Further readingSt LouisCrawford, Robert. The Savage and the City in the Work of T. S. Eliot. Oxford: Clarendon Press, 1987.
Holt, Earl K.William Greenleaf Eliot: Conservative Radical. St Louis, MO: First Unitarian Church of St Louis Press, 1985.
Howarth, Herbert. Notes on some Figures behind T. S. Eliot. Boston, MA: Houghton Mifflin, 1964.
Howe, D. W.The Unitarian Conscience: Harvard Moral Philosophy, 1805–1861. Middletown, CT: Wesleyan University Press, 1988.
Olney, James. ‘T. S. Eliot Memorial Lecture’, The Placing of T. S. Eliot, ed. Jewel, Spears Brooker. Columbia: University of Missouri Press, 1991 [60–76].
Reavis, U. L. St Louis: The Future Great City of the World. St Louis: C. R. Barnes, 1876.
New EnglandBush, Ronald. T. S. Eliot: A Study in Character and Style. Oxford University Press, 1983.
Crawford, Robert. The Savage and the City in the Work of T. S. Eliot. Oxford: Clarendon Press, 1987.
Howarth, Herbert. Notes on some Figures behind T. S. Eliot. Boston, MA: Houghton Mifflin, 1964.
Miller, James E. T. S. Eliot: The Making of an American Poet, 1888–1922. University Park, PA: Pennsylvania State University Press, 2005.
Oser, Lee. T. S. Eliot and American Poetry. Columbia: University of Missouri Press, 1998.
Sigg, Eric. The American T. S. Eliot. Cambridge University Press, 1989.
ParisGreene, Edward J. H.T. S. Eliot et la France. Paris: Boivin, 1951.
Grogin, Robert C. The Bergsonian Controversy in France: 1900–1914. University of Calgary Press, 1988.
Hargrove, Nancy Duvall. T. S. Eliot's Parisian Year. Gainesville: University Press of Florida, 2009.
Marx, William. Naissance de la critique moderne: la littérature selon Eliot et Valéry, 1889–1945. Arras: Artois Presses Université, 2002.
Pondrom, Cyrena N. The Road from Paris: French Influence of English Poetry, 1900–1920. Cambridge University Press, 1974.
LondonBrooker, Peter. Bohemia in London: The Social Scene of Early Modernism. Basingstoke: Palgrave Macmillan, 2007.
Crawford, Robert. The Savage and the City in the Work of T. S. Eliot. Oxford: Clarendon Press, 1987.
Rainey, Lawrence. The Annotated Waste Land with Eliot's Contemporary Prose. New Haven, CT: Yale University Press, 2005.
Ricks, Christopher. T. S. Eliot and Prejudice. London: Faber & Faber, 1988.
Zwerdling, Alex. Improvised Europeans: American Literary Expatriates and the Siege of London. New York: Basic Books, 1998.
EnglishnessColls, Robert and Philip, Dodd. Eds. Englishness: Politics and Culture 1880–1920. London: Croom Helm, 1986.
Ellis, Steve. The English Eliot: Design, Language and Landscape in ‘Four Quartets’. London: Routledge, 1991.
Gervais, David. Literary Englands: Versions of ‘Englishness’ in Modern Writing. Cambridge University Press, 1993.
Giles, Judy and Tim, Middleton. Eds. Writing Englishness 1900–1950: An Introductory Sourcebook on National Identity. London: Routledge, 1995.
Gray, Piers. Marginal Men: Edward Thomas, Ivor Gurney, J. R. Ackerley. London: Macmillan, 1991.
Grimble, Simon. Landscape, Writing and the ‘Condition of England’ 1878–1917: Ruskin to Modernism. Lampeter: Edwin Mellen Press, 2004.
The idea of EuropeDäumer, Elisabeth and Shyamal, Bagchee. Eds. The International Reception of T. S. Eliot. London: Continuum, 2007.
Harding, Jason. The ‘Criterion’: Cultural Politics and Periodical Networks in Inter-War Britain. Oxford University Press, 2002.
Howarth, Herbert. Notes on some Figures behind T. S. Eliot. Boston, MA: Houghton Mifflin, 1964.
Vanheste, Jeroen. Guardians of the Humanist Legacy: The Classicism of T. S. Eliot's ‘Criterion’ Network and its Relevance to our Postmodern World. Leiden: Brill, 2007.
The role of intellectualAsher, Kenneth. T. S. Eliot and Ideology. Cambridge University Press, 1995.
Collini, Stefan. Absent Minds: Intellectuals in Britain. Oxford University Press, 2006.
Goldie, David. A Critical Difference: T. S. Eliot and John Middleton Murry in English Literary Criticism, 1918–1928. Oxford: Clarendon Press, 1998.
Harding, Jason. The ‘Criterion’: Cultural Politics and Periodical Networks in Inter-War Britain. Oxford University Press, 2002.
Kojecký, Roger. T. S. Eliot's Social Criticism. London: Faber & Faber, 1971.
PublishingDu Sautoy, Peter. ‘T. S. Eliot: Personal Reminiscences’. Southern Review (autumn 1985) [947–56].
Mairet, Philip. ‘Memories of T. S. E.’. T. S. Eliot: A Symposium for his Seventieth Birthday, ed. Neville, Braybrooke. London: Rupert Hart-Davis, 1958 [36–44].
Morley, F. V.‘T. S. Eliot as Publisher’. T. S. Eliot: A Symposium, ed. Richard, March and Tambimuttu, . London: Editions Poetry London, 1948 [60–70].
O'Donovan, Brigid. ‘The Love Song of T. S. Eliot's Secretary’. Confrontation (fall/winter 1975) [3–8].
Ridler, Anne. ‘Working for T. S. Eliot: A Personal Reminiscence’. Poetry Review (March 1983) [46–9].
Schuchard, Ronald. ‘T. S. Eliot at Fabers: Book Reports, Blurbs, Young Poets’. Areté (summer/autumn 2007) [63–87].
CensorshipGrazia, Edward. Girls Lean Back Everywhere: The Law of Obscenity and the Assault on Genius. London: Constable, 1992.
Ernst, Morris L. and William, Seagle. To the Pure … A Study of Obscenity and the Censor. London: Jonathan Cape, 1929.
Lewis, Felice Flanery. Literature, Obscenity and the Law. Carbondale: Southern Illinois University Press, 1976.
Rolph, C. H. Ed. The Trial of Lady Chatterley: Regina v. Penguin Books Limited. Harmondsworth: Penguin, 1961.
Thomas, Donald. A Long Time Burning: The History of Literary Censorship in England. London: Routledge & Kegan Paul, 1969.
Vanderham, Paul. James Joyce and Censorship: The Trials of ‘Ulysses’. London: Macmillan, 1998.
Literary journalismGoldie, David. A Critical Difference: T. S. Eliot and John Middleton Murry in English Literary Criticism, 1918–1928. Oxford: Clarendon Press, 1998.
Harding, Jason. The ‘Criterion’: Cultural Politics and Periodical Networks in Interwar Britain. Oxford: Oxford University Press, 2002.
Harding, Jason. ‘Tradition and Egoism: T. S. Eliot and the Egoist’. T. S. Eliot and the Concept of Tradition, ed. Giovanni, Cianci and Jason, Harding. Cambridge University Press, 2007 [90–102].
Sullivan, Hannah. ‘“But we must learn to take literature seriously”: T. S. Eliot and the Little Magazines of Modernism, 1917–1920’. Critical Quarterly (summer 2004) [63–90].
Vanheste, Jeroen. Guardians of the Humanist Legacy: The Classicism of T. S. Eliot's ‘Criterion’ Network and its Relevance to our Postmodern World. Leiden: Brill, 2007.
White, Peter. ‘New Light on The Sacred Wood’. Review of English Studies (September 2003) [497–515].
Visual artAltieri, Charles. Painterly Abstraction in Modernist American Poetry. Cambridge University Press, 1995.
Altieri, Charles. ‘“Preludes” as Prelude: In Defense of Eliot as Symboliste’. T. S. Eliot, a Voice Descanting: Centenary Essays, ed. Shyamal, Bagchee. London: Macmillan, 1990 [1–27].
Cameron, Sharon. Impersonality: Seven Essays. Chicago University Press, 2007.
Cianci, Giovanni. ‘Reading T. S. Eliot Visually: Tradition in the Context of Modernist Art’. T. S. Eliot and the Concept of Tradition, ed. Giovanni, Cianci and Jason, Harding. Cambridge University Press, 2007 [119–30].
Materer, Timothy. Vortex: Pound, Eliot, Lewis. Ithaca, NY: Cornell University Press, 1979.
Trotter, David. ‘T. S. Eliot and Cinema’. Modernism/Modernity (April 2006) [237–65].
DanceBernstein, David. ‘The Story of Vaslav Nijinsky as a Source for T. S. Eliot's “The Death of Saint Narcissus”’. Hebrew University Studies in Literature (1976) [71–104].
Hargrove, Nancy Duvall. ‘T. S. Eliot and the Dance’. Journal of Modern Literature (fall 1997) [61–88].
Koritz, Amy. Gendering Bodies/Performing Art. Ann Arbor: University of Michigan Press, 1995.
Mester, Terri. Movement and Modernism: Yeats, Eliot, Lawrence, Williams and Early Twentieth-Century Dance. Fayetteville: University of Arkansas Press, 1997.
Schuchard, Ronald. Eliot's Dark Angel: Intersections of Life and Art. Oxford University Press, 1999.
Seymour-Jones, Carole. Painted Shadow: A Life of Vivienne Eliot. London: Constable, 2001.
DramaBadenhausen, Richard. T. S. Eliot and the Art of Collaboration. Cambridge University Press, 2004.
Browne, E.Martin. The Making of T. S. Eliot's Plays. Cambridge University Press, 1969.
Chinitz, David. T. S. Eliot and the Cultural Divide. University of Chicago Press, 2003.
Malamud, Randy. T. S. Eliot's Drama: A Research and Production Sourcebook. New York: Greenwood Press, 1992.
Sherek, Henry. Not in Front of the Children. London: Heinemann, 1959.
Sidnell, Michael J.Dances of Death: The Group Theatre of London in the Thirties. London: Faber & Faber, 1984.
MusicAcquisto, Joseph. French Symbolist Poetry and the Idea of Music. Aldershot: Ashgate, 2006.
Alldritt, Keith. Eliot's ‘Four Quartets’: Poetry as Chamber Music. London: Woburn Press, 1978.
Cluck, Nancy Anne. Ed. Literature and Music: Essays on Form. Provo, UT: Brigham Young University Press, 1981.
Cooper, John Xiros. Ed. T. S. Eliot's Orchestra: Critical Essays on Poetry and Music. New York: Garland, 2000.
Howarth, Herbert. Notes on some Figures behind T. S. Eliot. Boston, MA: Houghton Mifflin, 1964.
RadioAvery, Todd. Radio Modernism: Literature, Ethics and the BBC, 1922–1938. Aldershot: Ashgate, 2006.
Briggs, Asa. The Birth of Modern Broadcasting 1896–1927. Oxford University Press, 1995.
Chinitz, David. T. S. Eliot and the Cultural Divide. University of Chicago Press, 2003.
Cohen, Debra Rae, Michael, Coyle and Jane, Lewty. Eds. Broadcasting Modernism. Gainesville: University Press of Florida, 2009.
Coyle, Michael. Ezra Pound, Popular Genres and the Discourse of Culture. University Park: Pennsylvania State University Press, 1995.
Coyle, Michael. ‘The Radio Broadcasts of T. S. Eliot, 1929–1963’. T. S. Eliot and our Turning World, ed. Jewel, Spears Brooker. London: Macmillan, 1997 [203–13].
Allusion: the case of shakespeareBush, Ronald. T. S. Eliot: A Study in Character and Style. Oxford University Press, 1983.
Litz, A. Walton. ‘The Allusive Poet: Eliot and his Sources’. T. S. Eliot: The Modernist in History, ed. Ronald, Bush. Cambridge University Press, 1991.
Longenbach, James. ‘“Mature Poets Steal”: Eliot's Allusive Practice’. The Cambridge Companion to T. S. Eliot, ed. Moody, A. D.. Cambridge University Press, 1994 [176–88].
Ricks, Christopher. Allusion to the Poets. Oxford University Press, 2002.
Riquelme, John Paul. ‘“Withered Stumps of Time”: Allusion, Reading, and Writing in The Waste Land’. Denver Quarterly (1981) [90–110].
Smith, Grover. T. S. Eliot's Poetry and Plays. University of Chicago Press, 1974.
Southam, B. C.A Student's Guide to the ‘Selected Poems of T. S Eliot’. London: Faber & Faber, 1981.
ClassicsHighet, Gilbert Arthur. The Classical Tradition: Greek and Roman Influences on Western Literature. Oxford: Clarendon Press, 1949.
Howarth, Herbert. Notes on some Figures behind T. S. Eliot. Boston, MA: Houghton Mifflin, 1964.
Kermode, Frank. The Classic. London: Faber & Faber, 1975.
Reeves, Gareth. T. S. Eliot: A Virgilian Poet. London: Macmillan, 1989.
Sherry, Vincent. The Great War and the Language of Modernism. Oxford University Press, 2003.
DanteBullaro, John J.‘The Dante of T. S. Eliot’. A Dante Profile, ed. Franca, Schettino. Los Angeles: University of Southern California Press, 1967 [27–37].
Charity, A. C.‘T. S. Eliot: The Dantean Recognitions’. The Waste Land in Several Voices, ed. Moody, A. D.. London: Edward Arnold, 1974.
Gervais, David. ‘Eliot's Shakespeare and Eliot's Dante’. T. S. Eliot and Our Turning World, ed. Jewel, Spears Brooker. London: Macmillan, 2001 [114–24].
Litz, A. Walton. ‘Dante, Pound, Eliot: The Visionary Company’. Dante e Pound, ed. Maria, Luisa Ardizzone. Ravenna: Longo, 1998 [39–45].
Manganiello, Dominic. T. S. Eliot and Dante. London: Macmillan, 1989.
Praz, Mario. ‘T. S. Eliot and Dante’. The Flaming Heart. New York: Doubleday, 1958 [348–74].
Seventeenth-century literatureBrooks, Harold F. T. S. Eliot as Literary Critic. London: Cecil Woolf, 1987.
Carpenter, Peter. ‘Taking Liberties: Eliot's Donne’. Critical Survey (1993) [278–88].
Empson, William. Argufying: Essays on Literature and Culture, ed. John, Haffenden. University of Iowa Press, 1987.
Kenner, Hugh. The Invisible Poet: T. S. Eliot. London: W. H. Allen, 1960.
Ricks, Christopher. Decisions and Revisions in T. S. Eliot: The Panizzi Lectures 2002. London: British Library, 2003.
Romantic and Victorian poetryBaker, Carlos. The Echoing Green: Romanticism, Modernism, and the Phenomena of Transference in Poetry. Princeton University Press, 1984.
Bornstein, George.Transformations of Romanticism in Yeats, Eliot, and Stevens. Chicago University Press, 1976.
Kermode, Frank. Romantic Image. London: Routledge, 1957.
Lobb, Edward. T. S. Eliot and the Romantic Critical Tradition. London: Routledge, 1981.
O'Neill, Michael. The All-Sustaining Air: Romantic Legacies and Renewals in British, American, and Irish Poetry since 1900. Oxford University Press, 2007.
Raine, Craig. T. S. Eliot. London: Faber & Faber, 2006.
French poetryBush, Ronald. T. S. Eliot: A Study in Character and Style. Oxford University Press, 1983.
Davie, Donald. The Poet in the Imaginary Museum. Manchester: Carcanet, 1977.
Kenner, Hugh. The Pound Era. Berkeley: University of California Press, 1971.
Marx, William. Naissance de la critique moderne: la littérature selon Eliot et Valéry, 1889–1945. Arras: Artois Presses Université, 2002.
Moody, A. D.T. S. Eliot: Poet. Cambridge University Press, 1979.
Schuchard, Ronald. Eliot's Dark Angel: Intersections of Life and Art. Oxford University Press, 1999.
Georgian poetryDavie, Donald. Thomas Hardy and British Poetry. London: Routledge, 1973.
Hibberd, Dominic. Harold Monro: Poet of the New Age. Basingstoke: Palgrave Macmillan, 2001.
Howarth, Peter. British Poetry in the Age of Modernism. Cambridge University Press, 2005.
Larkin, Philip. Required Writing. London: Faber & Faber, 1983.
Ross, Robert H. The Georgian Revolt. Carbondale: Southern Illinois University Press, 1965.
Stead, C. K.The New Poetic: Yeats to Eliot. London: Hutchinson, 1964.
BloomsburyBell, Quentin. Bloomsbury. London: Weidenfeld & Nicolson, 1968.
Edel, Leon. Bloomsbury: A House of Lions. London: Hogarth Press, 1979.
Holroyd, Michael. Lytton Strachey. New York: Farrar, Straus & Giroux, 1994.
Hussey, Mark. Ed. Virginia Woolf A to Z. Oxford University Press, 1996.
Lee, Hermione. Virginia Woolf. London: Vintage, 1996.
Rosenbaum, S. P. Ed. The Bloomsbury Group. Toronto University Press, 1975.
Ezra PoundBush, Ronald. T. S. Eliot: A Study in Character and Style. Oxford University Press, 1983.
Davie, Donald. Modernist Essays: Yeats, Pound, Eliot. Manchester: Carcanet, 2004.
Gallup, Donald. ‘T. S. Eliot and Ezra Pound: Collaborators in Letters’. Atlantic Monthly (January 1970) [48–62].
Kenner, Hugh. The Pound Era. Berkeley: University of California Press, 1971.
Praz, Mario. The Flaming Heart. New York: Doubleday, 1958.
Stough, Christina. ‘The Skirmish of Pound and Eliot in The New English Weekly’. Journal of Modern Literature (1983) [231–46].
The avant-gardeBürger, Peter. Theory of the Avant-Garde, trans. Michael, Shaw. Manchester University Press, 1984.
Duchamp, Marcel. The Essential Writings of Marcel Duchamp, ed. Michel, Sanouillet and Elmer, Peterson.London: Thames & Hudson, 1975.
Levenson, Michael. A Genealogy of Modernism: A Study of English Literary Doctrine, 1908–1922. Cambridge University Press, 1984.
Perloff, Marjorie. 21st-Century Modernism: The ‘New Poetics’. Oxford: Blackwell, 2002.
Stead, C. K.The New Poetic. London: Hutchinson, 1964.
PoliticsAsher, Kenneth. T. S. Eliot and Ideology. Cambridge University Press, 1995.
Chace, William. The Political Identities of Ezra Pound and T. S. Eliot. Stanford University Press, 1973.
Kojecký, Roger. T. S. Eliot's Social Criticism. London: Faber & Faber, 1971.
Levenson, Michael. ‘Politics’. A Companion to T. S. Eliot, ed. David, Chinitz. Chichester: Wiley-Blackwell, 2009 [376–87].
North, Michael. The Political Aesthetic of Yeats, Eliot and Pound. Cambridge University Press, 1991.
Tratner, Michael. Modernism and Mass Politics: Joyce, Woolf, Eliot, Yeats. Stanford University Press, 1995.
EconomicsAlford, B. W. E.Britain in the World Economy since 1880. London: Longman, 1996.
Bradshaw, David. ‘T. S. Eliot and the Major’. Times Literary Supplement (5 July 1996) [14–16].
Bush, Ronald. ‘Eliot and Ruskin: Second Thoughts’. Ruskin and Modernism, ed. Giovanni, Cianci and Peter, Nicholls. New York: Palgrave, 2001 [155–64].
Cooper, John Xiros. Modernism and the Culture of Market Society. Cambridge University Press, 2004.
Harding, Jason. The ‘Criterion’: Cultural Politics and Periodical Networks in Inter-War Britain. Oxford University Press, 2002.
Stough, Christina. ‘The Skirmish of Pound and Eliot in The New English Weekly’. Journal of Modern Literature (1983) [231–46].
Anti-SemitismJulius, Anthony. T. S. Eliot, Anti-Semitism, and Literary Form. London: Thames & Hudson, 2003.
Omer-Sherman, Ranen. ‘Rethinking Eliot, Jewish Identity, and Cultural Pluralism’. Modernism/Modernity (September 2003) [439–45].
Paulin, Tom. ‘T. S. Eliot and Anti-Semitism’. Writing to the Moment. London: Faber & Faber, 1996.
Raine, Craig. T. S. Eliot. London: Faber & Faber, 2006.
Ricks, Christopher. T. S. Eliot and Prejudice. London: Faber & Faber, 1988.
Schuchard, Ronald. ‘Burbank with a Baedeker, Eliot with a Cigar: American Intellectuals, Anti-Semitism, and the Idea of Culture’. Modernism/Modernity (January 2003) [1–26].
GenderDuPlessis, Rachel Blau. Genders, Races, and Religious Cultures in Modern American Poetry, 1908–1934. Cambridge University Press, 2001.
Ellmann, Maud. The Poetics of Impersonality: T. S. Eliot and Ezra Pound. Brighton: Harvester Wheatsheaf, 1987.
Gordon, Lyndall. T. S. Eliot: An Imperfect Life. New York: W. W. Norton, 1999.
Laity, Cassandra and Nancy, K. Gish. Eds. Gender, Desire and Sexuality in T. S. Eliot. Cambridge University Press, 2004.
Lamos, Colleen. Deviant Modernism: Sexual and Textual Errancy in T. S. Eliot, James Joyce and Marcel Proust. Cambridge University Press, 1998.
McDonald, Gail. Learning to be Modern: Pound, Eliot, and the American University. Oxford University Press, 1993.
ReligionDavie, Donald. ‘Anglican Eliot’. Eliot in his Time, ed. Walton Litz, A.. Princeton University Press, 1973.
Donoghue, Denis. Words Alone: The Poet T. S. Eliot. New Haven, CT: Yale University Press, 2000.
Gardner, Helen. The Art of T. S. Eliot. London: Cresset, 1949.
Kirk, Russell. Eliot and his Age: T. S. Eliot's Moral Imagination in the Twentieth Century. Wilmington: ISI Books, 2008.
Schuchard, Ronald. Eliot's Dark Angel: Intersections of Life and Art. Oxford University Press, 1999.
Spurr, Barry. ‘Anglo-Catholic in Religion’: T. S. Eliot and Christianity. Cambridge: Lutterworth Press, 2010.
PhilosophyChilds, Donald. From Philosophy to Poetry: T. S. Eliot's Study of Knowledge and Experience. London: Athlone Press, 2001.
Gray, Piers. T. S. Eliot's Intellectual and Poetic Development. Brighton: Harvester Wheatsheaf, 1982.
Habib, M. A. R. The Early T. S. Eliot and Western Philosophy. Cambridge University Press, 199.
Jain, Manju. T. S. Eliot and American Philosophy: The Harvard Years. Cambridge University Press, 1991.
Perl, Jeffrey. Skepticism and Modern Enmity: Before and After Eliot. Baltimore, MD: Johns Hopkins University Press, 1989.
Shusterman, Richard. T. S. Eliot and the Philosophy of Criticism. London: Duckworth, 1988.
Social scienceAckerman, Robert. The Myth and Ritual School: J. G. Frazer and the Cambridge Ritualists. New York: Garland, 1991.
Brooker, Jewel Spears. Mastery and Escape: T. S. Eliot and the Dialectic of Modernism. Amherst: University of Massachusetts Press, 1994.
Bush, Ronald. ‘The Presence of the Past: Ethnographic Thinking/Literary Politics’. Prehistories of the Future: The Primitivist Project and the Culture of Modernism, ed. Elazar, Barkan and Ronald, Bush. Stanford University Press, 1995.
Crawford, Robert. The Savage and the City in the Work of T. S. Eliot. Oxford: Clarendon Press, 1987.
Harmon, William. ‘T. S. Eliot, Anthropologist and Primitive’. American Anthropologist (December 1976) [797–811].
Manganaro, Marc. Myth, Rhetoric and the Voice of Authority: A Critique of Frazer, Eliot, Frye and Campbell. New Haven, CT: Yale University Press, 1992.
Natural scienceAlbright, Daniel. Quantum Poetics: Yeats, Pound, Eliot and the Science of Modernism. Cambridge University Press, 1997.
Beer, Gillian. Open Fields: Science in Cultural Encounter. Oxford: Clarendon Press, 1996.
Costello, Harry T.Josiah Royce's Seminar, 1913–14, ed. Grover, Smith. New Brunswick, NJ: Rutgers University Press, 1963.
Montgomery, Marion. ‘Eliot and the Particle Physicist’. Southern Review (July 1974) [583–9].
Whitworth, Michael H. Einstein's Wake: Relativity, Metaphor, and Modernist Literature. Oxford University Press, 2001.
Whitworth, Michael H. ‘Pièces d'identité: T. S. Eliot, J. W. N. Sullivan and Poetic Impersonality’. English Literature in Transition (1996) [149–70].
Contemporary reviewsBrooker, Jewel Spears. Ed. T. S. Eliot: The Contemporary Reviews. Cambridge University Press, 2004.
Clarke, Graham. Ed. T. S. Eliot: Critical Assessments. 4 vols. London: Croom Helm, 1990.
Grant, Michael. Ed. T. S. Eliot: The Critical Heritage. 2 vols. London: Routledge, 1982.
Harding, Jason. ‘Prufrock and Prejudice’. Times Literary Supplement (22 October 2004) [24].
Contemporary and post-war poetryCorcoran, Neil. English Poetry since 1940. London: Longman, 1993.
Däumer, Elisabeth and Shyamal, Bagchee. Eds. The International Reception of T. S. Eliot. London: Continuum, 2007.
Heaney, Seamus. Finders Keepers: Selected Prose 1971–2001. London: Faber & Faber, 2002.
Hughes, Ted. A Dancer to God: Tributes to T. S. Eliot. London: Faber & Faber, 1992.
Leavis, F. R.New Bearings in English Poetry. London: Chatto & Windus, 1950.
Wilmer, Clive. ‘The Later Fortunes of Impersonality: “Tradition and the Individual Talent” and Postwar Poetry’. T. S. Eliot and the Concept of Tradition, ed. Giovanni, Cianci and Jason, Harding. Cambridge University Press, 2007 [58–71].
Eliot studiesBloom, Harold. Ed. T. S. Eliot: Modern Critical Views. New York: Chelsea House, 1985.
Brooker, Jewel Spears. ‘Eliot Studies: A Review and a Select Booklist’. The Cambridge Companion to T. S. Eliot, ed. Moody, A. D.. Cambridge University Press, 1994 [236–44].
Clarke, Graham. Ed. T. S. Eliot: Critical Assessments. 4 vols. London: Croom Helm, 1990.
Knowles, Sebastian D. G. and Scott, A. Leonard. Eds. An Annotated Bibliography of a Decade of T. S. Eliot Criticism: 1977–1986. Orono: National Poetry Foundation, 1992.
Martin, Mildred. Ed. A Half-Century of Eliot Criticism. Lewisburg, PA: Bucknell University Press, 1972.
Ricks, Beatrice. Ed. T. S. Eliot: A Bibliography of Secondary Works. Metuchen: Scarecrow Press, 1980.
The Newsletter of the T. S. Eliot Society publishes an annual bibliography of secondary criticism on T. S. Eliot.
Legacies: from literary criticism to literary theoryBaldick, Chris. The Social Mission of English Criticism, 1848–1932. Oxford: Clarendon Press, 1983.
Harwood, John. Eliot to Derrida: The Poverty of Interpretation. London: Macmillan, 1995.
Lobb, Edward. T. S. Eliot and the Romantic Critical Tradition. London: Routledge, 1981.
Shusterman, Richard. T. S. Eliot and the Philosophy of Criticism. London: Duckworth, 1988.
Waugh, Patricia. Practising Postmodernism/Reading Modernism. London: Edward Arnold, 1992.
Waugh, Patricia. Ed. Literary Theory and Criticism: An Oxford Guide. Oxford University Press, 2006.
