Book contents
- The Cambridge Companion to African American Theatre
- Cambridge Companions to Theatre and Performance
- The Cambridge Companion to African American Theatre
- Copyright page
- Dedication
- Contents
- Figures
- Notes on Contributors
- Acknowledgments
- Chronology
- Introduction
- Chapter 1 Slavery, Performance, and the Design of African American Theatre
- Chapter 2 Slave Rebellions on the National Stage
- Chapter 3 Early Black Americans on Broadway
- Chapter 4 Drama in the Harlem Renaissance
- Chapter 5 The Negro Little Theatre Movement
- Chapter 6 Black Women Dramatists, 1930–1960
- Chapter 7 Amiri Baraka and the Black Arts Movement
- Chapter 8 Fragmented Musicals and 1970s Soul Aesthetic
- Chapter 9 Spectacles of Whiteness from Adrienne Kennedy to Suzan-Lori Parks
- Chapter 10 African American Performance and Community Engagement
- Chapter 11 Women Playwrights Who Cross Cultural Borders
- Chapter 12 African Diaspora Drama
- Chapter 13 Black Theatre in the Age of Obama
- Chapter 14 Staging Black Lives Matter
- Chapter 15 Contemporary Black Queer Drama
- Chapter 16 African American Dance Theatre
- Index
Chapter 14 - Staging Black Lives Matter
Published online by Cambridge University Press: 08 June 2023
- The Cambridge Companion to African American Theatre
- Cambridge Companions to Theatre and Performance
- The Cambridge Companion to African American Theatre
- Copyright page
- Dedication
- Contents
- Figures
- Notes on Contributors
- Acknowledgments
- Chronology
- Introduction
- Chapter 1 Slavery, Performance, and the Design of African American Theatre
- Chapter 2 Slave Rebellions on the National Stage
- Chapter 3 Early Black Americans on Broadway
- Chapter 4 Drama in the Harlem Renaissance
- Chapter 5 The Negro Little Theatre Movement
- Chapter 6 Black Women Dramatists, 1930–1960
- Chapter 7 Amiri Baraka and the Black Arts Movement
- Chapter 8 Fragmented Musicals and 1970s Soul Aesthetic
- Chapter 9 Spectacles of Whiteness from Adrienne Kennedy to Suzan-Lori Parks
- Chapter 10 African American Performance and Community Engagement
- Chapter 11 Women Playwrights Who Cross Cultural Borders
- Chapter 12 African Diaspora Drama
- Chapter 13 Black Theatre in the Age of Obama
- Chapter 14 Staging Black Lives Matter
- Chapter 15 Contemporary Black Queer Drama
- Chapter 16 African American Dance Theatre
- Index
Summary
Khalid Y. Long outlines the origins of the Black Lives Matter movement in 2013, following the murder of teenager Trayvon Martin and the acquittal of his killer. He traces how theatre producers and playwrights collaborated to create artistry in response to a series of contemporary murders of Black men, women, and children—Eric Garner and Michael Brown among others—often by police officers. Theatre speaks back to this tragic violence in two featured play collections: New Black Fest’s Facing Our Truth and Reginald Edmund’s Black Lives, Black Words.
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- Information
- The Cambridge Companion to African American Theatre , pp. 283 - 299Publisher: Cambridge University PressPrint publication year: 2023