Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-94fs2 Total loading time: 0 Render date: 2024-11-10T07:44:59.359Z Has data issue: false hasContentIssue false

Works Cited

Published online by Cambridge University Press:  11 April 2024

Gregory Castle
Affiliation:
Arizona State University
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2024

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Adorno, Theodor W. Minima Moralia: Reflections from Damaged Life. Trans. E. F. N. Jephcott. London: Verso, 1974 [1956].Google Scholar
Adorno, Theodor W. Negative Dialectics. Trans. E. B. Ashton. New York: Seabury Press, 1973.Google Scholar
Agamben, Giorgio. The Man Without Content. Trans. Georgia Albert. Stanford, ca: Stanford University Press, 1999 [1970].CrossRefGoogle Scholar
Allen, Nicholas. “National Reconstruction: George Russell (Æ) and the Irish Convention.” In Ireland in Transition, 1867–1921. Ed. Boyce, D. George and O’Day, Alan. London: Routledge, 2004. 128–41.Google Scholar
Allen, Thomas M., ed. Time and Literature: Cambridge Critical Concepts. Cambridge: Cambridge University Press, 2018.CrossRefGoogle Scholar
Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso, 1991 [1983].Google Scholar
Armstrong, Charles I. Reframing Yeats: Genre, Allusion and History. New York: Bloomsbury, 2015.Google Scholar
Arrington, Lauren. W. B. Yeats, the Abbey Theatre, Censorship, and the Irish State: Adding the Half-Pence to the Pence. Oxford: Oxford University Press, 2010.CrossRefGoogle Scholar
Auden, W. H. Collected Poetry. New York: Random House, 1945.Google Scholar
Bakhtin, M. M. The Dialogic Imagination. Ed. Holquist, Michael. Trans. Caryl Emerson and Michael Holquist. Austin: University of Texas Press, 1981.Google Scholar
Bedient, Calvin. The Yeats Brothers and Modernism’s Love of Motion. Notre Dame, in: University of Notre Dame Press, 2009.Google Scholar
Bedient, CalvinYeats’s ‘Lapis Lazuli’: Romancing the Stone.” Yeats 7 (1989): 1741.Google Scholar
Benjamin, Walter. The Arcades Project. Trans. Howard Eiland and Kevin McLaughlin. Cambridge, ma: Belknap Press, 1999.Google Scholar
Benjamin, Walter Illuminations. Ed. Arendt, Hannah. Trans. Harry Zohn. New York: Harcourt, Brace & World, 1968.Google Scholar
Benjamin, WalterThe Work of Art in the Age of Its Technological Reproducibility.” Third version. Trans. Harry Zohn and Edmund Jephcott. In Selected Writings. Vol. 4. Ed. Bullock, Marcus and Jennings, Michael W.. Cambridge, ma: Belknap Press, 1996. 251–83.Google Scholar
Benveniste, Emile. Problems in General Linguistics. Trans. Mary Elizabeth Meek. Coral Gables, fl: University of Miami Press, 1971 [1956].Google Scholar
Bergin, Osborn. Irish Bardic Poetry. Ed. Greene, David and Kelly, Fergus. 1912. Rpt. Dublin: Dublin Institute for Advanced Studies, 1970.Google Scholar
Bhabha, Homi. The Location of Culture. London: Routledge, 1994.Google Scholar
Bixby, Patrick. Nietzsche and Irish Modernism. Manchester: Manchester University Press, 2022.CrossRefGoogle Scholar
Boyd, Ernest. Ireland’s Literary Renaissance. London: Grant Richards, 1923.Google Scholar
Bradley, Anthony. “Yeats’s Poems Written in Discouragement, 1912–1913: The Politics of Culture.” Èire-Ireland 30.3 (Fómhar/Fall 1995): 103–32.Google Scholar
Bruna, Guilia, and Wilsdon, Catherine, guest eds. “Organized Spaces: Revival Activism and Print Culture.” Special issue of Irish Studies Review 22.1 (February 2014).CrossRefGoogle Scholar
Campbell, Matthew. “The English Romantic Symbolists.” In W. B. Yeats in Context. Ed. Holdeman, David and Levitas, Ben. New York: Cambridge University Press, 2010. 310–19.Google Scholar
Carr, David. “Reflections on Temporal Perspective: The Use and Abuse of Hindsight.” History and Theory 56 (December 2018): 7180.CrossRefGoogle Scholar
Casanova, Pascale. “Literature As a World.” New Left Review 31 (January–February 2005): 7190.Google Scholar
Castle, Gregory. Modernism and the Celtic Revival. Cambridge: Cambridge University Press, 2001.CrossRefGoogle Scholar
Castle, GregoryNobler Forms: Standish James O’Grady’s ‘Imaginative History’ and the Irish Literary Revival.” In Reading Irish History: Text, Contexts, and Memory in Modern Ireland. Ed. McBride, Lawrence. Dublin: Four Courts Press, 2003. 156–77.Google Scholar
Cave, Richard Allen. “On the Siting of Doors and Windows: Aesthetics, Ideology and Irish Stage Design.” In The Cambridge Companion to Twentieth-Century Irish Drama. Ed. Richards, Shaun. Cambridge: Cambridge University Press, 2004. 93108.CrossRefGoogle Scholar
Chapman, Wayne, ed. W. B. Yeats’s Robartes–Aherne Writings, Featuring the Making of His “Stories of Michael Robartes and His Friends.” London: Bloomsbury Academic, 2018.Google Scholar
Chaudhry, Yug Mohit. Yeats, the Irish Literary Revival and the Politics of Print. Cork: Cork University Press, 2001.Google Scholar
Childs, Donald J. Modernism and Eugenics: Woolf, Eliot, Yeats, and the Culture of Degeneration. Cambridge: Cambridge University Press, 2001.CrossRefGoogle Scholar
Clark, Rosalind E.Yeats’s The Only Jealousy of Emer and the Old Irish Serglige Con Culainn.” Yeats: An Annual 9 (1990): 3948.Google Scholar
Clery, Arthur (Chanel). The Idea of a Nation. Dublin: University College Dublin Press; Dufour Editions, 2003. Rpts. articles from The Leader.Google Scholar
Collins, Kevin. Catholic Churchmen and the Celtic Revival in Ireland, 1848–1916. Dublin: Four Courts Press, 2002.Google Scholar
Cronin, Mike. “Defenders of the Nation? The Gaelic Athletic Association and Irish Nationalist Identity.” Irish Political Studies 11 (1996): 119.CrossRefGoogle Scholar
Cullingford, Elizabeth. Gender and History in Yeats’s Love Poetry. Cambridge: Cambridge University Press, 1993.Google Scholar
Cullingford, ElizabethHow Jacques Molay Got up the Tower: Yeats and the Irish Civil War.” ELH 50.4 (1983): 763–89.CrossRefGoogle Scholar
Curtin, Nancy J. “‘A Nation of Abortive Men’: Gendered Citizenship and Early Irish Republicanism.” In Reclaiming Gender: Transgressive Identities in Modern Ireland. Ed. Cohen, Marilyn and Curtin, Nancy J.. New York: St. Martin’s Press, 1999. 3352.Google Scholar
Curtin, Nancy J. The United Irishmen: Popular Politics in Ulster and Dublin, 1791–1798. Oxford: Clarendon, 1994.Google Scholar
Curtis, L. P. Apes and Angels: The Irishman in Victorian Caricature. Washington, dc: Smithsonian Institution Press, 1996.Google Scholar
Deane, Seamus. Celtic Revivals: Essays in Modern Irish Literature 1880–1980. Winston-Salem, nc: Wake Forest University Press, 1987.Google Scholar
De Brún, Fionntán. Revivalism and Modern Irish Literature: The Anxiety of Transmission and the Dynamics of Renewal. Cork: Cork University Press, 2019.Google Scholar
Deleuze, Gilles, and Guattari, Félix. What Is Philosophy? Trans. Hugh Tomlinson and Graham Burchell. New York: Columbia University Press, 1994.Google Scholar
De Man, Paul. “Rhetoric and Semiology.” In Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke, and Proust. New Haven, ct: Yale University Press, 1979. 119.Google Scholar
Derrida, Jacques. “The Parergon.” In The Truth in Painting. Trans. Geoff Bennington and Ian McLeod. Chicago, il: University of Chicago Press, 1987. 3782.CrossRefGoogle Scholar
Doggett, Rob. “Aristocratic Patronage and the Commercial Logic of Yeats’s Responsibilities.” Journal of Modern Literature 34.1 (Fall 2010): 118.CrossRefGoogle Scholar
Doggett, Rob Deep-Rooted Things: Empire and Nation in the Poetry and Drama of William Butler Yeats. Notre Dame, in: University of Notre Dame, 2006.Google Scholar
Doležel, Lubomír. Heterocosmica: Fiction and Possible Worlds. Baltimore, md: Johns Hopkins University Press, 1998.CrossRefGoogle Scholar
Doležel, Lubomír Possible Worlds of Fiction and History: The Postmodern Stage. Baltimore, md: Johns Hopkins University Press, 2010.CrossRefGoogle Scholar
Duffy, Charles Gavan. My Life in Two Hemispheres. 2 vols. 1898; Rpt. Shannon: Irish University Press, 1969.Google Scholar
Duffy, Charles GavanThe Revival of Irish Literature.” In The Revival of Irish Literature: Addresses by Sir Charles Gavan Duffy, K.C.M.G., Dr. George Sigerson, and Dr. Douglas Hyde. London: Fisher Unwin, 1894. 959.Google Scholar
Duffy, Enda. The Subaltern Ulysses. Minneapolis: University of Minnesota Press, 1994.Google Scholar
Dufrenne, Mikel. The Phenomenology of Aesthetic Experience. Trans. Edward Casey, Albert A. Anderson, Willis Domingo, and Leon Jacobson. Evanston, il: Northwestern University Press, 1973.Google Scholar
Düttmann, Alexander García. Between Cultures: Tensions in the Struggle for Recognition. Trans. Kenneth Woodgate. New York: Verso, 2000.Google Scholar
Eco, Umberto. The Limits of Interpretation. Bloomington: Indiana University Press, 1994.Google Scholar
Eglinton, John, Yeats, W. B., Æ [George Russell], and Larminie, William. Literary Ideals in Ireland. London: T. F. Unwin, 1899.Google Scholar
Eliot, T. S. The Complete Poems and Plays, 1909–1950. New York: HBJ, 1950.Google Scholar
Eliot, T. S.Tradition and the Individual Talent.” In Selected Prose. Ed. Kermode, Frank. New York: HBJ, 1975. 3744.Google Scholar
Evans-Wentz, W. Y. The Fairy-Faith in Celtic Countries. 1911. Rpt. New York: University Books, 1966.Google Scholar
Falci, Eric. The Value of Poetry. Cambridge: Cambridge University Press, 2020.CrossRefGoogle Scholar
Fallis, Richard. The Irish Renaissance. Syracuse, ny: Syracuse University Press, 1977.Google Scholar
Fanon, Frantz. The Wretched of the Earth. 1963. Trans. R. Philcox. New York: Grove Press, 2004.Google Scholar
Fenollosa, Ernest, and Pound, Ezra. The Classic Noh Theatre of Japan. New York: New Directions, 1959.Google Scholar
Fleming, Deborah. “‘A Man Who Does Not Exist: The Irish Peasant in the Work of W. B. Yeats and J. M. Synge. Ann Arbor: University of Michigan Press, 1995.Google Scholar
Fleming, Deborah, ed. W. B. Yeats and Postcolonialism. West Cornwall, ct: Locust Hill Press, 2001.Google Scholar
Fogarty, Anne. “Yeats, Ireland and Modernism.” In The Cambridge Companion to Modernist Poetry. Ed. Davis, Alex and Jenkins, Lee. Cambridge: Cambridge University Press, 2007. 126–46.Google Scholar
Foster, R. F. W. B. Yeats: A Life. i: The Apprentice Mage 1865–1914. Oxford: Oxford University Press, 1997. ii: The Arch-Poet 1915–1939. Oxford: Oxford University Press, 2003.Google Scholar
Fraser, Nancy. “Rethinking Recognition.” New Left Review 3 (2000): 107–20.Google Scholar
Freud, Sigmund. “Mourning and Melancholia.” In The Standard Edition of the Complete Psychological Works of Sigmund Freud. Vol. 4. Ed. Strachey, James. London: Hogarth, 1953. 152–70.Google Scholar
Friedman, Barton. “Dissolving Surfaces: Yeats’s The Wind Among the Reeds and the Challenge of Science.” Yeats 7 (1989): 5790.Google Scholar
Genette, Gérard. Paratexts: Thresholds of Interpretation. Trans. J. E. Lewin. Cambridge: Cambridge University Press, 2001.Google Scholar
Gibson, Matthew. “Yeats, the Great Year, and Pierre Duhem.” In Yeats, Philosophy, and the Occult. Ed. Gibson, Matthew and Mann, Neil. Clemson, sc: Clemson University Press, 2016. 171223.Google Scholar
Gibson, Matthew, and Mann, Neil, eds. Yeats, Philosophy, and the Occult. Clemson, sc: Clemson University Press, 2016.Google Scholar
Gifford, Don, with Seidman, Robert J.. Ulysses Annotations: Notes for James Joyce’s Ulysses. 2nd rev. and enlarged ed. Berkeley: University of California Press, 1988.Google Scholar
Gonne, Maud. “The National Education of Children,” United Irishman, August 23, 1902.Google Scholar
Gregory, Lady Augusta. Cuchulain of Muirthemne. 1902. Gerrards Cross: Colin Smythe, 1973.Google Scholar
Gregory, Lady Augusta Seventy Years: Being the Autobiography of Lady Gregory. Ed. Smythe, Colin. New York: Macmillan, 1974.Google Scholar
Gregory, Lady Augusta, ed. Ideals in Ireland. London: At the Unicorn, 1901.Google Scholar
Grene, Nicholas. Yeats’s Poetic Codes. Oxford: Oxford University Press, 2008.CrossRefGoogle Scholar
Griffith, Arthur. The Resurrection of Hungary: A Parallel for Ireland; with Appendices on Pitt’s Policy and Sinn Fein. 1904. 3rd ed. Dublin: Whelan and Son, 1918.Google Scholar
Gwynn, Stephen. To-day and To-morrow in Ireland: Essays on Irish Subjects. Dublin: Hodges, Figgis, 1903.Google Scholar
Harper, George Mills. The Making of Yeats’s “A Vision”: A Study of the Automatic Script. 2 vols. Houndmills: Macmillan, 1987.Google Scholar
Harper, Margaret Mills. Wisdom of Two: The Spiritual and Literary Collaboration of George and W. B. Yeats. Oxford: Oxford University Press, 2006.CrossRefGoogle Scholar
Harris, Susan Cannon. Gender and Modern Irish Drama. Bloomington: Indiana University Press, 2002.Google Scholar
Hayot, Eric. On Literary Worlds. Oxford: Oxford University Press, 2012.CrossRefGoogle Scholar
Hegel, G. W. F. Phenomenology of Spirit. Trans. A. V. Miller. Oxford: Clarendon, 1977.Google Scholar
Herr, Cheryl. Joyce’s Anatomy of Culture. Urbana: University of Illinois Press, 1986.Google Scholar
Holdeman, David, and Levitas, Ben, eds. W. B. Yeats in Context. New York: Cambridge University Press, 2010.Google Scholar
Holdridge, Jefferson. “Face to Face with Clumsiness: Aberration, Errancy and W. B. Yeats.” In Aberration in Modern and Contemporary Poetry: Essays on Atypical Works by Yeats, Auden, Moore, Heaney and Others. Ed. Collins, Lucy and Matterson, Stephen. Jefferson, nc: McFarland, 2011. 178–92.Google Scholar
Holdridge, Jefferson Those Mingled Seas: The Poetry of W. B. Yeats, the Beautiful and the Sublime. Dublin: University College Dublin Press, 2000.Google Scholar
Howes, Marjorie. “Postcolonial Yeats: Culture, Enlightenment, and the Public Sphere.” Field Day Review 2 (2006): 5573.Google Scholar
Howes, Marjorie Yeats’s Nations: Gender, Class, and Irishness. Cambridge: Cambridge University Press, 1997.Google Scholar
Hull, Eleanor. The Cuchullin Saga in Irish Literature. London: David Nutt, 1898. Rpt. New York: AMS Press, 1972.Google Scholar
Hutton, Clare. “Joyce and the Institutions of Revivalism.” Irish University Review 33.1 (Spring–Summer 2003): 117–32.Google Scholar
Hyde, Douglas. “The Necessity for De-Anglicizing Ireland.” In The Revival of Irish Literature: Addresses by Sir Charles Gavan Duffy, K.C.M.G., Dr. George Sigerson, and Dr. Douglas Hyde. London: T. Fisher Unwin, 1894. 115–61.Google Scholar
Joyce, James. Dubliners. Ed. Norris, Margot. New York: Norton, 2005.Google Scholar
Joyce, James Letters of James Joyce. Vol. 2. Ed. Ellmann, Richard. New York: Viking Press, 1967.Google Scholar
Joyce, James A Portrait of the Artist As a Young Man. Ed. Riquelme, John Paul. New York: Norton, 2007.Google Scholar
Joyce, James Stephen Hero. Ed. Slocum, John J. and Cahoon, Herbert. Norfolk, ct: New Directions, 1959.Google Scholar
Joyce, James Ulysses. 1922. New York: Random House, 1986.Google Scholar
Kant, Immanuel. Critique of Pure Reason. Trans. Norman Kemp Smith. 1929. Rpt. New York: St. Martin’s Press, 1965.Google Scholar
Kant, Immanuel Critique of the Power of Judgment. Ed. Guyer, Paul. Trans. Guyer, Paul and Matthews, Eric. Cambridge: Cambridge University Press, 2000.CrossRefGoogle Scholar
Kelleher, Margaret, guest ed. “New Perspectives on the Irish Literary Revival.” Special issue of Irish University Review 33.1 (Spring/Summer 2003).Google Scholar
Kennelly, James. “The ‘Dawn of the Practical’: Horace Plunkett and the Cooperative Movement.” New Hibernia Review 12.1 (Spring 2008): 6281.CrossRefGoogle Scholar
Kiberd, Declan. Inventing Ireland. Cambridge, ma: Harvard University Press, 1996.Google Scholar
Kiberd, Declan Irish Classics. London: Granta, 2000.Google Scholar
Kiberd, DeclanThe Perils of Nostalgia: A Critique of the Revival.” Literature and the Changing Ireland. Ed. Connolly, Peter. Totowa, nj: Barnes and Noble, 1982. 124.Google Scholar
Kiberd, Declan Synge and the Irish Language. Totowa, nj: Rowman and Littlefield, 1979.CrossRefGoogle Scholar
Kiberd, Declan, and Mathews, P. J., eds. Handbook of the Irish Revival: An Anthology of Irish Cultural and Political Writings 1891–1922. Dublin: Abbey Theatre Press, 2015.Google Scholar
Kilroy, James, ed. The “Playboy” Riots. Dublin: Dolmen Press, 1971.Google Scholar
Kirkland, Richard. “Dialogues of Despair: Nationalist Cultural Discourse and the Revival in the North of Ireland, 1900–20.” Irish University Review 33.1 (Spring–Summer 2003): 6478.Google Scholar
Knowlton, Steven R.The Enigma of Charles Gavan Duffy: Looking for Clues in Australia.” Éire-Ireland 31.3/4 (Fall/Winter 1996): 189208.CrossRefGoogle Scholar
Komparu, Kunio. The Noh Theatre: Principles and Perspectives. New York: Weatherhill/Tanosha, 1983.Google Scholar
Lacan, Jacques. Écrits: A Selection. Trans. Bruce Fink. New York: Norton, 2002.Google Scholar
Lacan, Jacques The Seminar of Jacques Lacan. Ed. Miller, Jacques-Alain. Vol. 1 Freud’s Papers on Technique, 1953–1954. Trans. John Forrester. Cambridge: Cambridge University Press, 1988.Google Scholar
Larrissy, Edward. Yeats the Poet: The Measures of Difference. New York: Harvester Wheatsheaf, 1994.Google Scholar
Larrissy, Edward, ed. W. B. Yeats. Dublin: Irish Academic Press, 2010.Google Scholar
Lloyd, David. Anomalous States: Irish Writing and the Post-Colonial Moment. Dublin: Lilliput Press, 1993.Google Scholar
Lloyd, DavidThe Cultures of Poetry in Contemporary Ireland.” Irish Literature in Transition. 1980–2020. Ed. Falci, Eric and Reynolds, Paige. Cambridge: Cambridge University Press, 2020. 4464.CrossRefGoogle Scholar
Lloyd, David Ireland after History. Notre Dame, in: University of Notre Dame Press, 1999.Google Scholar
Lloyd, David Irish Times: Essays on the History and Temporality of Irish Modernity. Dublin: Field Day, 2008.Google Scholar
Lloyd, David Nationalism and Minor Literature: James Clarence Mangan and the Emergence of Irish Cultural Nationalism. Berkeley: University of California Press, 1987.Google Scholar
Loftus, Richard J. Nationalism in Modern Anglo-Irish Poetry. Madison: University of Wisconsin Press, 1964.Google Scholar
Longenbach, James. “The Conditions of Music: Yeats, Symons and the Politics of Symbolism.” Yeats: ACTS 8 (1990): 8499.Google Scholar
Longenbach, James Stone Cottage: Pound, Yeats and Modernism. New York: Oxford University Press, 1988.Google Scholar
Longley, Edna. Yeats and Modern Poetry. Cambridge: Cambridge University Press, 2013.CrossRefGoogle Scholar
Lyotard, Jean-François. “The Sublime and the Avant-Garde.” In The Inhuman: Reflections on Time. Trans. Geoffrey Bennington and Rachel Bow. Cambridge: Polity Press, 1991. 89107.Google Scholar
MacDonagh, Thomas. Literature in Ireland: Studies, Irish and Anglo-Irish. New York: Frederick Stokes, 1916. Rpt. Port Washington, ny: Kennikat Press, 1970.Google Scholar
MacKillop, James. Dictionary of Celtic Mythology. Oxford: Oxford University Press, 1998.Google Scholar
Mahaffey, Vicki. States of Desire: Wilde, Yeats, Joyce and the Irish Experiment. New York: Oxford University Press, 1998.CrossRefGoogle Scholar
Mann, Neil. A Reader’s Guide to Yeats’s A Vision. Clemson, sc: Clemson University Press, 2019.CrossRefGoogle Scholar
Mann, Neil, Gibson, Matthew, and Nally, Claire V., eds. W. B. Yeats’s A Vision: Explications and Contexts. Clemson, sc: Clemson University Digital Press, 2012.CrossRefGoogle Scholar
Marcus, Phillip L. Yeats and the Beginning of the Irish Renaissance. 1970. 2nd ed. Syracuse, ny: Syracuse University Press, 1987.Google Scholar
Marno, David. “Tone.” In The New Princeton Encyclopedia of Poetry and Poetics. Ed. Preminger, Alex and Brogan, T. V. F.. Princeton, nj: Princeton University Press 1993. 1440–2.Google Scholar
Martin, Augustine. “The Secret Rose and Yeats’s Dialogue with History.” Ariel 3.3 (1972): 91103.Google Scholar
Mathews, P. J. Revival: The Abbey Theatre, Sinn Féin, the Gaelic League and the Co-operative Movement. Cork: Cork University Press, 2003.Google Scholar
Mattar, Sinéad. Primitivism, Science, and the Irish Revival. Oxford: Oxford University Press, 2004.CrossRefGoogle Scholar
Matz, Jesse. Modernist Time Ecology. Baltimore, md: Johns Hopkins University Press 2018.CrossRefGoogle Scholar
McAteer, Michael. Yeats and European Drama. Cambridge: Cambridge University Press, 2010.Google Scholar
McDonald, Ronan. “The ‘Fascination of What I Loathed’: Science and Self in W. B. Yeats’s Autobiographies.” In Modernism and Autobiography. Ed. DiBattista, Maria and Wittman, Emily Ondine. Cambridge: Cambridge University Press, 2014. 1830.CrossRefGoogle Scholar
McDonald, RonanInternal Others: Cultural Debate and Counter-Revival.” In A History of Irish Modernism. Ed. Castle, Gregory and Bixby, Patrick. Cambridge: Cambridge University Press, 2019. 91107.CrossRefGoogle Scholar
McDonald, RonanThe Irish Revival and Modernism.” In The Cambridge Companion to Irish Modernism. Ed. Cleary, Joe. Cambridge: Cambridge University Press, 2014. 5162.CrossRefGoogle Scholar
McGee, Patrick. Paperspace: Style As Ideology in Joyce’s Ulysses. Lincoln: University of Nebraska Press, 1988.Google Scholar
Memmi, Albert. The Colonizer and the Colonized. Trans. Howard Greenfeld. Boston, ma: Beacon, 1967.Google Scholar
Milligan, Alice. Hero Lays. Dublin: Maunsel and Company, 1908.Google Scholar
Moran, D. P. The Philosophy of Irish Ireland. 2nd ed. Dublin: James Duffy and Company, 1905.Google Scholar
Morash, Christopher. A History of the Media in Ireland. Cambridge: Cambridge University Press, 2010.Google Scholar
Morash, Christopher Yeats on Theatre. Cambridge: Cambridge University Press, 2021.CrossRefGoogle Scholar
Moses, Michael Valdez. “Irish Modernist Imaginaries.” In The Cambridge Companion to Irish Modernism. Cambridge: Cambridge University Press, 2014. 193220.Google Scholar
Moses, Michael ValdezThe Rebirth of Tragedy: Yeats, Nietzsche, the Irish National Theatre, and the Anti-Modern Cult of Cuchulain.” Modernism/Modernity 11.3 (September 2004): 561–79.CrossRefGoogle Scholar
Mutter, Matthew. Restless Secularism: Modernism and Religious Inheritance. New Haven, ct: Yale University Press, 2017.CrossRefGoogle Scholar
Nally, Claire. Envisioning Ireland: W. B. Yeats’s Occult Nationalism. Oxford: Lang, 2010.CrossRefGoogle Scholar
Ngai, Sîanne. Ugly Feelings. Cambridge, ma: Harvard University Press, 2005.Google Scholar
Nietzsche, Friedrich. Beyond Good and Evil: Prelude to a Philosophy of the Future. Trans. R. J. Hollingdale. Harmondsworth: Penguin, 1973.Google Scholar
Nietzsche, Friedrich The Gay Science. Trans. Walter Kaufmann. New York: Vintage, 1974.Google Scholar
Norris, Margot. “Possible Worlds Theory and the Fantasy Universe of Finnegans Wake,” James Joyce Quarterly 44.3 (Spring 2007): 455–74.CrossRefGoogle Scholar
North, Michael. “The Ambiguity of Repose: Sculpture and the Public Art of W. B. Yeats.” English Literary History 50.2 (1983): 379400.CrossRefGoogle Scholar
O’Brien, Flann. At Swim-Two Birds. Champaign, il: Dalkey Press, 1998.CrossRefGoogle Scholar
O’Connell, Helen. “‘Food Values’: Joyce and Dietary Revival.” In James Joyce in the Nineteenth Century. Ed. Nash, John. Cambridge: Cambridge University Press, 2013. 128–46.Google Scholar
O’Connell, Helen Ireland and the Fiction of Improvement. Oxford: Oxford University Press, 2006.CrossRefGoogle Scholar
Ó Crualaoich, Gearóid. “The Inner-Outer Otherworld of Hyde and Yeats: Translation and World-View in the Literary Revival.” Éire-Ireland 35.1–2 (Spring/Summer 2000): 226–42.CrossRefGoogle Scholar
O’Dalaigh, Pádraig. “Connradh na Gaedhilge.” Celtic Review 1.2 (October 1904): 185–7.Google Scholar
O’Grady, Standish. The History of Ireland. Vol. i: The Heroic Period. Vol. ii: The History of Ireland: Cuculain and His Contemporaries. London: Sampson Low, Searle, Marston and Rivington; Dublin: E. Ponsonby, 1878, 1880.Google Scholar
O’Grady, Standish History of Ireland: Critical and Philosophical. Vol. 1. London: Sampson Low, Searle, Marston and Rivington; Dublin: E. Ponsonby, 1881.Google Scholar
O’Neill, Michael. “Early Yeats: ‘The Essences of Things.’” In W. B. Yeats. Ed. Larrissy, Edward. Dublin: Irish Academic Press, 2010. 3147.Google Scholar
Parkinson, Thomas. W. B. Yeats, Self-Critic: A Study of His Early Verse. Berkeley: University of California Press, 1951.Google Scholar
Parkinson, Thomas W. B. Yeats: The Later Poetry. Berkeley: University of California Press, 1964.CrossRefGoogle Scholar
Pearse, Pádraic. “The Murder Machine.” In A Significant Irish Educationalist: The Educational Writings of P. H. Pearse. Ed. Ó Buachalla, Séamas. Dublin: Mercier Press, 1980. 371–85.Google Scholar
Pearse, Padraic Three Lectures on Gaelic Topics. Dublin: M. H. Gill, 1898.Google Scholar
Pierce, David. Yeats’s Worlds: Ireland, England and the Poetic Imagination. New Haven, ct: Yale University Press, 1995.Google Scholar
Plunkett, Horace. Ireland in the New Century. London: John Murray, 1904.Google Scholar
Ramazani, Jahan. Yeats and the Poetry of Death: Elegy, Self-Elegy, and the Sublime. New Haven, ct: Yale University Press, 1990.CrossRefGoogle Scholar
Ricoeur, Paul. Hermeneutics and the Human Sciences: Essays on Language, Action and Interpretation. 1981. Ed. and trans. Thompson, John B.. Cambridge: Cambridge University Press, 2016.CrossRefGoogle Scholar
Rolleston, James. Narratives of Ecstasy: Romantic Temporality in Modern German Poetry. Detroit, mi: Wayne State University Press, 1987.Google Scholar
Russell, George (Æ). “Literary Ideals in Ireland.” In Literary Ideals in Ireland. London: T. F. Unwin, 1899. 4954.Google Scholar
Russell, George (Æ)Standish O’Grady: A Tribute by Æ,” in The Coming of Cuculain. 1894. Dublin: Talbot Press, 1921. ixxxiii.Google Scholar
Ryan, Marie-Laure. Possible Worlds, Artificial Intelligence, and Narrative Theory. Bloomington: Indiana University Press, 1991.Google Scholar
Ryan, W. P. The Irish Literary Revival: Its History, Pioneers and Possibilities. London: new ed. London: Ward and Downey, 1894.Google Scholar
Ryder, Sean. “Gender and the Discourse of ‘Young Ireland’ Cultural Nationalism.” In Gender and Colonialism. Ed. Foley, Timothy P. et al. Galway: Galway University Press, 1995. 210–24.Google Scholar
Said, Edward. “Yeats and Decolonization.” In Nationalism, Colonialism and Literature. Minneapolis: University of Minnesota Press, 1990. 6995.Google Scholar
Saunders, Max. Self Impression: Life-Writing, Autobiografiction and the Forms of Modern Literature. Oxford: Oxford University Press, 2010.CrossRefGoogle Scholar
Schiller, Friedrich. On the Aesthetic Education of Man, in a Series of Letters. Ed. and trans. Wilkinson, Elizabeth M. and Willoughby, L. A.. Oxford: Clarendon, 1967.Google Scholar
Schuchard, Ronald. The Last Minstrels: Yeats and the Revival of the Bardic Arts. Oxford: Oxford University Press, 2009.Google Scholar
Sidnell, Michael J. Yeats’s Poetry and Poetics. Basingstoke: Macmillan, 1996.CrossRefGoogle Scholar
Skene, Reg. The Cuchulain Plays of W. B. Yeats: A Study. New York: Columbia University Press, 1974.CrossRefGoogle Scholar
Standage, Tom. The Victorian Internet: The Remarkable Story of the Telegraph and the Nineteenth Century’s On-Line Pioneers. New York: Berkley Books, 1998.Google Scholar
Steele, Karen. Women, Press and Politics during the Irish Revival. Syracuse, ny: Syracuse University Press, 2007.Google Scholar
Symons, Arthur. The Symbolist Movement in Literature. London: W. Heinemann, 1899.Google Scholar
Synge, John M. The Collected Letters of John Millington Synge. 2 vols. Oxford: Clarendon; New York: Oxford University Press, 1983–4.Google Scholar
Synge, John M. Collected Works. Gen. ed. Robin Skelton. 4 vols. New York: Oxford University Press, 1968.Google Scholar
Taylor, Richard. The Drama of W. B. Yeats. New Haven, ct: Yale University Press, 1977.Google Scholar
Torchiana, Donald T. “‘Among School Children’ and the Education of the Irish Spirit.” In In Excited Reverie: A Centenary Tribute to William Butler Yeats 1865–1939. Ed. Jeffares, A. Norman and Cross, K. G. W.. New York: Macmillan, 1965. 123–50.Google Scholar
Turner, Victor. From Ritual to Theatre: The Human Seriousness of Play. New York: Performing Arts Journal Publications, 1982.Google Scholar
Valente, Joseph. The Myth of Manliness in Irish National Culture, 1880–1922. Urbana: University of Illinois Press, 2001.Google Scholar
Valente, Joseph, and Howes, Marjorie, eds. Yeats and Afterwords. Notre Dame, in: University of Notre Dame Press, 2014.Google Scholar
Vendler, Helen. Our Secret Discipline: Yeats and Lyric Form. Cambridge, ma: Harvard University Press, 2007.CrossRefGoogle Scholar
Ward, Daniel. “Yeats’s Conflicts with His Audience, 1897–1917.” ELH 49 (Spring 1982): 143–63.CrossRefGoogle Scholar
Welch, Robert. Changing States: Transformations in Modern Irish Writing. London: Routledge, 1993.Google Scholar
Whitaker, Thomas R. Swan and Shadow: Yeats’s Dialogue with History. Chapel Hill: University of North Carolina Press, 1964.Google Scholar
Williams, Louise Blakeney. Modernism and the Ideology of History: Literature, Politics and the Past. Cambridge: Cambridge University Press, 2002.CrossRefGoogle Scholar
Williams, Robert R.The Concept of Recognition in Hegel’s Phenomenology of Spirit.” In Hegel’s Phenomenology of Spirit: New Critical Essays. Ed. Denker, Alfred and Vater, Michael. Amherst, ny: Humanity Books, 2003. 5992.Google Scholar
Wood, Michael. Yeats and Violence. Oxford: Oxford University Press, 2010.CrossRefGoogle Scholar
Yeats, W. B. Autobiographies. Vol. iii of The Collected Works of W. B. Yeats. Ed. O’Donnell, William H. and Archibald, Douglas N.. New York: Scribner, 1999.Google Scholar
Yeats, W. B.The Celtic Element in Literature.” In Early Essays. Vol. iv of The Collected Works of W. B. Yeats. Ed. Bornstein, George and Finneran, Richard J. New York: Scribner, 2007. 128–38.Google Scholar
Yeats, W. B. The Celtic Twilight. London: Lawrence and Bullen, 1902.Google Scholar
Yeats, W. B.Certain Noble Plays of Japan.” In Early Essays. Vol. iv of The Collected Works of W. B. Yeats. Ed. Bornstein, George and Finneran, Richard J. New York: Scribner, 2007. 163–73.Google Scholar
Yeats, W. B. The Collected Letters of W. B. Yeats. Vol. One: 1865–1895. Ed. Kelly, John and Domville, Eric. Oxford: Clarendon, 1986.Google Scholar
Yeats, W. B. The Collected Plays of W. B. Yeats. New York: Macmillan, 1934.Google Scholar
Yeats, W. B. The Cutting of an Agate. London: Macmillan, 1912.Google Scholar
Yeats, W. B.Emotion of Multitude.” In Early Essays. Vol. IV of The Collected Works of W. B. Yeats. Ed. Bornstein, George and Finneran, Richard J.. New York: Scribner, 2007. 159–60.Google Scholar
Yeats, W. B. Four Plays for Dancers. New York: Macmillan, 1921.Google Scholar
Yeats, W. B.Introduction.” In Later Essays. Vol. v of The Collected Works of W. B. Yeats. Ed. O’Donnell, William H. New York: Macmillan, 1994. 204–16.Google Scholar
Yeats, W. B.Ireland and the Arts.” In Early Essays. Vol. iv of The Collected Works of W. B. Yeats. Ed. Bornstein, George and Finneran, Richard J.. New York: Scribner, 2007. 150–55.Google Scholar
Yeats, W. B.J. M. Synge and the Ireland of His Time.” 1910. In Early Essays. Vol. iv of The Collected Works of W. B. Yeats. Ed. Bornstein, George and Finneran, Richard J.. New York: Scribner, 2007. 226–47.Google Scholar
Yeats, W. B. Letters of W. B. Yeats. Ed. Wade, Allen. London: Rupert Hart-Davis, 1954.Google Scholar
Yeats, W. B.The Literary Movement in Ireland.” In Ideals in Ireland. Ed. Gregory, Lady Augusta. London: At the Unicorn, 1901. 87102.Google Scholar
Yeats, W. B. Memoirs. Trans. and ed. Donoghue, Denis. London: Macmillan, 1972.Google Scholar
Yeats, W. B. Michael Robartes and the Dancer. Dundrum: Cuala Press, 1920.Google Scholar
Yeats, W. B.Modern Ireland: 1932–33.” Massachusetts Review 5.2 (Winter 1964): 256–68.Google Scholar
Yeats, W. B.The Moods.” In Early Essays. Vol. iv of The Collected Works of W. B. Yeats. Ed. Bornstein, George and Finneran, Richard J.. New York: Scribner, 2007. 143.Google Scholar
Yeats, W. B. Mythologies. New York: Macmillan, 1959.Google Scholar
Yeats, W. B. On the Boiler. In Later Essays. Vol. v of The Collected Works of W. B. Yeats. Ed. O’Donnell, William H.. New York: Macmillan, 1994. 220–51.Google Scholar
Yeats, W. B. Per Amica Silentia Lunae. In Later Essays. Vol. v of The Collected Works of W. B. Yeats. Ed. O’Donnell, William H.. New York: Macmillan, 1994. 133.Google Scholar
Yeats, W. B. The Plays. Vol. II of The Collected Works of W. B. Yeats. Ed. Clark, David R. and Clark, Rosalind E.. New York: Scribner, 1989.Google Scholar
Yeats, W. B. The Poems. Vol. I of The Collected Works of W. B. Yeats. Ed. Finneran, Richard J.. New York: Macmillan, 1983, 1989.Google Scholar
Yeats, W. B. Poems writen in Discouragement. Dundrum: Cuala Press, 1913.Google Scholar
Yeats, W. B.Poetry and Tradition.” 1907. In Early Essays. Vol. IV of The Collected Works of W. B. Yeats. Ed. Bornstein, George and Finneran, Richard J.. New York: Scribner, 2007. 180–90.Google Scholar
Yeats, W. B.A Postscript.” In Ideals in Ireland. Ed. Gregory, Lady Augusta. London: At the Unicorn, 1901. 105–7.Google Scholar
Yeats, W. B.Preface.” To Cuchulain of Muirthemne, by Augusta Gregory, (1902). Gerrards Cross: Colin Smythe, 1973. 1117.Google Scholar
Yeats, W. B.The Reform of the Theatre.” In The Irish Dramatic Movement. Vol. viii of The Collected Works of W. B. Yeats. Ed. Fitzgerald, Mary and Finneran, Richard J.. New York: Scribner, 2003. 26–8.Google Scholar
Yeats, W. B.Samhain: 1904 – The Dramatic Movement.” In The Irish Dramatic Movement. Vol. viii of The Collected Works of W. B. Yeats. Ed. FitzGerald, Mary and Finneran, Richard J.. New York: Scribner, 2003. 4051.Google Scholar
Yeats, W. B.Samhain: 1904 – First Principles.” In The Irish Dramatic Movement. Vol. viii of The Collected Works of W. B. Yeats. Ed. FitzGerald, Mary and Finneran, Richard J.. New York: Scribner, 2003. 5267.Google Scholar
Yeats, W. B.Samhain: 1904 – The Play, the Player, and the Scene.” In The Irish Dramatic Movement. Vol. viii of The Collected Works of W. B. Yeats. Ed. FitzGerald, Mary and Finneran, Richard J.. New York: Scribner, 2003. 6879.Google Scholar
Yeats, W. B. Selected Plays. Ed. Cave, Richard Allen. London: Penguin, 1997.Google Scholar
Yeats, W. B.Swedenborg, Mediums, and Desolate Places.” In Later Essays. Vol. v of The Collected Works of W. B. Yeats. Ed. O’Donnell, William H.. New York: Macmillan, 1994. 4773. First published in Gregory’s Visions and Beliefs in the West of Ireland (1920).Google Scholar
Yeats, W. B.The Symbolism of Poetry.” In Early Essays. Vol. iv of The Collected Works of W. B. Yeats. Ed. Bornstein, George and Finneran, Richard J.. New York: Scribner, 2007. 113–21.Google Scholar
Yeats, W. B.The Theatre.” In Early Essays. Vol. iv of The Collected Works of W. B. Yeats. Ed. Bornstein, George and Finneran, Richard J.. New York: Scribner, 2007. 122–7.Google Scholar
Yeats, W. B. Uncollected Prose. Vol. 1. Ed. Frayne, John P.. New York: Columbia University Press, 1970.Google Scholar
Yeats, W. B. The Variorum Edition of the Poems of W. B. Yeats. Ed. Allt, Peter and Alspach, Russell K.. New York: Hudson River-Macmillan, 1987.Google Scholar
Yeats, W. B. A Vision. 1925. Vol. xiii of The Collected Works of W. B. Yeats. Ed. Paul, Catherine E. and Harper, Margaret Mills. New York: Scribner, 2008.Google Scholar
Yeats, W. B. A Vision. 1937. Vol. xiv of The Collected Works of W. B. Yeats. Ed. Harper, Margaret Mills and Paul, Catherine E.. New York: Scribner, 2015.Google Scholar
Yeats, W. B.William Blake and the Imagination.” In Early Essays. Vol. iv of The Collected Works of W. B. Yeats. Ed. Bornstein, George and Finneran, Richard J.. New York: Scribner, 2007. 84–7.Google Scholar
Yeats, W. B., ed. Fairy and Folk Tales of Ireland. New York: Macmillan, 1986. Contains Fairy and Folk Tales of the Irish Peasantry (1888) and Irish Fairy Tales (1892).Google Scholar
Yeats, W. B. Poems of William Blake. London: George Routledge and Sons, 1905.Google Scholar
Žižek, Slavoj. The Sublime Object of Ideology. London and New York: Verso, 1989.Google Scholar
Žižek, Slavoj Tarrying with the Negative: Kant, Hegel, and the Critique of Ideology. Durham, nc: Duke University Press, 1993.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Works Cited
  • Gregory Castle, Arizona State University
  • Book: Yeats, Revival, and the Temporalities of Irish Modernism
  • Online publication: 11 April 2024
  • Chapter DOI: https://doi.org/10.1017/9781009411691.009
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Works Cited
  • Gregory Castle, Arizona State University
  • Book: Yeats, Revival, and the Temporalities of Irish Modernism
  • Online publication: 11 April 2024
  • Chapter DOI: https://doi.org/10.1017/9781009411691.009
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Works Cited
  • Gregory Castle, Arizona State University
  • Book: Yeats, Revival, and the Temporalities of Irish Modernism
  • Online publication: 11 April 2024
  • Chapter DOI: https://doi.org/10.1017/9781009411691.009
Available formats
×