- Cited by 10
-
Cited byCrossref Citations
This Book has been cited by the following publications. This list is generated based on data provided by Crossref.
Horton, Julian 2013. The Cambridge Companion to the Symphony.
Smith, Peter H. 2014. Schumann’s Continuous Expositions and the Classical Tradition. Journal of Music Theory, Vol. 58, Issue. 1, p. 25.
Smith, Peter H. 2016. Schumann's a-Minor Mood. Journal of Music Theory, Vol. 60, Issue. 1, p. 51.
2016. The Cambridge Companion to Film Music. p. 413.
2017. The Cambridge Companion to the Musical.
Dingle, Christopher 2019. The Cambridge History of Music Criticism.
Berry, Mark and Vazsonyi, Nicholas 2020. The Cambridge Companion to Wagner's Der Ring des Nibelungen.
KARLIDAĞ, Mehmet Semih 2020. Robert Schumann’ın Op. 129 Viyolonsel Konçertosu’na Genel Bir Bakış. HUMANITAS - Uluslararası Sosyal Bilimler Dergisi, Vol. 8, Issue. 15, p. 95.
Ferris, David 2021. Schumann and the Myth of Madness. Nineteenth-Century Music Review, Vol. 18, Issue. 3, p. 389.
Bucur, Voichita 2022. Handbook of Materials for Percussion Musical Instruments. p. 3.
- Publisher:
- Cambridge University Press
- Online publication date:
- September 2011
- Print publication year:
- 2007
- Online ISBN:
- 9781139001540
- Subjects:
- Music, Music: General Interest, Nineteenth-Century Music
- Collection:
- The Cambridge Companions to Music
- Series:
- Cambridge Companions to Music