Sologub is generally remembered, after his novel The Petty Demon, for the poetry of his middle period, the Symbolist era, but his last books of verse are his best, and they are of additional interest for their marked poetic conservatism compared with the earlier works. Sologub alone of the major Symbolists who stayed in the Soviet Union continued to mature in poetic ability and remained as productive as before 1917; unlike Blok, Belyj and Brjusov, he never accepted the revolution, and suffered no subsequent disillusionment. Sologub's verse was apparently little altered by the revolution and Soviet regime. Of the eight small books of verse which appeared between 1921 and 1923, most are on themes familiar from the prerevolutionary poetry; although two of the boks are on civic topics and contain revolutionary poems, most of the poems in them were written before 1917.