Hostname: page-component-745bb68f8f-b6zl4 Total loading time: 0 Render date: 2025-01-13T21:20:33.513Z Has data issue: false hasContentIssue false
  • English
  • Français

Anne-Madeleine Goulet et Gesa zur Nieden (dir.) Europäische Musiker in Venedig, Rom und Neapel (1650-1750) Kassel, Bärenreiter, 2015, 719 p.

Published online by Cambridge University Press:  30 August 2018

Louis Delpech
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Arts et lettres (comptes rendus)
Information
Annales. Histoire, Sciences Sociales , Volume 72 , Issue 3 , September 2017 , pp. 869 - 872
Copyright
Copyright © Éditions de l'EHESS 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Mélanie Traversier, « Histoire sociale et musicologie : un tournant historiographique », Revue d'histoire moderne et contemporaine, 57-2, 2010, p. 190-201.

2 Anne-Madeleine Goulet et Caroline Giron-Panel (dir.), La musique à Rome au xviie siècle. Études et perspectives de recherche, Rome, École française de Rome, 2012 ; Gesa zur Nieden et Britta Kägler (dir.), « Die schönste Musik zu hören ». Europäische Musiker im barocken Rom, Darmstat, Wissenschaftliche Buchgesellschaft, 2012.