Book contents
- Frontmatter
- Contents
- Preface
- Acknowledgements
- Figures
- Chapter 1 Representing and storing sound
- Chapter 2 A studio overview
- Chapter 3 Synthesisers, samplers and drum machines
- Chapter 4 Live music technology (the FAQs)
- Chapter 5 Select, remix, mashup
- Chapter 6 The producer
- Chapter 7 Music, sound and visual media
- Chapter 8 The studio as experimental lab
- Chapter 9 Controllers: new creative possibilities in performance
- Chapter 10 Hacking electronics for music
- Further avenues for exploration
- Notes
- Glossary
- Bibliography
- Index
Chapter 3 - Synthesisers, samplers and drum machines
Published online by Cambridge University Press: 05 June 2012
- Frontmatter
- Contents
- Preface
- Acknowledgements
- Figures
- Chapter 1 Representing and storing sound
- Chapter 2 A studio overview
- Chapter 3 Synthesisers, samplers and drum machines
- Chapter 4 Live music technology (the FAQs)
- Chapter 5 Select, remix, mashup
- Chapter 6 The producer
- Chapter 7 Music, sound and visual media
- Chapter 8 The studio as experimental lab
- Chapter 9 Controllers: new creative possibilities in performance
- Chapter 10 Hacking electronics for music
- Further avenues for exploration
- Notes
- Glossary
- Bibliography
- Index
Summary
In this chapter we look at basic synthesis concepts and discuss their practicalities for musicians. We will review the different synthesis methods and the most common elements of modules that are found in synthesisers, and look at some practicalities of sampling and drum machines.
Sound synthesis
Since the appearance of programmable synthesiser keyboards in popular music, performers, composers and producers have gradually developed a new musical skill: sound programming. Today, anybody interested in electronic music needs to have a grasp of synthesis. In a sense we could say that learning about oscillators, filters and envelopes is to an electronic musician what learning scales is to a traditional musician. For this reason, in the following sections I would like to introduce you to some basic concepts of sound synthesis.
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- Music Technology , pp. 72 - 88Publisher: Cambridge University PressPrint publication year: 2011