Performative Analysis: Reimagining Music Theory for Performance

Jeffrey Swinkin

doi:10.1017/9781782046998

Performative Analysis

Reimagining Music Theory for Performance

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Cited by 5
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Crossref Citations

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

Bungert, James 2017. A Tale of Three Schenkers. Music Theory Online, Vol. 23, Issue. 3,

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Klorman, Edward 2018. Performers as Creative Agents; or, Musicians Just Want To Have Fun. Music Theory Online, Vol. 24, Issue. 3,

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Chung, Andrew J. 2019. What is Musical Meaning? Theorizing Music as Performative Utterance. Music Theory Online, Vol. 25, Issue. 1,

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O’Hara, William 2022. TheTechneof YouTube Performance: Musical Structure, Extended Techniques, and Custom Instruments in Solo Pop Covers. Music Theory Online, Vol. 28, Issue. 3,

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Keep, David 2022. Review of Joel Lester, Brahms’s Violin Sonatas: Style, Structure, Performance (New York: Oxford University Press, 2020). Music Theory Online, Vol. 28, Issue. 2,

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Jeffrey Swinkin

Publisher:: Boydell & Brewer
Online publication date:: June 2021
Print publication year:: 2017
Online ISBN:: 9781782046998
DOI:: https://doi.org/10.1017/9781782046998

Series:: Eastman Studies in Music
Subjects:: Music, Music: General Interest, Music Criticism

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This book proposes a new model for understanding the musical work, which includes interpretation -- both analysis- and performance-based -- as an integral component.

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Performative Analysis

Reimagining Music Theory for Performance

This Book has been cited by the following publications. This list is generated based on data provided by Crossref.

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Contents

Frontmatter
pp i-iv

Contents
pp v-vi

Acknowledgments
pp vii-viii

Introduction
pp 1-18

Part One - A Theory of Musical Interpretation
pp 19-20

1 - Analysis in the Musical Work
pp 21-41

2 - Two Interpretive Roles
pp 42-72

Part Two - Analytical Essays
pp 73-74

3 - Schenkerian Analysis as Metaphor: Chopin, Nocturne in C Minor, Op. 48, No. 1
pp 75-95

4 - An Analytical Dialogue: Beethoven, String Quartet in C Minor, Op. 18, No. 4, First Movement
pp 96-166

5 - Musical Structure(s) as Subtext: Resisting Schumannâs âRingâ
pp 167-218

Notes
pp 219-246

Bibliography
pp 247-260

Index
pp 261-263

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Performative Analysis

Reimagining Music Theory for Performance

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