Book contents
- The Cambridge Introduction to Literary Posthumanism
- The Cambridge Introduction to Literary Posthumanism
- Copyright page
- Contents
- Illustrations
- Acknowledgments
- Introduction
- Chapter 1 Beyond the Two Cultures?
- Chapter 2 Mary Shelley’s Modern and Shelley Jackson’s Postmodern Prometheus
- Chapter 3 Postperiodization
- Chapter 4 Posthuman Sublime
- Chapter 5 Ah Bartleby, Ah Humanities!
- Chapter 6 The Posthuman Imagination in Contemporary Literature
- Chapter 7 Posthuman Epic in the Era of AI
- Chapter 8 Interlude
- Chapter 9 Digital Posthumanism (On the Periphery)
- Epilogue:
- A Collaborative Glossary of Terms (In Process)
- Works Cited
- Index
- Cambridge Introductions to Literature
Chapter 6 - The Posthuman Imagination in Contemporary Literature
Published online by Cambridge University Press: 04 December 2024
- The Cambridge Introduction to Literary Posthumanism
- The Cambridge Introduction to Literary Posthumanism
- Copyright page
- Contents
- Illustrations
- Acknowledgments
- Introduction
- Chapter 1 Beyond the Two Cultures?
- Chapter 2 Mary Shelley’s Modern and Shelley Jackson’s Postmodern Prometheus
- Chapter 3 Postperiodization
- Chapter 4 Posthuman Sublime
- Chapter 5 Ah Bartleby, Ah Humanities!
- Chapter 6 The Posthuman Imagination in Contemporary Literature
- Chapter 7 Posthuman Epic in the Era of AI
- Chapter 8 Interlude
- Chapter 9 Digital Posthumanism (On the Periphery)
- Epilogue:
- A Collaborative Glossary of Terms (In Process)
- Works Cited
- Index
- Cambridge Introductions to Literature
Summary
In Chapter 3, I discussed Tom McCarthy’s deviation from transhumanism’s “naive escapist fantasy (of individual self-expression, or the transcendent human spirit, or art-as-redemption and so forth)” (The Guardian, March 7, 2015). In this chapter, I wish to address a minor (but compelling) lineage of novelists, McCarthy among them, who are part of a more object-oriented – and lasting – posthumanist turn in literary practice.
We have already seen in Claire-Louise Bennett a related impatience with mainstream literature as “perhaps the most anthropocentric” artistic medium. Bennett mentions this phrase (with attribution to Italo Calvino) in both her essay in the Irish Times (May 26, 2015) and an interview with Philip Maughan in The Paris Review, titled “The Mind in Solitude” (July 18, 2016). Bennett’s contrarian aesthetic emerges not so much from a plan of action or participation in a designated movement.
- Type
- Chapter
- Information
- The Cambridge Introduction to Literary Posthumanism , pp. 95 - 113Publisher: Cambridge University PressPrint publication year: 2024