation of the Civic Monument, edited by Strehlke, Carl Brandon, 289–300. New Haven, CT, 2012.Google Scholar
Ekroll, Øystein. “State Church and Church State: Churches and Their Interiors in Post-Reformation Norway, 1537–1705.” In Lutheran Churches in Early Modern Europe, edited by Spicer, Andrew, 277–310. Farnham, 2012.Google Scholar
Evangelisti, Silvia. “‘We Do Not Have It, and We Do Not Want It’: Women, Power, and Convent Reform in Florence.” The Sixteenth Century Journal 34, no. 3 (2003): 677–700.Google Scholar
Fabbri, Lorenzo. “La sella e il freno del vescovo: privilegi familiari e saccheggio rituale nell’ingresso episcopale a Firenze fra XIII e XVI secolo.” In Uomini paesaggi storie: studi di storia medievale per Giovanni Cherubini, edited by Balestracci, Duccio, Barlucchi, Andrea, Franceschi, Franco, Nanni, Paolo, Piccinni, Gabriella, and Zorzi, Andrea, 895–909. Siena, 2012.Google Scholar
Fabbri, Maria Cecilia. “Santa Maria Novella e la Controriforma: Genesi e sviluppo del linguaggio controriformato nel ciclo pittorico degli altari.” In Alla riscoperta delle chiese di Firenze. 2. Santa Maria Novella, edited by Verdon, Timothy, 131–43. Florence, 2003.Google Scholar
Fabbri, Maria Rita. “Il coro intarsiato di San Giovanni in Monte.” Il Carrobbio 2 (1976): 143–56.Google Scholar
Fabbri, Mario, Zorzi, Elvira Garbero, and Tofani, Annamaria Petrioli. eds. Il luogo teatrale a Firenze: Brunelleschi, Vasari, Buontalenti, Parigi, Firenze, Palazzo Medici Riccardi, Museo Mediceo, 31 maggio–31 ottobre 1975. Milan, 1975.Google Scholar
Fabbri, Nancy Rash, and Rutenburg, Nina. “The Tabernacle of Orsanmichele in Context.” The Art Bulletin 63, no. 3 (1981): 385–405.Google Scholar
Faloci Pulignani, Michele. “Saggi della cronaca di Suor Caterina Guarnieri da Osimo.” Archivio storico per le Marche e per l’Umbria 1 (1884): 297–316.Google Scholar
Fantozzi Micali, Osanna, and Roselli, Piero. Le Soppressioni dei Conventi a Firenze: riuso e trasformazioni dal sec. XVIII in poi
. Florence, 1980.Google Scholar
Ferretti, Emanuela. “Sacred Space and Architecture in the Patronage of the First Grand Duke of Tuscany.” In San Lorenzo: A Florentine Church, edited by Gaston, Robert W. and Waldman, Louis Alexander, 504–24. Florence, 2017.Google Scholar
Filarete, . Filarete’s Treatise on Architecture, Being the Treatise by Antonio di Piero Averlino, known as Filarete
. Translated by John R. Spencer, New Haven, CT, 1965.Google Scholar
Fiorio, Maria Teresa, and Garberi, Mercedes Precerutti. La Pinacoteca del Castello Sforzesco. Milan, 1987.Google Scholar
Flanigan, Theresa. “Ocular Chastity: Optical Theory, Architectural Barriers and the Gaze in the Renaissance Church of San Marco in Florence.” In Beyond the Text: Franciscan Art and the Construction of Religion, 40–60. St. Bonaventure, NY, 2013.Google Scholar
Fondaras, Antonia. Augustinian Art and Meditation in Renaissance Florence: The Choir Altarpieces of Santo Spirito 1480–1510
. Leiden, 2020.Google Scholar
Fonseca, Cosimo Damiano. “Vescovi, capitoli cattedrali e canoniche regolari.” In Vescovi e diocesi in Italia dal XIV alla metà del XVI secolo. Atti del VII convegno di storia della chiesa in Italia (Brescia, 21–25 settembre 1987), edited by Gasparini, Giuseppina de Sandre, 83–138. Rome, 1990.Google Scholar
Forlani Conti, Marisa. “La ristrutturazione seicentesca nella chiesa di S. Stefano al Ponte.” In La comunità cristiana fiorentina e toscana nella dialettica religiosa del Cinquecento, 277–83. Florence, 1980.Google Scholar
Foscari, Antonio, and Tafuri, Manfredo. “Sebastiano da Lugano, i Grimani e Jacopo Sansovino. Artisti e committenti nella chiesa di Sant’Antonio di Castello.” Arte Veneta 36 (1982): 100–23.Google Scholar
Fossi, Gloria. “Grandi casati, uomini illustri e committenti.” In La chiesa di Santa Maria del Carmine a Firenze, edited by Berti, Luciano. Florence, 1992.Google Scholar
Franco, Tiziana. “Appunti sulla decorazione dei tramezzi nelle chiese mendicanti. La chiesa dei Domenicani a Bolzano e di Santa Anastasia a Verona.” In Arredi liturgici e architettura, edited by Quintavalle, Arturo Carlo, 115–28. Milan, 2007.Google Scholar
Franco, Tiziana. “Sul ‘muricciolo’ nella chiesa di Sant’Andrea di Sommacampagna ‘per il quale restavan divisi gli uomini dalle donne’.” Hortus Artium Medievalium 14 (2008): 181–92.Google Scholar
Franco, Tiziana. “Attorno al ‘pontile che traversava la chiesa’: spazio liturgico e scultura in Sant’Anastasia.” In La Basilica di Santa Anastasia a Verona: storia e restauro, edited by Marini, Paola, 33–49. Verona, 2011.Google Scholar
Franco, Tiziana. “‘Item in piscibus pro magistris qui aptaverunt pontem’: note sul tramezzo dei Santi Giovanni e Paolo a Venezie.” In Sotto la superficie visibile: Scritti in onore di Franco Bernabei, edited by Nezzo, Marta and Tomasella, Giuliana, 163–70. Treviso, 2013.Google Scholar
Freni, Giovanni. “The Aretine Polyptych by Pietro Lorenzetti: Patronage, Iconography and Original Setting.” Journal of the Warburg and Courtauld Institutes 63 (2000): 59–110.Google Scholar
Freni, Giovanni. “Images and Relics in Fourteenth-Century Arezzo: Pietro Lorenzetti’s Pieve Polyptych and the Shrine of St Donatus.” In Images, Relics, and Devotional Practices in Medieval and Renaissance Italy, edited by Cornelison, Sally J. and Montgomery, Scott B.. Medieval & Renaissance Texts & Studies, 27–54. Tempe, AZ, 2006.Google Scholar
Frey, Karl, and Frey, Herman-Walther. eds. Der literarische Nachlass Giorgio Vasaris. Hildesheim and New York, 1982.Google Scholar
Frisoni, Fiorella. “Il coro ligneo della Cattedrale di Ferrara.” In La Cattedrale di Ferrara. Atti del Convegno nazionale di studi storici organizzato dalla Accademia delle scienze di Ferrara sotto l’alto patrocinio della Presidenza del Consiglio dei Ministri, 11–13 maggio 1979, 539–58. Ferrara, 1982.Google Scholar
Frommel, Christoph Luitpold. “La nuova cappella maggiore.” In Santa Maria del Popolo: storia e restauri, edited by Miarelli, Ilaria and Richiello, Maria, 383–410. Rome, 2009.Google Scholar
Fujikawa, Mayu. “The Medici Judge, a Bitter Lawsuit, and an Embezzlement: The Opera del Sacro Cingolo’s Bronze Chapel Screen at Santo Stefano, Prato.” Renaissance Studies 27, no. 5 (2013): 612–32.Google Scholar
Fumi, Francesca. “Nuovi documenti per gli angeli dell’altar maggiore del Duomo di Siena.” Prospettiva, 26 (1981): 9–25.Google Scholar
Gahtan, Maia Wellington. Giorgio Vasari and the Birth of the Museum. Farnham and Burlington, VT, 2014.Google Scholar
Gaier, Martin. “Il mausoleo nel presbiterio. Patronati laici e liturgie private nelle chiese veneziane.” In Lo spazio e il culto: relazioni tra edificio ecclesiale e uso liturgico dal XV al XVI secolo, edited by Stabenow, Jörg, 153–80. Venice, 2006.Google Scholar
Galbraith, Georgina Rosalie. The Constitution of the Dominican Order 1216–1360
. Manchester, 1925.Google Scholar
Gáldy, Andrea. Cosimo I de’ Medici as Collector: Antiquities and Archaeology in Sixteenth-Century Florence
. Newcastle, 2009.Google Scholar
Galletti, Giorgio. “San Pancrazio: la vicenda storica e il suo recupero.” In Marino Marini: Museo San Pancrazio, Firenze, edited by Pirovano, Carlo, 202–11. Milan, 1988.Google Scholar
Garbero Zorzi, Elvira. “Chiesa di Santa Maria del Carmine.” In Il luogo teatrale a Firenze: Brunelleschi, Vasari, Buontalenti, Parigi, Firenze, Palazzo Medici Riccardi, Museo Mediceo, 31 maggio–31 ottobre 1975, edited by Mario Fabbri, Elvira Garbero Zorzi, and Annamaria Petrioli Tofani, 59–61. Milan, 1975.Google Scholar
Gardner, Julian. “Altars, Altarpieces and Art History: Legislation and Usage.” In Italian Altarpieces 1250–1550: Function and Design, edited by Borsook, Eve and Gioffredi, Fiorella Superbi, 5–39. Oxford, 1994.Google Scholar
Gardner, Julian. “Nuns and Altarpieces: Agendas for Research.” Römisches Jahrbuch der Bibliotheca Hertziana 30 (1995): 27–57.Google Scholar
Gardner, Julian. “Sant Antonino, Lorenzo Lotto and Dominican Historicism.” In Ars Naturam Adiuvans: Festschrift für Matthias Winner, edited by von Flemming, Victoria and Schütze, Sebastian, 139–49. Mainz, 1996.Google Scholar
Gardner, Julian. “Giotto in America (and Elsewhere).” In Italian Panel Paintings of the Duecento and Trecento. Studies in the History of Art, vol. 61. National Gallery of Art, Washington, edited by Schmidt, Victor M., 161–81. Washington, DC, 2002.Google Scholar
Gardner, Julian. “San Zaccaria and Prophet Dedications in Venetian Churches.” In Der Unbestechliche Blick: Festschrift zu Ehren von Wolfgang Wolters, edited by Gaier, Martin, Nicolai, Bernd, and Weddingen, Tristan, 31–41. Trier, 2005.Google Scholar
Gardner, Julian. “A Thirteenth-Century Franciscan Building Contract.” In Medioevo: le officine: atti del Convegno internazionale di studi, Parma, 22–27 settembre 2009, edited by Quintavalle, Arturo Carlo, 457–67. Milan, 2010.Google Scholar
Gardner von Teuffel, Christa. “The Contract for Perugino’s ‘Assumption of the Virgin’ at Vallombrosa.” The Burlington Magazine 137, no. 1106 (1995): 307–12.Google Scholar
Gardner von Teuffel, Christa. “Perugino’s Cassinese Ascension for San Pietro at Perugia: The Artistic and Musical Setting of a High Altarpiece in Its Cassa.” Städel-Jahrbuch 18 (2001): 113–64.Google Scholar
Gardner von Teuffel, Christa. “The Significance of the Madonna del Popolo in the Brancacci Chapel: Re-framing Assumptions.” In The Brancacci Chapel: Form, Function, and Setting: Acts of an International Conference, Florence, Villa I Tatti, June 6, 2003, edited by Eckstein, Nicholas A., 37–51. Florence, 2007.Google Scholar
Gardner von Teuffel, Christa. “The Carmelite Altarpiece (circa 1290–1550): The Self-Identification of an Order.” Mitteilungen des Kunsthistorisches Institut in Florenz 57, no. 1 (2015): 3–41.Google Scholar
Gardner von Teuffel, Christa. “Locating Albert: The First Carmelite Saint in the Works of Taddeo di Bartolo, Lippo di Andrea, Masaccio and Others.” Predella: Journal of Visual Arts 13–14, no. 39–40 (2016): 173–92.Google Scholar
Gardner von Teuffel, Christa. “The Altarpieces of San Lorenzo: Memorializing the Martyr or Accommodating the Parishioners?.” In San Lorenzo: A Florentine Church, edited by Gaston, Robert W. and Waldman, Louis Alexander, 184–243. Florence, 2017.Google Scholar
Gaston, Robert. “Sacred Place and Liturgical Space: Florence’s Renaissance Churches.” In Renaissance Florence: A Social History, edited by Crum, Roger J. and Paoletti, John T., 331–52. Cambridge, 2006.Google Scholar
Gerstel, Sharon E. J. ed. Thresholds of the Sacred: Architectural, Art Historical, Liturgical, and Theological Perspectives on Religious Screens, East and West. Washington, DC, 2006.Google Scholar
Giacomelli, Gabriele. “Organi e simboli del potere a Firenze dalla repubblica al principato.” In Atti del Congresso Internazionale di Musica Sacra: in occasione del centenario di fondazione del Pontificio Istituto di Musica Sacra: Roma, 26 maggio – 1 giugno 2011, edited by Addamiano, Antonio and Luisi, Francesco, 1061–73. Vatican City, 2013.Google Scholar
Giani, Arcangelo, and Garbi, Luigi Maria. Annalium sacri Ordinis fratrum Servorum B. Mariae Virginis a suae institutionis exordio centuriae quatuor
. Lucca, 1719.
Google Scholar
Giannetti, Stefano. “La chiesa basso-medievale: il tramezzo di Ognissanti.” In Dal Gotico, oltre la Maniera: Gli architetti di Ognissanti a Firenze, edited by Bartoli, Maria Teresa, 49–57. Florence, 2011.Google Scholar
Giffin, Erin. “Body and Apparition: Material Presence in Sixteenth-Century Italian Religious Sculpture.” PhD thesis, University of Washington, 2017.Google Scholar
Gilchrist, Roberta. Gender and Material Culture: The Archaeology of Religious Women
. London and New York, 1994.Google Scholar
Giles, Lucas. “Medieval Architecture and Technology: Using GPR to Reconstruct the Choir Screen at Santa Chiara in Naples.” Peregrinations: Journal of Medieval Art and Architecture 6, no. 4 (2018): 123–60.Google Scholar
Gill, Meredith. Angels and the Order of Heaven in Medieval and Renaissance Italy
. New York, 2014.Google Scholar
Giorgi, Luca, and Matracchi, Pietro. “La chiesa di Santa Croce e i precedenti insediamenti francescani. Architettura e resti archeologici.” In Santa Croce: oltre le apparenze, edited by De Marchi, Andrea and Piraz, Giacomo, 13–31. Pistoia, 2011.Google Scholar
Giovannini, Priscia, and Vitolo, Sergio. Il convento del Carmine di Firenze: caratteri e documenti
. Florence, 1981.Google Scholar
Giovannozzi, Vera. “Ricerche su Bernardo Buontalenti.” Rivista d’Arte 15 (1933): 299–327.Google Scholar
Giurescu, Ena. “Trecento Family Chapels in Santa Maria Novella and Santa Croce: Architecture, Patronage, and Competition.” PhD thesis, New York University, 1997.Google Scholar
Giurescu Heller, Ena. “Access to Salvation: The Place (and Space) of Women Patrons in Fourteenth-Century Florence.” In Women’s Space: Patronage, Place and Gender in the Medieval Church, edited by Raguin, Virginia Chieffo and Stanbury, Sarah, 161–83. Albany, NY, 2005.Google Scholar
Gombrich, E. H. “The Sassetti Chapel Revisited: Santa Trinita and Lorenzo de’ Medici.” I Tatti Studies in the Italian Renaissance 7 (1997): 11–35.Google Scholar
Góralski, Wojciech. I primi sinodi di San Carlo Borromeo: la riforma tridentina nella provincia ecclesiastica milanese
. Milan, 1989.Google Scholar
Gordon, Dillian. The Italian Paintings before 1400
. National Gallery Catalogues. London, 2011.Google Scholar
Götz, Adriani. “Der Mittelalterliche Predigtort und seine Ausgestaltung.” PhD thesis, Eberhard-Karls-Universität zu Tübingen, 1966.Google Scholar
Graf, Arturo. “Una cortigiana fra mille: Veronica Franco.” In Attraverso il Cinquecento, edited by Arturo Graf, 177–298. Turin, 1888.Google Scholar
Grassi, Liliana. “Prassi, socialità e simbolo dell’architettura delle “Instructiones” di S. Carlo.” Arte Cristiana 706 (1985): 3–16.Google Scholar
Griffith, David. “Texts and Detexting on Late Medieval English Church Screens.” In The Art and Science of the Church Screen in Medieval Europe: Making, Meaning, Preserving, edited by Bucklow, Spike, Marks, Richard, and Wrapson, Lucy, 71–99. Woodbridge, 2017.Google Scholar
Gromotka, Michael G. “Transformation Campaigns of Church Interiors and Their Impact on the Function and Form of Renaissance Altarpieces: The Example of S. Pietro in Perugia and Pietro Perugino’s ‘Ascension of Christ’.” Marburger Jahrbuch für Kunstwissenschaft 42 (2015): 79–125.Google Scholar
Gromotka, Michael G. Die Geschichte der Kirchenausstattung von S. Pietro in Perugia: Ein Beitrag zur Kircheninnenraumforschung
. 3 vols. Heidelberg, 2021.Google Scholar
Gromotka, Michael G. “Franciscan Choir Location as a Model in Umbrian Context: The Case of San Pietro in Perugia.” In Spaces for Friars and Nuns, edited by Morvan, Haude, forthcoming.Google Scholar
Gronau, H. D. “The San Pier Maggiore Altarpiece: A Reconstruction.” The Burlington Magazine 86, no. 507 (June 1945): 139–45.Google Scholar
Guerra, Andrea. “Croce della Salvezza. I benedettini e il progetto di Palladio per San Giorgio Maggiore a Venezia.” In Lo spazio e il culto: relazioni tra edificio ecclesiale e uso liturgico dal XV al XVI secolo, edited by Stabenow, Jörg, 353–83. Venice, 2006.Google Scholar
Guidi, Fabrizio. “La pittura fiorentina del primo quattrocento nel transetto di S. Trinita.” In La Chiesa di Santa Trinita a Firenze, edited by Marchini, Giuseppe and Micheletti, Emma, 118–22. Florence, 1987.Google Scholar
Guidotti, Alessandro. “Appendice documentaria.” In San Niccolò Oltrarno: la chiesa, una famiglia di antiquari, edited by Damiani, Giovanna and Laghi, Anna, Vol. 1, 174–90. Florence, 1982.Google Scholar
Guidotti, Alessandro. “Fatti, arredi e corredi carmelitani a Firenze.” In La chiesa di Santa Maria del Carmine a Firenze, edited by Berti, Luciano, 21–56. Florence, 1992.Google Scholar
Gurrieri, Elena, Olive, Kathleen, and Newbigin, Nerida. eds. Codice Rustici: dimostrazione dell’andata o viaggio al Santo Sepolcro e al monte Sinai di Marco di Bartolomeo Rustici. Florence, 2015.Google Scholar
Gurrieri, Francesco. “L’impianto architettonico origini e addizioni.” In La basilica di San Miniato al Monte a Firenze, edited by Gurrieri, Francesco, Berti, Luciano, and Leonardi, Claudio, 15–78. Florence, 1988.Google Scholar
Gurrieri, Francesco. “L’architettura di Santa Maria del Carmine.” In La chiesa di Santa Maria del Carmine a Firenze, edited by Berti, Luciano, 57–88. Florence, 1992.Google Scholar
Gustafson, Erik D. “Tradition and Renewal in the Thirteenth-Century Franciscan Architecture of Tuscany.” PhD thesis, Institute of Fine Arts, New York University, 2012.Google Scholar
Haines, Margaret. The “Sacrestia delle Messe” of the Florentine Cathedral
. Florence, 1983.Google Scholar
Hall, Marcia B. “The ‘Tramezzo’ in S. Croce, Florence and Domenico Veneziano’s Fresco.” The Burlington Magazine 112, no. 813 (1970): 796–99.Google Scholar
Hall, Marcia B. “The Operation of Vasari’s Workshop and the Designs for S. Maria Novella and S. Croce.” The Burlington Magazine 115, no. 841 (1973): 204–09.Google Scholar
Hall, Marcia B. “The Ponte in S. Maria Novella: The Problem of the Rood Screen in Italy.” Journal of the Warburg and Courtauld Institutes 37 (1974): 157–73.Google Scholar
Hall, Marcia B. “The Tramezzo in Santa Croce, Florence, Reconstructed.” The Art Bulletin 56, no. 3 (1974): 325–41.Google Scholar
Hall, Marcia B. Renovation and Counter-Reformation: Vasari and Duke Cosimo in Sta Maria Novella and Sta Croce, 1565–1577
. Oxford and New York, 1979.Google Scholar
Hall, Marcia B. “The Tramezzo in the Italian Renaissance, Revisited.” In Thresholds of the Sacred: Architectural, Art Historical, Liturgical, and Theological Perspectives on Religious Screens, East and West, edited by Gerstel, Sharon E. J., 214–32. Washington, DC, 2006.Google Scholar
Hall, Marcia B. “Another Look at the Rood Screen in the Italian Renaissance.” Sacred Architecture Journal 27, The Institute for Sacred Architecture (2015). www.sacredarchitecture.org/articles/another_look_at_the_rood_screen_in_the_italian_renaissance.Google Scholar
Hall, Marcia B., and Cooper, Tracy E.. eds. The Sensuous in the Counter Reformation Church. New York, 2013.Google Scholar
Hamburger, Jeffrey F. “Art, Enclosure and the Cura Monialium: Prolegomena in the Guise of a Postscript.” Gesta 31, no. 2 (1992): 108–34.Google Scholar
Hamilton, Sarah, and Spicer, Andrew. eds. Defining the Holy: Sacred Space in Medieval and Early Modern Europe. London, 2016.Google Scholar
Hammond, Joseph. “The Cult and Representation of the Archangel Raphael in Sixteenth-Century Venice.” St. Andrews University Journal of Art History and Museum Studies 15 (2011): 79–88.Google Scholar
Hammond, Joseph. “Negotiating Carmelite Identity: The Scuola dei Santi Alberto ed Eliseo at Santa Maria dei Carmini in Venice.” In Art and Identity: Visual Culture, Politics and Religion in the Middle Ages and the Renaissance, edited by Cardarelli, Sandra, Anderson, Emily Jane and Richards, John, 219–42. Newcastle upon Tyne, 2012.Google Scholar
Harrison, Hugh, and West, Jeffrey. “West Country Rood Screens: Construction and Practice.” In The Art and Science of the Church Screen in Medieval Europe: Making, Meaning, Preserving, edited by Bucklow, Spike, Marks, Richard, and Wrapson, Lucy, 123–49. Woodbridge, 2017.Google Scholar
Hatfield, Rab. “The Compagnia de Magi.” Journal of the Warburg and Courtauld Institutes 33 (1970): 107–61.Google Scholar
Henderson, John. Piety and Charity in Late Medieval Florence
. Oxford and New York, 1994.Google Scholar
Henderson, John. The Renaissance Hospital: Healing the Body and Healing the Soul
. New Haven, CT and London, 2006.Google Scholar
Godefroid, Henschen, Van Papenbroeck, Daniel, Baert, François, and Ianningus, Conrad. eds. Acta Sanctorum Maii, Tomus VII
. Antwerp, 1688.Google Scholar
Herzner, Volker. “Die Kanzeln Donatellos in San Lorenzo.” Münchner Jahrbuch der bildenden Kunst 23 (1972): 101–64.Google Scholar
Hiller von Gaertringen, Rudolf. “Giovanni da Ponte.” In Allgemeines Künstlerlexikon, edited by Meißner, Günter, Vol. 55, 76–78. Munich and Leipzig, 2007.Google Scholar
Hills, Helen. “Architecture as Metaphor for the Body: The Case of Female Convents in Early Modern Italy.” In Gender and Architecture, edited by Durning, Louise and Wrigley, Richard, 67–112. Chichester, 2000.Google Scholar
Holmes, George. “How the Medici Became the Pope’s Bankers.” In Florentine Studies: Politics and Society in Renaissance Florence, edited by Rubinstein, Nicolai, 357–80. Evanston, IL, 1968.Google Scholar
Holmes, Megan. Fra Filippo Lippi, The Carmelite Painter
. New Haven, CT and London, 1999.Google Scholar
Holmes, Megan. The Miraculous Image in Renaissance Florence
. New Haven, CT and London, 2013.Google Scholar
Hoover, Dale. “Affinity between Chant and Image: A Study of a Late Fourteenth-Century Florentine Antiphonary/Gradual (Baltimore: Walters Art Museum: MS W153).” PhD thesis, University of Ohio, 2004.Google Scholar
Horn, Walter. “Romanesque Churches in Florence: A Study in Their Chronology and Stylistic Development.” The Art Bulletin 25, no. 2 (1943): 112–31.Google Scholar
Houston, Kerr. “The Sistine Chapel Chancel Screen as Metaphor.” Source: Notes in the History of Art 32, no. 3 (2013): 21–27.Google Scholar
Howard, Deborah. Jacopo Sansovino: Architecture and Patronage in Renaissance Venice
. New Haven, CT and London, 1975.Google Scholar
Howard, Deborah. “Venice between East and West: Marc’Antonio Barbaro and Palladio’s Church of the Redentore.” Journal of the Society of Architectural Historians 62, no. 3 (2003): 306–25.Google Scholar
Howard, Deborah, and Moretti, Laura. Sound and Space in Renaissance Venice: Architecture, Music, Acoustics. New Haven, CT and London, 2009.Google Scholar
Hueck, Irene. “Der Lettner der Unterkirche von San Francesco in Assisi.” Mitteilungen des Kunsthistorischen Institutes in Florenz 28, no. 2 (1984): 173–202.Google Scholar
Hueck, Irene. “La tavola di Duccio e la Compagnia delle Laudi di Santa Maria Novella.” In La Maestà di Duccio restaurata. Gli Uffizi Studi e Ricerche, Vol. 6, 33–46. Florence, 1990.Google Scholar
Hueck, Irene. “Le opere di Giotto per la chiesa di Ognissanti.” In La “Madonna di’Ognissanti” di Giotto restaurata, 37–49. Florence, 1992.Google Scholar
Huitson, Toby. Stairway to Heaven: The Functions of Medieval Upper Spaces
. Oxford, 2014.Google Scholar
Humfrey, Peter. “Cima da Conegliano, Sebastiano Mariani, and Alvise Vivarini at the East End of S. Giovanni in Bragora in Venice.” The Art Bulletin 62, no. 3 (1980): 350–63.Google Scholar
Hurz, Merlijn. “Bartolomeo Ammannati and the College of San Giovannino in Florence: Adapting Architecture to Jesuit Needs.” Journal of the Society of Architectural Historians 68, no. 3 (2009): 338–57.Google Scholar
Imesch Oehry, Kornelia. Die Kirchen der Franziskanerobservanten in der Lombardei, im Piemont und im Tessin und ihre “Lettnerwände”. Essen, 1991.Google Scholar
Ircani Menichini, Paola. Vita quotidiana e storia della SS. Annunziata di Firenze nella prima metà del Quattrocento
. Florence, 2004.Google Scholar
Isermeyer, Christian-Adolf. “Il Vasari e il restauro delle chiese medievali.” In Studi vasariani: atti del Convegno internazionale per il IV. centenario della prima edizione delle “Vite” del Vasari, 229–36. Florence, 1952.Google Scholar
Isermeyer, Christian-Adolf. “Le chiese del Palladio in rapporto al culto.” Bollettino del Centro Internazionale di Studi di Architettura Andrea Palladio 10 (1968): 42–58.Google Scholar
Israëls, Machtelt. ed. Sassetta: The Borgo San Sepolcro Altarpiece. Florence and Leiden, 2009.Google Scholar
Ito, Takuma. “Domenico Ghirlandaio’s Santa Maria Novella Altarpiece: A Reconstruction.” Mitteilungen des Kunsthistorischen Institutes in Florenz 56, no. 2 (2014): 171–92.Google Scholar
Joannides, Paul. Masaccio and Masolino: A Complete Catalogue
. London and New York, 1993.Google Scholar
Jobst, Christoph. “Liturgia e culto dell’eucaristia nel programma spaziale della chiesa: I tabernacoli eucaristici e la trasformazione dei presbiteri negli scritti ecclesiastici dell’epoca intorno al Concilio di Trento.” In Lo spazio e il culto: relazioni tra edificio ecclesiale e uso liturgico dal XV al XVI secolo, edited by Stabenow, Jörg, 91–126. Venice, 2006.Google Scholar
Johannsen, Birgitte Bøggild, and Johannsen, Hugo. “Reforming the Confessional Space: Early Lutheran Churches in Denmark, c. 1536–1660.” In Lutheran Churches in Early Modern Europe, edited by Spicer, Andrew, 241–76. Farnham, 2012.Google Scholar
Jones, Pamela M. Federico Borromeo and the Ambrosiana: Art Patronage and Reform in Seventeenth-Century Milan
. Cambridge; New York; and Victoria, 1993.Google Scholar
Jotischky, Andrew. The Carmelites and Antiquity: Mendicants and Their Pasts in the Middle Ages
. Oxford, 2002.Google Scholar
Jung, Jacqueline E. “Beyond the Barrier: The Unifying Role of the Choir Screen in Gothic Churches.” The Art Bulletin 82, no. 4 (2000): 622–57.Google Scholar
Jung, Jacqueline E. “Seeing through Screens: The Gothic Choir Enclosure as Frame.” In Thresholds of the Sacred: Architectural, Art Historical, Liturgical, and Theological Perspectives on Religious Screens, East and West, edited by Gerstel, Sharon E. J., 185–215. Washington, DC, 2006.Google Scholar
Jung, Jacqueline E. The Gothic Screen: Space, Sculpture, and Community in the Cathedrals of France and Germany, ca. 1200–1400
. New York, 2013.Google Scholar
Jung, Jacqueline E. “Moving Pictures on the Gothic Choir Screen.” In The Art and Science of the Church Screen in Medieval Europe: Making, Meaning, Preserving, edited by Bucklow, Spike, Marks, Richard, and Wrapson, Lucy, 176–94. Woodbridge, 2017.Google Scholar
Jürgensen, Martin. “Between New Ideals and Conservatism: The Early Lutheran Church Interior in Sixteenth-Century Denmark.” Church History 86, no. 4 (2017): 1041–80.Google Scholar
Kallenberg, Paschalis. Fontes Liturgiae Carmelitanae: investigatio in decreta, codices et proprium sanctorum
. Rome, 1962.Google Scholar
Kanter, Laurence B. ed. Painting and Illumination in Early Renaissance Florence 1300–1450. New York, 1994.Google Scholar
Karwacka Codini, Ewa, and Sbrilli, Milletta. Il quaderno della fabbrica della Cappella di Sant’Antonino in San Marco a Firenze: Manoscritto sulla costruzione di un’opera del Giambologna
. Quaderni dell’Archivio Salviati. Pisa, 1996.Google Scholar
Kelley, Shannon. “Arno River Floods and the Cinquecento Grotto at the Boboli Garden.” Renaissance Studies 30, no. 5 (2015): 729–51.Google Scholar
Kemp, Martin. “The Taking and Use of Evidence; with a Botticellian Case Study.” Art Journal 44, no. 3 (1984): 207–15.Google Scholar
Kempers, Bram. Painting, Power and Patronage: The Rise of the Professional Artist in the Italian Renaissance
. Translated by Beverley Jackson. London, 1994.Google Scholar
Kennedy, Ruth Wedgwood. Alesso Baldovinetti: A Critical & Historical Study. New Haven, CT and London, 1938.Google Scholar
Kent, D. V., and Kent, F. W.. Neighbours and Neighbourhood in Renaissance Florence: The District of the Red Lion in the Fifteenth Century
. Locust Valley, NY, 1982.Google Scholar
Kent, Dale. Cosimo de’ Medici and the Florentine Renaissance: The Patron’s Oeuvre
. New Haven, CT and London, 2000.Google Scholar
Kent, F. W. “New Light on Lorenzo de’ Medici’s Convent at Porta San Gallo.” The Burlington Magazine 124, no. 950 (1982): 292–94.Google Scholar
Kent, F. W. Household and Lineage in Renaissance Florence: The Family Life of the Capponi, Ginori and Rucellai
. Princeton, NJ, 2015.Google Scholar
King, Catherine. “The Dowry Farms of Niccolosa Serragli and the Altarpiece of the Assumption in the National Gallery London (1126) Ascribed to Francesco Botticini.” Zeitschrift für Kunstgeschichte 50, no. 2 (1987): 275–78.Google Scholar
Knox, Giles. “The Unified Church Interior in Baroque Italy: S. Maria Maggiore in Bergamo.” The Art Bulletin 82, no. 4 (2000): 679–701.Google Scholar
Koch, Linda A. “The Early Christian Revival at S. Miniato al Monte: The Cardinal of Portugal Chapel.” The Art Bulletin 78, no. 3 (1996): 527–55.Google Scholar
Koch, Linda A. “Medici Continuity, Imperial Tradition and Florentine History: Piero de’ Medici’s Tabernacle of the Crucifix at S. Miniato al Monte.” In A Scarlet Renaissance: Essays in Honor of Sarah Blake McHam, edited by Coonin, Arnold Victor, 183–212. New York, 2013.Google Scholar
Kreytenberg, Gert. “Un tabernacolo di Giovanni di Balduccio per Orsanmichele a Firenze.” Boletin del Museo Arqueológico Nacional (Madrid) 8 (1990): 37–57.Google Scholar
Kreytenberg, Gert. “The Limestone Tracery in the Arches of the Original Grain Loggia of Orsanmichele in Florence.” In Orsanmichele and the History and Preservation of the Civic Monument, edited by Strehlke, Carl Brandon, 111–24. New Haven, CT, 2012.Google Scholar
Kroesen, Justin E. A. “Accommodating Calvinism: The Appropriation of Medieval Church Interiors for Protestant Worship in the Netherlands after the Reformation.” In Protestant Church Architecture in Early Modern Europe: Fundamentals and New Research Approaches [Protestantischer Kirchenbau der Frühen Neuzeit in Europa: Grundlagen und neue Forschungskonzepte], edited by Harasimowicz, Jan, 81–98. Regensburg, 2015.Google Scholar
Kroesen, Justin E. A. “The Preserving Power of Calvinism: Pre-reformation Chancel Screens in the Netherlands.” In The Art and Science of the Church Screen in Medieval Europe: Making, Meaning, Preserving, edited by Bucklow, Spike, Marks, Richard, and Wrapson, Lucy, 195–219. Woodbridge, 2017.Google Scholar
Ladis, Andrew. Taddeo Gaddi: Critical Reappraisal and Catalogue Raisonné
. Columbia, MO and London, 1982.Google Scholar
Ladis, Andrew. “A High Altarpiece for San Giovanni Fuorcivitas in Pistoia and Hypotheses about Niccolò di Tommaso.” Mitteilungen des Kunsthistorischen Institutes in Florenz 33 (1989): 3–16.Google Scholar
Laghi, Anna. “La chiesa cinquecentesca e il suo arredo: vicende e restauri.” In San Niccolò Oltrarno: la chiesa, una famiglia di antiquari, edited by Damiani, Giovanna and Laghi, Anna, Vol. 1, 87–135. Florence, 1982.Google Scholar
Laitinen, Riitta. “Church Furnishings and Rituals in a Swedish Provincial Cathedral from 1527 to c. 1660.” In Lutheran Churches in Early Modern Europe, edited by Spicer, Andrew, 311–32. Farnham, 2012.Google Scholar
Lang, Uwe Michael. “Tamquam Cor in Pectore: The Eucharistic Tabernacle Before and After the Council of Trent.” Sacred Architecture Journal 15, The Institute for Sacred Architecture (2009). www.sacredarchitecture.org/articles/tamquam_cor_in_pectore_the_eucharistic_tabernacle_before_and_after_the_coun.Google Scholar
Lapini, Agostino, and Corazzini, Giuseppe Odoardo. Diario Fiorentino di Agostino Lapini: dal 252 al 1596, ora per la prima volta pubblicato
. Florence, 1900.Google Scholar
Latini, Emilia. “La cappella del Santo Sepolcro nel complesso conventuale di San Pancrazio a Firenze.” In I Fiorentini alle crociate: guerre, pellegrinaggi e immaginario ‘orientalistico’ a Firenze tra medioevo ed età moderna, edited by Silvia Agnoletti and Luca Mantelli, 267–81. Florence, 2007.Google Scholar
Lavin, Irving. “Donatello’s Bronze Pulpits in San Lorenzo and the Early Christian Revival.” In Past & Present: Essays on Historicism in Art from Donatello to Picasso, 1–27. Berkeley, CA, 1993.Google Scholar
Lavin, Irving. “The Problem of the Choir of Florence Cathedral.” In La cattedrale e la città: saggi sul Duomo di Firenze: atti del convegno internazionale di studi (Firenze, 16 – 21 giugno 1997), edited by Timothy Verdon and Annalisa Innocenti, 397–419. Florence, 2001.Google Scholar
Lavin, Irving. “Santa Maria del Fiore: Image of the Pregnant Madonna: The Christology of Florence Cathedral.” In La cattedrale e la città. Saggi sul duomo di Firenze. Atti del convegno internazionale di studi (Firenze, 16–21 giugno 1997), edited by Verdon, Timothy and Innocenti, Annalisa, 669–89. Florence, 2001.Google Scholar
Lawless, Catherine. “Representation, Religion, Gender and Space in Medieval Florence.” In Ritual and Space in the Middle Ages: Proceedings of the 2009 Harlaxton Symposium, edited by Andrews, Frances, 232–58. Donington, 2011.Google Scholar
Leader, Anne. The Badia of Florence: Art and Observance in a Renaissance Monastery
. Bloomington, IN, 2012.Google Scholar
Leclercq, Henri. “Jubé.” In Dictionnaire d’Archéologie Chrétienne et de Liturgie, edited by Cabrol, Fernand and Leclercq, Henri, Vol. 7, 2767–69, Paris, 1927.Google Scholar
Lefebvre, Henri. The Production of Space. Translated by Donald Nicholson-Smith. Malden, MA and Oxford, 1991.Google Scholar
Leoncini, Giovanni. “Altari in Santa Trinita: la cappella maggiore, la cappella Usimbardi e la cappella delle reliquie di San Giovanni Gualberto.” In Altari e committenza: Episodi a Firenze nell’età della Controriforma, edited by De Benedictis, Cristina, 105–13. Florence, 1996.Google Scholar
Leoncini, Giovanni. “I ‘cori centrali’ di Santa Maria del Fiore e di altre chiese fiorentine: spazi liturgici e architettonici.” In La cattedrale e la città: saggi sul Duomo di Firenze: atti del convegno internazionale di studi (Firenze, 16–21 giugno 1997), edited by Timothy Verdon and Annalisa Innocenti, 475–91. Florence, 2001.Google Scholar
Leoncini, Giovanni. “I luoghi della devozione mariana a Firenze: Or San Michele.” In Atti del VII centenario del Duomo di Firenze, edited by Timothy Verdon and Annalisa Innocenti, Vol. 2, 183–94. Florence, 2001.Google Scholar
Leoncini, Giovanni. “Santa Croce nel Cinquecento.” In Alla riscoperta delle chiese di Firenze. 3. Santa Croce, edited by Verdon, Timothy, 65–91. Florence, 2004.Google Scholar
Leoncini, Giovanni. “Il Cinquecento e il Seicento in Santa Trinita.” In Alla riscoperta delle chiese di Firenze: 6. Santa Trinita, edited by Verdon, Timothy, 135–59. Florence, 2009.Google Scholar
Levi d’Ancona, Mirella. Miniatura e miniatori a Firenze dal XIV al XVI secolo. Documenti per la storia della miniatura. Florence, 1962.Google Scholar
Levi d’Ancona, Mirella. “Arte e politica: l’Interdetto, gli Albizzi e la miniatura fiorentina del tardo Trecento.” In La Miniatura Italiana in età romanica e gotica, Atti del I Congresso di Storia della Miniatura Italiana, Cortona 26–28 maggio 1978, edited by Waldenburg, Grazia Vailati Schoenburg, 461–87. Florence, 1979.Google Scholar
Lewine, Milton Joseph. “The Roman Church Interior, 1527–1580.” PhD thesis, Columbia University, 1960.Google Scholar
Lewis, Charlton T., and Short, Charles. A Latin Dictionary Founded on Andrews’ Edition of Freund’s Latin Dictionary Revised, Enlarged, and in Great Part Rewritten
. Oxford, 1955.Google Scholar
Lindholm, Richard T. Quantitative Studies of the Renaissance Florentine Economy and Society
. London and New York, 2017.Google Scholar
Lisner, Margrit. “The Crucifix from Santo Spirito and the Crucifixes of Taddeo Curradi.” The Burlington Magazine 122, no. 933 (1980): 812–19.Google Scholar
Lisner, Margrit. “Andrea Sansovino und die Sakramentskapelle der Corbinelli mit Notizen zum alten Chor von Santo Spirito in Florenz.” Zeitschrift für Kunstgeschichte 50, no. 2 (1987): 207–74.Google Scholar
Litchfield, R. Burr. Emergence of a Bureaucracy: The Florentine Patricians, 1530–1790
. Princeton, NJ, 1986.Google Scholar
Litchfield, R. Burr. “Florentine Renaissance Resources: Online Gazetteer of Sixteenth Century Florence” (2006). http://cds.library.brown.edu/projects/florentine_gazetteer/map_page_A.php?p=4&m=1&a1=0.Google Scholar
Locatelli, Eudosio. Vita del glorioso padre San Giouangualberto fondatore dell’ordine di Vallombrosa
. Florence, 1583.
Google Scholar
Lorenzoni, Giovanni, and Valenzano, Giovanna. Il duomo di Modena e la basilica di San Zeno
. Verona, 2000.Google Scholar
Lorenzoni, Giovanni, and Valenzano, Giovanna. “Pontile, jubé, tramezzo: alcune riflessioni sul tramezzo di Santa Corona a Vicenza.” In Immagine e ideologia: Studi in onore di Arturo Carlo Quintavalle, edited by Calzona, Arturo, Campari, Roberto, and Mussin, Massimo, 313–17. Milan, 2007.Google Scholar
Lotz, Wolfgang. “Le trasformazioni vasariane e i nuovi edifici sacri del tardo’500.” In Arte e religione nella Firenze de’ Medici, edited by Massimiliano Giuseppe Rosito, 81–89. Florence, 1980.Google Scholar
Loughman, Thomas J. “Commissioning Familial Remembrance in Fourteenth-Century Florence: Signaling Alberti Patronage at the Church of Santa Croce.” In The Patron’s Payoff: Conspicuous Commissions in Italian Renaissance Art, edited by Nelson, Jonathan K. and Zeckhauser, Richard J., 133–48. Princeton, NJ and Oxford, 2008.Google Scholar
Lowe, Kate. “Nuns and Choice: Artistic Decision-Making in Medicean Florence.” In With and Without the Medici: Studies in Tuscan Art and Patronage 1434–1530, edited by Marchand, Eckart and Wright, Alison, 129–53. Aldershot, 1998.Google Scholar
Luchinat, Cristina Acidini. “Il Cardinale Alessandro de’ Medici e le arti: qualche considerazione.” Paragone 529–531–533 (1994): 134–40.Google Scholar
Luchs, Alison. “Origins of the Widener Annunciation Windows.” Studies in the History of Art 7 (1975): 81–89.Google Scholar
Luchs, Alison. Cestello. A Cistercian Church of the Florentine Renaissance
. PhD thesis, The Johns Hopkins University, 1976.Google Scholar
Luchs, Alison. “The Washington Ciborium Attributed to Desiderio da Settignano: Quattrocento, Ottocento, or Both?.” In Encountering the Renaissance: Celebrating Gary M. Radke and 50 years of the Syracuse University Graduate Program in Renaissance Art, edited by Bourne, Molly and Coonin, Arnold Victor, 185–200. Ramsey, NJ, 2016.Google Scholar
Lunardi, Roberto. “La ristrutturazione vasariana di Santa Maria Novella: i documenti ritrovati.” Memorie dominicane (new series) 19 (1988): 403–19.Google Scholar
Maffioli, Monica. “La querelle ottocentesca per il restauro della chiesa: dalle teorie al cantiere.” In La Chiesa di Santa Trinita a Firenze, edited by Giuseppe Marchini and Micheletti, Emma, 61–70. Florence, 1987.Google Scholar
Maginnis, Hayden B. J. “Lay Women and Altars in Trecento Siena.” Source: Notes in the History of Art 28, no. 1 (2008): 5–7.Google Scholar
Mainardi, Arlotto, and Folena, Gianfranco. Motti e facezie del piovano Arlotto
. Milan and Naples, 1953.Google Scholar
Maisonneuve, Cécile. Florence au XVe siècle: un quartier et ses peintres
. Paris, 2012.Google Scholar
Mannini, Maria Pia, and Fagioli, Marco. Filippo Lippi: catalogo completo
. Florence, 1997.Google Scholar
Manuzio (il Giovane), Aldo. Vita di Cosimo de’ Medici, primo Gran Duca di Toscana, descritta da Aldo Mannucci
. Bologna, 1586.
Google Scholar
Marchini, Giuseppe. “Il San Marco di Michelozzo.” Palladio: rivista di storia dell’architettura e restauro 6 (1942): 102–14.Google Scholar
Mariani, Irene. “The Vespucci Family and Sandro Botticelli: Friendship and Patronage in the Gonfalone Unicorno.” In Sandro Botticelli (1445–1510): Artist and Entrepreneur in Renaissance Florence: Proceedings of the International Conference Held at the Dutch University Institute for Art History, Florence, 20–21 June 2014, edited by Mariani, Irene and Sman, Gert Jan van der, 203–15. Florence, 2015.Google Scholar
Mariani, Irene. “The Vespucci Family in Context: Art Patrons in Late Fifteenth-Century Florence.” PhD thesis, University of Edinburgh, 2015.Google Scholar
Markey, Lia. “Medici Statecraft and the Building and Use of Ammannati’s Ponte Santa Trinita.” In Italian Art, Society and Politics: A Festschrift in Honor of Rab Hatfield Presented by his Students on the Occasion of his Seventieth Birthday, edited by Deimling, Barbara, Nelson, Jonathan K., and Radke, Gary M., 178–93. Florence, 2007.Google Scholar
Markham Schulz, Anne. The Badoer-Giustiniani Chapel in San Francesco della Vigna, Venice. Florence, 2003.Google Scholar
Marks, Richard. “‘To the Honour and Pleasure of Almighty God, and to the Comfort of the Parishioners’: The Rood and Remembrance.” In Image, Memory and Devotion: Liber Amicorum Paul Crossley, edited by Opačić, Zoe and Timmermann, Achim, 211–21. Turnhout, 2011.Google Scholar
Markschies, Alexander. Gebaute Armut: San Salvatore e San Francesco al Monte in Florenz (1418–1504)
. Munich and Berlin, 2001.Google Scholar
Martines, Lauro. The Social World of the Florentine Humanists: 1390–1460
. London, 1963.Google Scholar
Martini, Angelo. Manuale di metrologia, ossia misure, pesi e monete in uso attualmente e anticamente presso tutti i popoli
. Turin, 1883.Google Scholar
“Masolino da Panicale, The Annunciation.” National Gallery of Art. www.nga.gov/content/ngaweb/Collection/art-object-page.18.html.Google Scholar
Massaccesi, Fabio. “Il ‘corridore’ della chiesa agostiniana di San Giacomo Maggiore a Bologna: prime ipotesi ricostruttive.” Zeitschrift für Kunstgeschichte 77, no. 1 (2014): 1–26.Google Scholar
Matucci, Benedetta. “Benedetto da Rovezzano and the Altoviti in Florence: Hypotheses and New Interpretations for the Church of Santi Apostoli.” In The Anglo-Florentine Renaissance: Art for the Early Tudors, edited by Sicca, Cinzia Maria and Waldman, Louis Alexander, 149–76. New Haven, CT, 2012.Google Scholar
May, Susan J., and Noszlopy, George T.. “Cosimo Rosselli’s Birmingham Altarpiece, the Vallombrosan Abbey of S. Trinita in Florence and Its Gianfigliazzi Chapel.” Journal of the Warburg and Courtauld Institutes 78 (2015): 97–133.Google Scholar
Mazzi, Maria Serena. Prostitute e lenoni nella Firenze del Quattrocento
. Milan, 1991.Google Scholar
McAndrew, John. Venetian Architecture of the Early Renaissance
. Cambridge, MA and London, 1980.Google Scholar
McMahon, Patrick. “Servants of Two Masters: The Carmelites of Florence, 1267–1400.” PhD thesis, New York University, 1994.Google Scholar
McRoberts, David. “Material Destruction Caused by the Scottish Reformation.” In Essays on the Scottish Reformation 1513–1625, edited by McRoberts, David, 415–62. Glasgow, 1962.Google Scholar
Mellini, Domenico. Descrizione della entrata della serenissima Regina Giovanna d’Austria et dell’apparato, fatto in Firenze nella venuta, & per le felicissime nozze di Sua Altezza et dell’illustrissimo … S. Don Francesco de Medici. Florence, 1566.
Google Scholar
Merotto Ghedini, Monica. “Il tramezzo nella chiesa dei Santi Giovanni e Paolo a Venezia.” In De lapidibus sententiae. Scritti di storia dell’arte per Giovanni Lorenzoni, edited by Franco, Tiziana and Valenzano, Giovanna, 257–62. Padua, 2002.Google Scholar
Middeldorf, Ulrich. Sculptures from the Samuel H. Kress Collection: European Schools, XIV–XIX Century. London and New York, 1976.Google Scholar
Milanesi, Gaetano. Nuovi documenti per la storia dell’arte toscana dal XII al XV secolo
. Soest, 1973.Google Scholar
Miller, Julia Isabel, and Taylor-Mitchell, Laurie. “The Ognissanti Madonna and the Humiliati Order in Florence.” In The Cambridge Companion to Giotto, edited by Derbes, Anne and Sandona, Mark, 157–75. Cambridge, 2004.Google Scholar
Miller, Julia Isabel, and Taylor-Mitchell, Laurie. From Giotto to Botticelli: The Artistic Patronage of the Humiliati in Florence
. University Park, PA, 2015.Google Scholar
Miller, Maureen C. “Why the Bishop of Florence Had to Get Married.” Speculum 81, no. 4 (2006): 1055–91.Google Scholar
Miller, Maureen C., and Jasper, Kathryn L.. “The Foundation of the Monastery of San Pier Maggiore in Florence.” Rivista di storia della chiesa in Italia 64, no. 2 (2010): 381–96.Google Scholar
Miller, Stephanie R. “Andrea della Robbia and His La Verna Altarpieces: Context and Interpretation.” PhD thesis, Indiana University, 2003.Google Scholar
Modesti, Paola. “I cori nelle chiese veneziane e la visita apostolica del 1581. Il ‘barco’ di Santa Maria della Carità.” Arte Veneta 59 (2002): 39–65.Google Scholar
Modesti, Paola. “Recinzioni con colonne nelle chiese veneziane. Tradizioni, revival, sopravvivenze.” In Lo spazio e il culto: relazioni tra edificio ecclesiale e uso liturgico dal XV al XVI secolo, edited by Stabenow, Jörg, 181–208. Venice, 2006.Google Scholar
Modesti, Paola. “I cori nelle chiese parrocchiali veneziane fra Rinascimento e riforma tridentina.” In La place du choeur: architecture et liturgie du Moyen Âge aux Temps modernes: actes du colloque de l’EPHE, Institut national d’histoire de l’art, les 10 et 11 décembre 2007, edited by Frommel, Sabine, Lecomte, Laurent, and Tassin, Raphaël, 141–55. Paris and Rome, 2012.Google Scholar
Moisé, Filippo. Santa Croce di Firenze: illustrazione storico-artistica
. Florence, 1845.Google Scholar
Monducci, Elio, and Nironi, Vittorio. eds. Il Duomo di Reggio Emilia. Reggio Emilia, 1984.Google Scholar
Monssen, Lief Holm. “St Stephen’s Balustrade in Santo Stefano Rotondo.” Acta ad archaeologiam et artium historiam pertinentia 3 (1983): 107–81.Google Scholar
Moore, Derek. “Sanmicheli’s ‘Tornacoro’ in Verona Cathedral: A New Drawing and Problems of Interpretation.” Journal of the Society of Architectural Historians 44, no. 3 (1985): 221–32.Google Scholar
Morçay, Raoul. “La cronaca del convento fiorentino di San Marco: La parte più antica, dettata da Giuliano Lapaccini.” Archivio Storico Italiano 71, no. 1 (269) (1913): 1–29.Google Scholar
Morelli, Arnaldo. “Per ornamento e servicio: Organi e sistemazioni architettoniche nelle chiese toscane del Rinascimento.” I Tatti Studies in the Italian Renaissance 7 (1997): 279–303.Google Scholar
Morelli, Arnaldo. “‘Sull’organo et in choro’: Spazio architettonico e prassi musicale nelle chiese italiane durante il Rinascimento.” In Lo spazio e il culto: relazioni tra edificio ecclesiale e uso liturgico dal XV al XVI secolo, edited by Stabenow, Jörg, 209–26. Venice, 2006.Google Scholar
Moreni, Domenico. De ingressu Antonii Altovitae Archiepiscopi Florentini historica descriptio incerti auctoris
. Florence, 1815.Google Scholar
Morolli, Gabriele. “L’Architettura: Gotico e umanesimo.” In La chiesa di Santa Trinita a Firenze, edited by Marchini, Giuseppe and Micheletti, Emma, 23–48. Florence, 1987.Google Scholar
Morolli, Gabriele. “Non solo Brunelleschi: San Lorenzo nel Quattrocento.” In Alla riscoperta delle chiese di Firenze. 5. San Lorenzo, edited by Verdon, Timothy, 58–109. Florence, 2007.Google Scholar
Moroni, Lino, Ligozzi, Jacopo, Falcini, Domenico, and Schiaminossi, Raffaello. Descrizione del Sacro Monte della Vernia
. Florence, 1612.
Google Scholar
Morselli, Piero. “Corpus of Tuscan Pulpits 1400–1550.” PhD thesis, University of Pittsburgh, 1979.Google Scholar
Morselli, Piero. “Il pulpito del quattrocento già in San Pancrazio di Firenze.” Antichità viva 18, no. 5/6 (1979): 30–31.Google Scholar
Morvan, Haude. “Ecco disperse tutte le memorie dell’Antichità! La place du choeur dans les travaux des érudits dominicains de l’époque moderne.” In Spaces for Friars and Nuns, edited by Morvan, Haude, forthcoming.Google Scholar
Mulvaney, Beth A. “The Beholder as Witness: The Crib at Greccio from the Upper Church of San Francesco, Assisi and Franciscan Influence on Late Medieval Art in Italy.” In The Art of the Franciscan Order in Italy, edited by Cook, William R., 169–88. Leiden, 2005.Google Scholar
Murat, Zuleika. “Il podium della pieve di Monselice nella descrizione di Pietro Barozzi.” Musica e Figura 1 (2011): 87–117.Google Scholar
Musacchio, Jacqueline Marie. “The Medici-Tornabuoni Desco da Parto in Context.” Metropolitan Museum Journal 33 (1998): 137–51.Google Scholar
Musacchio, Jacqueline Marie. The Art and Ritual of Childbirth in Renaissance Italy
. New Haven, CT and London, 1999.Google Scholar
Nannelli, Francesca. “Un’inedita veduta di Firenze nella Chiesa di Orsanmichele.” Notizie di cantiere: Soprintendenza per i Beni Ambientali e Architettonici per le Provincie di Firenze e Pistoia 5 (1993 (1994)): 115–21.Google Scholar
Napoli, Federico. “La scala di Orsanmichele: un manufatto buontalentiano.” Varia: trimestrale di arte letteratura e cultura varia 13 (1995): 18–19.Google Scholar
Neri Lusanna, Enrica. “L’antica arredo presbiteriale e il fonte del Battistero: Vestigia e ipotesi.” In The Baptistery of San Giovanni, Florence [Il Battistero di San Giovanni a Firenze], edited by Paolucci, Antonio, 189–204. Modena, 1994.Google Scholar
Newbigin, Nerida. “Piety and Politics in the Feste of Lorenzo’s Florence.” In Lorenzo il Magnifico e il suo mondo, edited by Garfagnini, Gian Carlo, 17–41. Florence, 1994.Google Scholar
Newbigin, Nerida. Feste d’Oltrarno: Plays in Churches in Fifteenth-Century Florence
. Istituto nazionale di studi sul Rinascimento Studi e Testi XXXVII. Florence, 1996.Google Scholar
Nickson, Tom. “Reframing the Bible: Genesis and Exodus on Toledo Cathedral’s Fourteenth-Century Choir Screen.” Gesta 50, no. 1 (2011): 71–89.Google Scholar
Nova, Alessandro. “I tramezzi in Lombardia fra XV e XVI secolo: scena della Passione e devozione francescana.” In Il Francescanesimo in Lombardia: storia e arte, edited by Dallaj, Arnalda, 197–215. Milan, 1983.Google Scholar
O’Brien, Alana. “San Filippo Benizi, ‘Honour of the Servi and Florence’: His Cycle and Cult at SS. Annunziata, c. 1475–1671.” PhD thesis, La Trobe University, 2001.Google Scholar
O’Malley, John W. The Council of Trent: Myths, Misunderstandings, and Unintended Consequences [Il Concilio di Trento: miti, incomprensioni e conseguenze involontarie: 12 marzo 2013]. Rome, 2013.Google Scholar
O’Malley, John W. Trent: What Happened at the Council
. Cambridge, MA and London, 2013.Google Scholar
O’Malley, Michelle. “Altarpieces and Agency: The Altarpiece of the Society of Purification and Its ‘Invisible Skein of Relations’.” Art History 28, no. 4 (2005): 416–41.Google Scholar
O’Malley, Michelle. The Business of Art: Contracts and the Commissioning Process in Renaissance Italy. New Haven, CT and London, 2005.Google Scholar
Offill, Ashley B. “The Corsini Chapel in Santa Maria del Carmine: Framing the Relic Cult of Saint Andrea Corsini in Baroque Florence.” PhD thesis, University of Kansas, 2020.Google Scholar
Paatz, Walter, and Paatz, Elisabeth Valentiner. Die Kirchen von Florenz, ein Kunstgeschichtliches Handbuch. Frankfurt am Main, 1952.Google Scholar
Pacciani, Riccardo. “Cosimo de’ Medici, Lorenzo il Magnifico e la chiesa di San Salvatore al Monte a Firenze.” Prospettiva 66 (1992): 27–35.Google Scholar
Pacciani, Riccardo. “Testimonianze per l’edificazione della basilica di San Lorenzo a Firenze 1421–1442.” Prospettiva 75–76 (1994): 85–99.Google Scholar
Pacciani, Riccardo. “Il coro conteso. Rituali civici, movimenti d’osservanza, privatizzazioni nell’area presbiteriale di chiese fiorentine del Quattrocento.” In Lo spazio e il culto: relazioni tra edificio ecclesiale e uso liturgico dal XV al XVI secolo, edited by Stabenow, Jörg, 127–52. Venice, 2006.Google Scholar
Pacciani, Riccardo. “‘Signorili amplitudini …’ a Firenze. La cappella Rucellai alla Badia di S. Pancrazio e la rotonda della SS. Annunziata: architettura, patronati, rituali.” In Leon Battista Alberti architetture e committenti, edited by Calzona, Arturo, Connors, Joseph, Fiore, Francesco Paolo, and Vasoli, Cesare, 135–77. Florence, 2009.Google Scholar
Pacciani, Riccardo. “Liturgia e pianta centrale a Firenze nel Rinascimento. Percorsi d’incontro fra dissonanze, adeguamenti e innovazioni.” In La place du choeur: architecture et liturgie du Moyen Âge aux Temps modernes: actes du colloque de l’EPHE, Institut national d’histoire de l’art, les 10 et 11 décembre 2007, edited by Frommel, Sabine, Lecomte, Laurent, and Tassin, Raphaël, 89–100. Paris and Rome, 2012.Google Scholar
Pacciani, Riccardo. “Cori, tramezzi, cortine, vele nello spazio interno di San Lorenzo.” In San Lorenzo: A Florentine Church, edited by Gaston, Robert W. and Waldman, Louis Alexander, 320–29. Florence, 2017.Google Scholar
Padberg, John W. ed. The Constitutions of the Society of Jesus and Their Complementary Norms: A Complete English Translation of the Official Latin Texts. St. Louis, MO, 1996.Google Scholar
Padoa Rizzo, Anna. “Sul polittico della Cappella Ardinghelli in Santa Trinita, di Giovanni Toscani.” Antichità viva 21, no. 1 (1982): 5–10.Google Scholar
Padoa Rizzo, Anna. “Bernardo di Stefano Rosselli, il ‘Polittico Ruccellai’ e il polittico di San Pancrazio di Bernardo Daddi.” Studi di storia dell’arte 4 (1993): 211–22.Google Scholar
Padovani, Serena. “Appunti su alcuni dipinti quattrocenteschi di San Niccolò Oltrarno.” In Studi di Storia dell’Arte in onore di Mina Gregori, edited by Miklós Boskovits, 39–46. Cinisello Balsamo, 1994.Google Scholar
Paloscia, Tommaso, Bernacchi, Fabio, and Bargellini, Piero. Le Robbiane della Verna
. Sacro Monte della Verna, 1986.Google Scholar
Paoletti, John T. “Asserting Presence: Strategies of Medici Patronage in Renaissance Florence.” In Studies on Florence and the Italian Renaissance in Honour of F. W. Kent, edited by Howard, Peter and Hewlett, Cecilia, 73–94. Turnhout, 2016.Google Scholar
Paolini, Claudio. “Colonna della Giustizia” (2012). www.palazzospinelli.org/architetture/scheda.asp?offset=2160&ID=2086.Google Scholar
Paolozzi Strozzi, Beatrice. “Desiderio, Matteo Palmieri e un’opera perduta.” In Desiderio da Settignano: Atti del convegno, 9–12 maggio 2007, Firenze, Kunsthistorisches Institut, Max-Planck-Institut, Settignano, Villa I Tatti (The Harvard University Center for Italian Renaissance Studies), edited by Joseph Connors, Alessandro Nova, Beatrice Paolozzi Strozzi, and Gerhard Wolf, 61–78. Venice, 2011.Google Scholar
Paolozzi Strozzi, Beatrice, and Bormand, Marc. eds. La Primavera del Rinascimento: la scultura e le arti a Firenze 1400–1460. Florence, 2013.Google Scholar
Paolucci, Antonio. “L’arredamento ecclesiale nell’età della riforma.” In Arte e religione nella Firenze de’ Medici, edited by Rosito, Massimiliano Giuseppe, 95–109. Florence, 1980.Google Scholar
Parker, James. Did Queen Elizabeth Take “Other Order” in the “Advertisements” of 1566? A Letter to Lord Selborne, in Reply to His Lordship’s Criticisms on the “Introduction to the Revisions of the Book of Common Prayer.” Oxford and London, 1879.Google Scholar
Parsons, Edward A. “At the Funeral of Michelangelo.” Renaissance News 4, no. 2 (1951): 17–19.Google Scholar
Pastor, Ludwig. The History of the Popes, from the Close of the Middle Ages
. Wilmington, NC, 1928.Google Scholar
Pegazzano, Donatella. “Il Gran Bindo Huomo Raro et Singhulare: The Life of Bindo Altoviti.” In Raphael, Cellini, and a Renaissance Banker: The Patronage of Bindo Altoviti, edited by Chong, Alan, Pegazzano, Donatella, and Zikos, Dimitrios, 3–19. Boston, 2003.Google Scholar
Pegazzano, Donatella. “Vasari’s Decorations for Bindo Altoviti’s Palazzo and Villa.” In Raphael, Cellini, and a Renaissance Banker: The Patronage of Bindo Altoviti, edited by Chong, Alan, Pegazzano, Donatella, and Zikos, Dimitrios, 187–206. Boston, 2003.Google Scholar
Pellecchia Najemy, Linda. “The First Observant Church of San Salvatore al Monte in Florence.” Mitteilungen des Kunsthistorischen Institutes in Florenz 23, no. 3 (1979): 273–96.Google Scholar
Pezzati, Sofia. The Art of Wrought Iron: History and Techniques of Workmanship [L’arte del ferro battuto: storia e tecniche di lavorazione]. Florence, 2006.Google Scholar
Piccinelli, Roberta, Previdi, Claudia Bonora, and Siliberti, Stefano. eds. Santa Maria del Gradaro tra storia e arte. Mantua, 2004.Google Scholar
Pillinini, Giovanni. “Bembo, Pietro (Giampietro).” In Dizionario Biografico degli Italiani, edited by Mario Caravale, Vol. 8, 151. Rome, 1966.Google Scholar
Pilliod, Elizabeth. “Cosimo I and the Arts.” In Artistic Centers of the Renaissance: Florence, edited by Ames-Lewis, Francis, 330–73. Cambridge and New York, 2012.Google Scholar
Piva, Paolo. “Dal setto murario allo jubé: il pòzo di Sant’Andrea a Mantova nel contesto di un processo evolutivo.” In Società, Cultura, Economia: Studi per Mario Vaini, edited by Camerlenghi, Eugenio, Gardoni, Giuseppe, Lazzarini, Isabella, and Rebonato, Viviana, 57–78. Mantua, 2013.Google Scholar
Piva, Paolo. “La chiesa di San Fiorentino a Nuvolato (Mantova) e il problema dei ‘cori murati’ dell’XI secolo.” In Architettura del’XI secolo nell’Italia del Nord: Storiografia e nuove ricerche. Pavia 8–9–10 aprile 2010 Convegno Internazionale, edited by Malacart, Anna Segagni and Schiavi, Luigi Carlo, 91–97, 379–85. Pisa, 2013.Google Scholar
Piva, Paolo. “Lo ‘spazio liturgico’: architettura, arredo, iconografia (secoli IV–XII).” In L’Arte medievale nel contesto: 300–1300: funzioni, iconografia, tecniche, edited by Piva, Paolo, 141–80. Milan, 2015.Google Scholar
Plakolm-Forsthuber, Sabine. Florentiner Frauenkloster von der Renaissance bis zur Gegenreformation
. Petersberg, 2009.Google Scholar
Ploeg, Kees van der. Art, Architecture and Liturgy: Siena Cathedral in the Middle Ages. Groningen, 1993.Google Scholar
Poccianti, Michele. Vite de sette beati fiorentini fondatori del sacro ordine de’ Servi. Con uno epilogo di tutte le chiese, monasteri, luoghi pii, e compagnie della città di Firenze
. Florence, 1589.
Google Scholar
Pochat, Götz. “Brunelleschi and the ‘Ascension’ of 1422.” The Art Bulletin 60, no. 2 (1978): 232–34.Google Scholar
Poeschke, Joachim. Michelangelo and His World: Sculpture of the Italian Renaissance
. New York, 1996.Google Scholar
Poggi, Giovanni, and Haines, Margaret. Il Duomo di Firenze: documenti sulla decorazione della chiesa e del campanile tratti dall’archivio dell’opera
. Florence, 1988.Google Scholar
Poma Swank, Annamaria. “Iconografia controriformistica negli altar delle chiese fiorentine di Santa Maria Novella e Santa Croce.” In Altari controriformati in Toscana: architettura e arredi, edited by Cresti, Carlo, 95–131. Florence, 1997.Google Scholar
Pomar, Pablo J. “La ubicación del coro en las iglesias de España. San Pío V, Felipe II y el breve Ad hoc nos Deus unxit.” In Choir Stalls in Architecture and Architecture in Choir Stalls, edited by Sebastián, Fernando Villaseñor, Pablos, Maria Dolores Teijeira, Muller, Welleda, and Billiet, Frédéric, 87–97. Newcastle upon Tyne, 2015.Google Scholar
Pons, Nicoletta. “La pittura del Quattrocento in Ognissanti.” In San Salvatore in Ognissanti: la chiesa e il convento, edited by Spinelli, Riccardo, 83–105. Florence, 2018.Google Scholar
Powell, Christabel Jane. “The Liturgical Vision of Augustus Welby Northmore Pugin.” PhD thesis, University of Durham, 2002.Google Scholar
Preyer, Brenda. “Around and in the Gianfigliazzi Palace in Florence: Developments on Lungarno Corsini in the 15th and 16th Centuries.” Mitteilungen des Kunsthistorischen Institutes in Florenz 48, no. 1/2 (2004): 55–104.Google Scholar
Primhak, Victoria. “Women in Religious Communities: The Benedictine Convents of Venice, 1400–1550.” PhD thesis, University of London, 1991.Google Scholar
Procacci, Ugo. “Incendio della Chiesa del Carmine del 1771.” Rivista d’Arte 14 (1932): 141–232.Google Scholar
Pugin, Augustus. A Treatise on Chancel Screens and Rood Lofts, Their Antiquity, Use, and Symbolic Signification. London, 1851.Google Scholar
Pulinari, Dionisio. Cronache dei Frati Minori della Provincia di Toscana. Edited by Mencherini, Saturnino. Arezzo, 1913.Google Scholar
Puricelli, Giovanni Pietro. De SS. Martyribus Nazario et Celso, ac Protasio et Gervasio, Mediolani sub Nerone cæsis, deque basilicis in quibus eorum corpora quiescunt: Historica dissertatio, Rerum etiam Urbanarum notitiae perutilis: quam brevitatis gratia Nazarinam nuncupari placeat
. Milan, 1656.
Google Scholar
Quinterio, Francesco. “Un tempio per la Repubblica: la chiesa dei SS. Maria, Matteo e dello Spirito Santo in Firenze. Dal primo nucleo duecentesco al progetto brunelleschiano.” Saggi in Onore di Renato Bonelli, Quaderni dell’Istituto di Storia dell’Architettura 15/20, no. 1990/92 (1992): 305–16.Google Scholar
Randolph, Adrian. “Regarding Women in Sacred Space.” In Picturing Women in Renaissance and Baroque Italy, edited by Johnson, Geraldine A. and Matthews Grieco, Sara F., 17–41. Cambridge, 1997.Google Scholar
Range, Matthias. “The Material Presence of Music in Church: The Hanseatic City of Lübeck.” In Lutheran Churches in Early Modern Europe, edited by Spicer, Andrew, 197–220. Farnham, 2012.Google Scholar
Ravalli, Gaia. “Attraverso Santa Maria Novella: Spazio, culto, decorazione tra XIII e XVI secolo.” PhD thesis, Scuola Normale Superiore, Pisa, 2019.Google Scholar
Repishti, Francesco, and Schofield, Richard. Architettura e controriforma: i dibattiti per la facciata del Duomo di Milano, 1582–1682
. Milan, 2004.Google Scholar
Richa, Giuseppe. Notizie istoriche delle chiese fiorentine, divise ne’ suoi quartieri
. Florence, 1754–62.Google Scholar
Richardson, Carol M. Reclaiming Rome: Cardinals in the Fifteenth Century
. Leiden and Boston, 2009.Google Scholar
Ridolfi, Michele. Scritti d’arte e d’antichità
. Edited by Ridolfi., Enrico Florence, 1879.Google Scholar
Robson, Janet. “Assisi, Rome and the Miracle of the Crib at Greccio.” In Image, Memory and Devotion: Liber Amicorum Paul Crossley, edited by Opačić, Zoe and Timmermann, Achim, 145–55. Turnhout, 2011.Google Scholar
Rocke, Michael. Forbidden Friendships: Homosexuality and Male Culture in Renaissance Florence
. New York, 1996.Google Scholar
Rodríguez G. de Ceballos, Alfonso. “Liturgia y configuración del espacio en la arquitectura española y portuguesa a raíz del Concilio de Trento.” Universidad Autónoma de Madrid, 1991.Google Scholar
Romby, Giuseppina Carla. “Trasformazioni, restauri, ‘ornamenti’ della chiesa di San Francesco a Pistoia dal’500 alla soppressione del 1808. ” In S. Francesco: la chiesa e il convento in Pistoia, edited by Gai, Lucia and Andreini, Alessandro, 173–98. Ospedaletto, 1993.Google Scholar
Romby, Giuseppina Carla. “Scenografia dello spazio sacro: i rinnovamenti vasariani delle chiese medievali e l’allestimento della cattedrale di Pistoia.” In Giorgio Vasari tra capitale medicea e città del dominio, edited by Esseni, Simona, Lepri, Nicoletta, and Pagnini, Maria Camilla, 53–58. Florence, 2012.Google Scholar
Ronchi, Ermes Maria. ed. La Madonna nell’attesa del parto: capolavori del patrimonio italiano del’300 e’400. Milan, 2000.Google Scholar
Rosenthal, David. Kings of the Street: Power, Community, and Ritual in Renaissance Florence
. Turnhout, 2015.Google Scholar
Rossi, Ferdinando. “Mosaici, intarsi e tarsie.” In La basilica di San Miniato al Monte a Firenze, edited by Gurrieri, Francesco, Berti, Luciano, and Leonardi, Claudio, 129–55. Florence, 1988.Google Scholar
Röstel, Alexander. “‘Una Pieta chon molte figure’: Sandro Botticelli’s altarpiece for the Florentine church of S. Paolino.” The Burlington Magazine 157, no. 1349 (2015): 521–29.Google Scholar
Rubin, Miri. Corpus Christi: The Eucharist in Late Medieval Culture
. Cambridge, 1991.Google Scholar
Ruda, Jeffrey. Fra Filippo Lippi: Life and Work with a Complete Catalogue
. London, 1993.Google Scholar
Russo, Eugenio. “Lo scomparso jubé della chiesa abbaziale di Pomposa.” Studi vari 31–32, (2006–07): 7–43.Google Scholar
Sale, Giovanni. Pauperismo architettonico e architettura gesuitica: dalla chiesa ad aula al Gesù di Roma
. Milan, 2001.Google Scholar
Salmi, Mario. “La giovinezza di Fra Filippo Lippi.” Rivista d’Arte 18, no. 2 (1936): 1–24.Google Scholar
Salvestrini, Francesco. Disciplina caritatis: il monachesimo vallombrosano tra Medioevo e prima età moderna
. Rome, 2011.Google Scholar
Sandrelli, Caterina. “Sant’Antonio di Castello: una chiesa scomparsa a Venezia.” Arte Documento 9 (1996): 159–67.Google Scholar
Sanger, Alice E. Art, Gender and Religious Devotion in Grand Ducal Tuscany
. Farnham, 2014.Google Scholar
Santi, Bruno. “Una croce dipinta di Lippo di Benivieni dalla Villa ‘La Quiete’ in Valcava di Mugello.” Studi di storia dell’arte 1 (1990): 253–58.Google Scholar
Santi, Bruno. “Il fonte battesimo trecentesco e il monumento all’antipapa Giovanni XXIII nel Battistero di Firenze.” In Il Battistero di San Giovanni a Firenze: atti delle conferenze propedeutiche al convegno internazionale di studi, edited by Gurrieri, Francesco, 56–71. Florence, 2014.Google Scholar
Schelbert, Georg. “SS. Apostoli a Roma: il coro-mausoleo rinascimentale e il triconco rinato.” In La place du choeur: architecture et liturgie du Moyen Âge aux Temps modernes: actes du colloque de l’EPHE, Institut national d’histoire de l’art, les 10 et 11 décembre 2007, edited by Frommel, Sabine, Lecomte, Laurent, and Tassin, Raphaël, 101–12. Paris and Rome, 2012.Google Scholar
Schilling, Martina. “Zur liturgischen Nutzung des Sieneser Domes 1260–1360.” In Architektur und Liturgie: Akten des Kolloquiums vom 25. bis 27. Juli 2003 in Greifswald, edited by Alltripp, Michael and Nauerth, Claudia, 91–104. Wiesbaden, 2006.Google Scholar
Schleif, Corine. “Men on the Right – Women on the Left: (A)symmetrical Spaces and Gendered Places.” In Women’s Space: Patronage, Place and Gender in the Medieval Church, edited by Raguin, Virginia Chieffo and Stanbury, Sarah, 207–49. Albany, NY, 2005.Google Scholar
Schmid, Josef. Et pro remedio animae et pro memoria: bürgerliche repraesentatio in der Cappella Tornabuoni in S. Maria Novella
. Munich, 2002.Google Scholar
Schmidt, Victor M. “Filippo Brunelleschi e il problema della tavola d’altare.” Arte Cristiana 80, no. 753 (1992): 451–61.Google Scholar
Schofield, Richard. “Un’introduzione al presbiterio del Duomo tra Vincenzo Seregni e Carlo Borromeo.” Nuovi annali / Veneranda Fabbrica del Duomo di Milano 2 (2010/11): 43–66.Google Scholar
Schofield, Richard. “Pellegrino Tibaldi e tre cori borromaici.” In Domenico e Pellegrino Tibaldi, edited by Ceccarelli, Francesco and Lenzi, Deanna, 143–64, 365–66. Venice, 2011.Google Scholar
Schofield, Richard. “Carlo Borromeo in 1578: Separating the Clergy from the Laity.” In La place du choeur: architecture et liturgie du Moyen Âge aux Temps modernes: actes du colloque de l’EPHE, Institut national d’histoire de l’art, les 10 et 11 décembre 2007, edited by Frommel, Sabine, Lecomte, Laurent, and Tassin, Raphaël, 177–86. Paris and Rome, 2012.Google Scholar
Schofield, Richard. “Carlo Borromeo and the Dangers of Laywomen in Church.” In The Sensuous in the Counter-Reformation Church, edited by Hall, Marcia B., Cooper, Tracy E., 187–205. New York, 2013.Google Scholar
Schwartz, Frithjof. Il bel cimitero: Santa Maria Novella in Florenz 1279–1348: Grabmäler, Architektur und Gesellschaft
. Berlin and Munich, 2009.Google Scholar
Sciacca, Christine. ed. Florence at the Dawn of the Renaissance: Painting and Illumination 1300–1350. Los Angeles, 2012.Google Scholar
Scotti, Aurora. “Architettura e riforma cattolica nella Milano di Carlo Borromeo.” L’Arte 18–20 (1972): 54–90.Google Scholar
Sebregondi, Ludovica. “Francesco d’Antonio, Ante d’organo raffiguranti: Angeli cantori e San Matteo e San Giovanni.” In La chiesa e la città a Firenze nel 15. secolo: Firenze, Sotterranei di San Lorenzo, 6 giugno–6 settembre 1992, edited by Gianfranco Rolfi, Ludovica Sebregondi, and Paolo Viti, 96. Milan, 1992.Google Scholar
Sénécal, Robert. “Carlo Borromeo’s Instructiones Fabricae et Supellectilis Ecclesiasticae and Its Origins in the Rome of His Time.” Papers of the British School at Rome 68 (2000): 241–67.Google Scholar
Sframeli, Maria. “Francesco d’Antonio, Ante d’organo di Orsanmichele.” In L’età di Masaccio: il primo Quattrocento a Firenze, edited by Berti, Luciano and Paolucci, Antonio, 184–85. Milan, 1990.Google Scholar
Shearman, John. “The Florentine Entrata of Leo X, 1515.” Journal of the Warburg and Courtauld Institutes 38 (1975): 136–54.Google Scholar
Sheppard, Jennifer M. “The Eleventh-Century Choir-Screen at Monte Cassino: A Reconstruction.” Byzantine Studies 9, no. 2 (1982): 233–42.Google Scholar
Sherman, Allison. “‘To God Alone the Honour and Glory’: Further Notes on the Patronage of Pietro Lombardo’s Choir Screen in the Frari, Venice.” The Burlington Magazine 156, no. 1340 (2014): 723–28.Google Scholar
Silva, Romano. La Basilica di San Frediano in Lucca: urbanistica, architettura, arredo
. Lucca, 1985.Google Scholar
Silver, Nathaniel. “‘Cum signo T quod potentiam vocant’: The Art and Architecture of the Antonite Hospitallers in Trecento Venice.” Mitteilungen des Kunsthistorischen Institutes in Florenz 58, no. 1 (2016): 26–57.Google Scholar
Simons, Patricia. “Portraiture and Patronage in Quattrocento Florence with Special Reference to the Tornaquinci and Their Chapel in S. Maria Novella.” PhD thesis, University of Melbourne, 1985.Google Scholar
Sliwka, Jennifer. Visions of Paradise: Botticini’s Palmieri Altarpiece
. London, 2015.Google Scholar
Sman, Gert Jan van der. “Botticelli’s Life and Career in the District of the Unicorn.” In Sandro Botticelli (1445–1510): Artist and Entrepreneur in Renaissance Florence: Proceedings of the International Conference held at the Dutch University Institute for Art History, Florence, 20–21 June 2014, edited by Mariani, Irene and Sman, Gert Jan van der, 183–201. Florence, 2015.Google Scholar
Smith, Christine. “The Bandinelli Choir.” In Retrospection: Baccio Bandinelli and the Choir of Florence Cathedral, edited by Christine Smith, 55–68. Cambridge, MA, 1997.Google Scholar
Solberg, Gail E. “Bild und Zeremoniell in San Pier Maggiore, Florenz.” In Zeremoniell und Raum in der frühen italienischen Malerei edited by Weppelmann, Stefan, 194–209. Berlin, 2007.Google Scholar
Sottili, Fabio. “Vox super aquas intonuit. L’infinito cantiere di Ognissanti.” In San Salvatore in Ognissanti: la chiesa e il convento, edited by Spinelli, Riccardo, 29–49. Florence, 2018.Google Scholar
Spicer, Andrew. “Sites of the Eucharist.” In A Companion to the Eucharist in the Reformation, edited by Wandel, Lee Palmer, 321–62. Leiden and Boston, 2014.Google Scholar
Stabenow, Jörg. “Introduzione.” In Lo spazio e il culto: relazioni tra edificio ecclesiale e uso liturgico dal XV al XVI secolo, edited by Stabenow, Jörg, 9–23. Venice, 2006.Google Scholar
Strehlke, Carl Brandon. “Cenni di Francesco, the Gianfigliazzi, and the Church of Santa Trinita in Florence.” The J. Paul Getty Museum Journal 20 (1992): 11–40.Google Scholar
Strehlke, Carl Brandon. Italian Paintings 1250–1450 in the John G. Johnson Collection and the Philadelphia Museum of Art
. Philadelphia, 2004.Google Scholar
Strocchia, Sharon T. “When the Bishop Married the Abbess: Masculinity and Power in Florentine Episcopal Entry Rites, 1300–1600.” Gender & History 19, no. 2 (2007): 346–68.Google Scholar
Struchholz, Edith. Die Choranlagen und Chorgestühle des Sieneser Domes
. Münster and New York, 1995.Google Scholar
Stubblebine, James H. “Cimabue and Duccio in Santa Maria Novella.” Pantheon 31 (1973): 15–21.Google Scholar
Summers, David. Real Spaces: World Art History and the Rise of Western Modernism
. London and New York, 2003.Google Scholar
Tacchi Venturi, Pietro, and Scaduto, Mario. Storia della Compagnia di Gesù in Italia
. Rome, 1950.Google Scholar
Tacconi, Marica S. Cathedral and Civic Ritual in Late Medieval and Renaissance Florence: The Service Books of Santa Maria del Fiore
. Cambridge, 2005.Google Scholar
Tartuferi, Angelo. “Le testimonianze superstiti (e le perdite) della decorazione primitiva (secoli XIII–XV).” In La chiesa di Santa Maria del Carmine a Firenze, edited by Berti, Luciano, 143–71. Florence, 1992.Google Scholar
Taucci, Raffaele. “La chiesa e il convento della SS. Annunziata di Firenze e i loro ampliamenti fino alla metà del secolo XV.” Studi storici sull’Ordine dei Servi di Maria 4 (1942): 99–127.Google Scholar
Teijeira Pablos, María Dolores. “‘Aziendo presbiterio mui capaz’. El ‘modo español’ y el traslado de coros góticos en la España moderna.” In Choir Stalls in Architecture and Architecture in Choir Stalls, edited by Sebastián, Fernando Villaseñor, Pablos, Maria Dolores Teijeira, Muller, Welleda, and Billiet, Frédéric, 1–26. Newcastle upon Tyne, 2015.Google Scholar
Terpstra, Nicholas. “Early Modern Catholicism.” In The Oxford Handbook of Early Modern European History, 1350–1750, edited by Scott, Hamish, Vol. 1, 601–25. Oxford, 2015.Google Scholar
Terpstra, Nicholas. “Locating the Sex Trade in the Early Modern City: Space, Sense and Regulation in Sixteenth-Century Florence.” In Mapping Space, Sense, and Movement in Florence: Historical GIS and the Early Modern City, edited by Terpstra, Nicholas and Rose, Colin, 107–24. Abingdon and New York, 2016.Google Scholar
Teubner, Hans. “San Marco in Florenz: Umbauten vor 1500. Ein Beitrag zum Werk des Michelozzo.” Mitteilungen des Kunsthistorischen Institutes in Florenz 23, no. 3 (1979): 239–72.Google Scholar
Thibodeau, Timothy M. The Rationale Divinorum Officiorum of William Durand of Mende: A New Translation of the Prologue and Book One
. New York, 2010.Google Scholar
Thoenes, Christof. “Renaissance St. Peter’s.” In St. Peter’s in the Vatican, edited by Tronzo, William, 64–92. Cambridge and New York, 2005.Google Scholar
Thomas, Anabel. Art and Piety in the Female Religious Communities of Renaissance Italy
. Cambridge, 2003.Google Scholar
Thomas, Ben. “The Paragone Debate and Sixteenth-Century Italian Art.” D Phil thesis, University of Oxford, 1997.Google Scholar
Thurber, T. Barton. “Architecture and Religious Conflict in Late Sixteenth-Century Italy: Pellegrino Tibaldi’s Planned Reconstruction of the Vercelli Cathedral.” PhD thesis, Harvard University, 1994.Google Scholar
Tibbetts Schulenburg, Jane. “Gender, Celibacy, and Proscriptions of Sacred Space: Symbol and Practice.” In Medieval Purity and Piety: Essays on Medieval Clerical Celibacy and Religious Reform, edited by Frassetto, Michael, 353–76. New York and London, 1998.Google Scholar
Toesca, Pietro. “Umili pittori fiorentini del principio del quattrocento.” L’Arte 7 (1904): 49–58.Google Scholar
Toker, Franklin. “Excavations below the Cathedral of Florence, 1965–1974.” Gesta 14, no. 2 (1975): 17–36.Google Scholar
Toker, Franklin. Archaeological Campaigns below the Florence Duomo and Baptistery, 1895–1980
. London, 2013.Google Scholar
Tomas, Natalie. “Did Women Have a Space?.” In Renaissance Florence: A Social History, edited by Crum, Roger J. and Paoletti, John T., 311–28. New York, 2006.Google Scholar
Tomasi, Michele. “Memoria dei vescovi e libertas Ecclesiae: il perduto monumento funerario del beato Bartolomeo da Breganze in Santa Corona a Vicenza.” In Medioevo: immagine e memoria. Atti del convegno internazionale di studi, Parma, 23–28 settembre 2008, edited by Quintavalle, Arturo Carlo, 436–42. Milan, 2009.Google Scholar
“Tommaseo Online.” Accademia della Crusca (2015). www.tommaseobellini.it/#/.Google Scholar
Tonini, Pellegrino. Il Santuario della Santissima Annunziata di Firenze
. Florence, 1876.Google Scholar
Trachtenberg, Marvin. Building-in-Time: From Giotto to Alberti and Modern Oblivion
. New Haven, CT and London, 2010.Google Scholar
Trachtenberg, Marvin. “Building and Writing S. Lorenzo in Florence: Architect, Biographer, Patron, and Prior.” The Art Bulletin 97, no. 2 (2015): 140–72.Google Scholar
Traversi, Francesco. “Per i Del Tasso: il crocifisso di San Pancrazio, da Firenze a Fossato e una nota su Benedetto da Maiano.” Prato storia e arte 113 (2013): 95–103.Google Scholar
Travi, Carla. “Antichi tramezzi in Lombardia: il caso di Sant’Eustorgio.” Arte Lombarda, Nuova Serie 158/159, no. 1–2 (2010): 5–16.Google Scholar
Trexler, Richard C. Public Life in Renaissance Florence
. Ithaca, NY and London, 1980.Google Scholar
Trexler, Richard C. “Florentine Prostitution in the Fifteenth Century: Patrons and Clients.” In Power and Dependence in Renaissance Florence, Volume 2: The Women of Renaissance Florence, edited by Richard C. Trexler, 31–65. Asheville, NC, 1998.Google Scholar
Tripodi, Claudia. Gli Spini tra XIV e XV secolo: Il declino di un antico casato fiorentino. Florence, 2013.Google Scholar
Trotta, Giampaolo. “La chiesa dei Santi Apostoli.” In Gli antichi chiassi tra Ponte Vecchio e Santa Trinita: storia del rione dei Santi Apostoli, dai primi insediamenti romani alle ricostruzioni postbelliche, edited by Giampaolo Trotta, 147–58. Florence, 1992.Google Scholar
Trotta, Giampaolo. San Salvatore al Monte: “Antiquæ elegantiæ” per un “acropolis” laurenziana
. Florence, 1997.Google Scholar
Ugonio, Pompeo. Historia delle stationi di Roma che si celebrano la Quadragesima
. Rome, 1588.
Google Scholar
Utz, Hildegard. “Sculptures by Domenico Poggini.” Metropolitan Museum Journal 10 (1975): 63–78.Google Scholar
Valdameri, Carlo. “Considerazioni sullo scomparso pontile di San Giovanni Evangelista in Rimini e sulla presenza a Rimini di Fra Carnevale.” Romagna Arte e Storia 31, no. 91 (2011): 5–26.Google Scholar
Valentini, Anita. Sant’Anna dei Fiorentini: storia, fede, arte, tradizione
. Florence, 2003.Google Scholar
Valenzano, Giovanna. “La suddivisione dello spazio nelle chiese mendicanti: sulle tracce dei tramezzi delle Venezie.” In Arredi liturgici e architettura, edited by Quintavalle, Arturo Carlo, 99–114. Milan, 2007.Google Scholar
Valtieri, Simonetta. “Sistemazioni absidali di chiese in funzione di ‘Mausoleo’ in progetti di Antonio da Sangallo il Giovane.” In Antonio da Sangallo il Giovane edited by Spagnesi, Gianfranco, 109–18. Rome, 1986.Google Scholar
Valtieri, Simonetta. “U 181A Recto.” In The Architectural Drawings of Antonio Da Sangallo the Younger and His Circle, edited by Adams, Nicholas and Frommel, Christoph Luitpold, 116–17. New York, 2000.Google Scholar
Van Veen, Henk Th. Cosimo I de’ Medici and His Self-Representation in Florentine Art and Culture
. Translated by Andrew P. McCormick. Cambridge, 2006.Google Scholar
Vasari, Giorgio. Ricordanze 1527–1573. Fondazione Memofonte, 2006. www.memofonte.it/autori/giorgio-vasari-1511-1574.html.Google Scholar
Vasari, Giorgio, Bettarini, Rosanna, and Barocchi, Paola. Le vite de’ più eccellenti pittori scultori e architetti
. 8 vols. Florence, 1966–87.Google Scholar
Vasari, Giorgio, and Frey, Karl. Le vite de’ più eccellenti pittori, scultori ed architettori, Vol. 1. Munich, 1911.Google Scholar
Vasaturo, Nicola. La chiesa di S. Trinita: Nota storiche e guida artistica. Florence, 1973.Google Scholar
Vasaturo, Nicola. “Note storiche.” In Vallombrosa nel IX centenario della morte del fondatore Giovanni Gualberto 12 luglio 1073, edited by Vasaturo, Nicola, Morozzi, G., Marcini, G., and Baldini, U., 23–159. Florence, 1973.Google Scholar
Vasaturo, Nicola. “Vallombrosa: ricerche d’archivio sulla costruzione dell’abbazia.” In Vallombrosa nel IX centenario della morte del fondatore Giovanni Gualberto 12 luglio 1073, edited by Vasaturo, Nicola, Morozzi, Guido, Marchini, Giuseppe, and Baldini, Umberto, 1–22. Florence, 1973.Google Scholar
Vasaturo, Nicola. “Vallombrosa, Vallombrosane, Vallombrosani.” In Dizionario degli istituti di perfezione, edited by Pelliccia, Guerrino and Rocca, Giancarlo, Vol. 9, 1692–702. Rome, 1974–2003.
Google Scholar
Vasaturo, Nicola. “Appunti d’archivio sulla costruzione e trasformazioni dell’edificio.” In La Chiesa di Santa Trinita a Firenze, edited by Marchini, Giuseppe and Micheletti, Emma, 7–22. Florence, 1987.Google Scholar
Vasaturo, Nicola. Vallombrosa: L’abbazia e la congregazione. Note storiche
. Edited by Compagnoni., Giordano Monzio Vallombrosa, 1994.Google Scholar
Vauchez, André. Sainthood in the Later Middle Ages
. Translated by Jean Birrell. Cambridge, 1997.Google Scholar
Venturi, Adolfo. “L’arte dell’intaglio e della tarsia a Ferrara nella fine del Quattrocento.” L’Arte 19 (1916): 55–57.Google Scholar
Vettori, Pietro. Oratio P. Victorii habita in funere Cosmi Medicis Magni Ducis Etruriæ, etc. Florence, 1574.
Google Scholar
Visioli, Monica, and Rambaldi, Paolo. Palazzo Raimondi: nuove ricerche in occasione dei restauri alla facciata
. Quaderni di storia e tecniche dell’architettura. Viareggio, 2001.Google Scholar
Voelker, Evelyn Carole. “Charles Borromeo’s Instructiones Fabricae et Supellectilis Ecclesiasticae, 1577. A Translation with Commentary and Analysis.” PhD thesis, Syracuse University, 1977.Google Scholar
Voelker, Evelyn Carole. “Borromeo’s Influence on Sacred Art and Architecture.” In San Carlo Borromeo: Catholic Reform and Ecclesiastical Politics in the Second Half of the Sixteenth Century, edited by John M. Headley and John B. Tomaro, 172–87. Washington, DC and London, 1988.Google Scholar
Volta, Valentino, and Prestini, Rossana. La chiesa e il convento di San Francesco d’Assisi in Brescia
. Brescia, 1994.Google Scholar
Vossilla, Francesco. “Baccio Bandinelli and Giovanni Bandini in the Choir of the Cathedral.” In Sotto il cielo della cupola: il coro di Santa Maria del Fiore dal Rinascimento al 2000: progetti di Brunelleschi, Bandinelli, Botta, Brenner, Gabetti e Isola, Graves, Hollein, Isozaki, Nouvel, Rossi, edited by Verdon, Timothy, 69–99. Milan, 1997.Google Scholar
Walden, Justine. “Foaming Mouth and Eyes Aflame: Exorcism and Power in Renaissance Florence.” PhD thesis, Yale University, 2016.Google Scholar
Walden, Justine. “Exorcism and Religious Politics in Fifteenth-Century Florence.” Renaissance Quarterly 71 (2018): 437–77.Google Scholar
Waldman, Louis Alexander. “Florence Cathedral in the Early Trecento: The Provisional High Altar and Choir of the Canonica.” Mitteilungen des Kunsthistorischen Institutes in Florenz 40, no. 3 (1996): 267–86.Google Scholar
Waldman, Louis Alexander. “From the Middle Ages to the Counter-Reformation: The Choirs of S. Maria del Fiore.” In Sotto il cielo della cupola: il coro di Santa Maria del Fiore dal Rinascimento al 2000: progetti di Brunelleschi, Bandinelli, Botta, Brenner, Gabetti e Isola, Graves, Hollein, Isozaki, Nouvel, Rossi, edited by Verdon, Timothy, 37–68. Milan, 1997.Google Scholar
Waldman, Louis Alexander. “‘Vadunt ad habitandum hebrei’: The Otto di Balìa, Vasari, and the Hiding of Murals in Sixteenth-Century Florence.” Mitteilungen des Kunsthistorischen Institutes in Florenz 56, no. 3 (2014 (2015)): 351–54.Google Scholar
Wallace, William. “Michelangelo’s Project for a Reliquary Tribune in San Lorenzo.” Architectura 17, no. 1 (1987): 45–57.Google Scholar
Waterworth, James. The Canons and Decrees of the Sacred and Oecumenical Council of Trent. London, 1848.Google Scholar
Waźbiński, Zygmunt. L’Accademia medicea del disegno a Firenze nel Cinquecento: idea e istituzione. Accademia Toscana di Scienze e Lettere “La Colombaria.” Florence, 1987.Google Scholar
Weddle, Saundra. “Enclosing Le Murate: The Ideology of Enclosure and the Architecture of a Florentine Convent, 1390–1597.” PhD thesis, Cornell University, 1997.Google Scholar
Weddle, Saundra. “Identity and Alliance: Urban Presence, Spatial Privilege, and Florentine Renaissance Convents.” In Renaissance Florence: A Social History, edited by Crum, Roger J. and Paoletti, John T., 394–412. New York, 2006.Google Scholar
Weddle, Saundra. “‘Tis Better to Give Than to Receive: Client-Patronage Exchange and Its Architectural Implications at Florentine Convents.” In Studies on Florence and the Italian Renaissance in Honour of F.W. Kent, edited by Howard, Peter and Hewlett, Cecilia, 295–315. Turnhout, 2016.Google Scholar
Weitzel Gibbons, Mary. “Cosimo’s Cavallo: A Study in Imperial Imagery.” In The Cultural Politics of Duke Cosimo I de’ Medici, edited by Eisenbichler, Konrad, 77–102. Aldershot and Burlington, VT, 2001.Google Scholar
Weppelmann, Stefan. “Raum und Memoria. Giottos Berliner Transitus Mariae und einige Überlegungen zur Aufstellung der Maestà in Ognissanti, Florenz.” In Zeremoniell und Raum in der frühen italienischen Malerei, edited by Weppelmann, Stefan, 128–59. Berlin, 2007.Google Scholar
Wilmering, Antoine M. The Gubbio Studiolo and Its Conservation. Volume 2: Italian Renaissance Intarsia and the Conservation of the Gubbio Studiolo
. New York, 1999.Google Scholar
Wilson, Blake. Music and Merchants: The Laudesi Companies of Republican Florence
. Oxford and New York, 1992.Google Scholar
Wilson, Blake. “If Monuments Could Sing: Image, Song, and Civic Devotion Inside Orsanmichele.” In Orsanmichele and the History and Preservation of the Civic Monument, edited by Strehlke, Carl Brandon, 139–68. New Haven, CT, 2012.Google Scholar
Winkelmes, Mary-Ann. “Form and Reform: Illuminated, Cassinese Reform-Style Churches in Renaissance Italy.” Annali di architettura: rivista del Centro internazionale di studi di architettura “Andrea Palladio” 8 (1996): 61–84.Google Scholar
Winkelmes, Mary-Ann. “Notes on Cassinese Choirs: Acoustics and Religious Architecture in Northern Italy.” In Coming About: A Festschrift for John Shearman, edited by Jones, Lars R. and Matthew, Louisa C., 307–12. Cambridge, MA, 2001.Google Scholar
Wittkower, Rudolf. “Il balaustro rinascimentale e il Palladio.” Bollettino del Centro internazionale di studi di architettura “Andrea Palladio” 10 (1968): 332–46.Google Scholar
Wolters, Wolfgang. Architektur und Ornament. Venezianischer Bauschmuck der Renaissance
. Munich, 2000.Google Scholar
Wright, Alison. “Tabernacle and Sacrament in Fifteenth-Century Tuscany.” In Carving, Casts and Collectors: The Art of Renaissance Sculpture, edited by Motture, Peta, Jones, Emma, and Zikos, Dimitrios, 42–57. London, 2013.Google Scholar
Yates, Nigel. Liturgical Space: Christian Worship and Church Buildings in Western Europe 1500–2000
. Aldershot and Burlington, VT, 2008.Google Scholar
Zambrano, Patrizia. “La Madonna Trivulzio.” In Museo d’arte antica del Castello Sforzesco: Pinacoteca, Vol. 1, 167–70. Milan, 1997.Google Scholar
Zervas, Diane Finiello. “Lorenzo Monaco, Lorenzo Ghiberti, and Orsanmichele: Part I.” The Burlington Magazine 133, no. 1064 (1991): 748–59.Google Scholar
Zervas, Diane Finiello. “Lorenzo Monaco, Lorenzo Ghiberti and Orsanmichele: Part II.” The Burlington Magazine 133, no. 1065 (1991): 812–19.Google Scholar
Zervas, Diane Finiello. “Niccolò Gerini’s ‘Entombment and Resurrection of Christ,’ S. Anna/S. Michele/S. Carlo and Orsanmichele in Florence: Clarifications and New Documentation.” Zeitschrift für Kunstgeschichte 66, no. 1 (2003): 33–64.Google Scholar
Zervas, Diane Finiello. “New Documents for the Oratory of Orsanmichele in Florence, 1365–1400.” Zeitschrift für Kunstgeschichte 78, no. 2 (2015): 292–313.Google Scholar
Zucchini, Guido. La chiesa e il chiostro di San Vittore presso Bologna
. Bologna, 1917.Google Scholar