Hostname: page-component-78c5997874-lj6df Total loading time: 0 Render date: 2024-11-10T05:44:40.017Z Has data issue: false hasContentIssue false

The re-emergence of nganaparru (water buffalo) into the culture, landscape and rock art of western Arnhem Land

Published online by Cambridge University Press:  18 August 2021

Sally K. May*
Affiliation:
PERAHU, Griffith Centre for Social and Cultural Research, Griffith University, Australia
Paul S.C. Taçon
Affiliation:
PERAHU, Griffith Centre for Social and Cultural Research, Griffith University, Australia
Andrea Jalandoni
Affiliation:
PERAHU, Griffith Centre for Social and Cultural Research, Griffith University, Australia
Joakim Goldhahn
Affiliation:
Centre for Rock Art, Research + Management, University of Western Australia, Australia
Daryl Wesley
Affiliation:
College of Humanities, Arts and Social Sciences, Flinders University, Australia
Roxanne Tsang
Affiliation:
PERAHU, Griffith Centre for Social and Cultural Research, Griffith University, Australia
Kenneth Mangiru
Affiliation:
Njanjma Aboriginal Corporation, Northern Territory, Australia
*
*Author for correspondence ✉ s.may@griffith.edu.au

Abstract

The introduction of new animals into hunter-gatherer societies produces a variety of cultural responses. This article explores the role of rock art in western Arnhem Land, Australia, in helping to mediate contact-period changes in Indigenous society in the nineteenth century. The authors explore etic and emic perspectives on the ‘re-emergence’ of water buffalo into Aboriginal cultural life. Merging archaeological analysis, rock art and ethnographic accounts, the article demonstrates how such artworks were used as a tool for maintaining order in times of dramatic social change. The results of this research have significant implications for understanding how cultural groups and individuals worldwide used rock art during periods of upheaval.

Type
Research Article
Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press on behalf of Antiquity Publications Ltd.

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Altman, J. 1982a. Hunting buffalo in north-central Arnhem Land: a case of rapid adaptation among Aborigines. Oceania 52: 274–85. https://doi.org/10.1002/j.1834-4461.1982.tb01503.xCrossRefGoogle Scholar
Altman, J. 1982b. Hunter-gatherers and the state: the economic anthropology of the Gunwinggu of north Australia. Unpublished PhD dissertation, Australian National University.Google Scholar
Altman, J. 1987. Hunter-gatherers today. Canberra: Australian Institute of Aboriginal Studies.Google Scholar
Altman, J. 2016. Kuninjku people, buffalo, and conservation in Arnhem Land: “it's a contradiction that frustrates us”, in Vincent, E. & Neale, T. (ed.) Unstable relations: Indigenous people and environmentalism in contemporary Australia: 5491. Crawley: University of Western Australia Publishing.Google Scholar
Barker, G. 2006. The agricultural revolution in prehistory. Oxford: Oxford University Press. https://doi.org/10.1093/oso/9780199281091.003.0015CrossRefGoogle Scholar
Berndt, R.M. & Berndt, C.H.. 1970. Man, land & myth: the Gunwinggu people. Sydney: Ure Smith.Google Scholar
Bowman, D.M.J.S. & Robinson, C.. 2010. The getting of the nganabbarru: observations and reflections on Aboriginal buffalo hunting in northern Australia. Australian Geographer 33: 191206. https://doi.org/10.1080/00049180220151007CrossRefGoogle Scholar
Brandl, E.J. 1973. Australian Aboriginal paintings in western and central Arnhem Land. Canberra: Australian Institute of Aboriginal Studies.Google Scholar
Burningham, N. 1994. Aboriginal nautical art: a record of the Macassans and the pearling industry in northern Australia. The Great Circle 16: 139–51.Google Scholar
Challis, S. 2017. Creolization in the investigation of rock art of the colonial era, in David, B. & McNiven, I. (ed.) The Oxford handbook of the archaeology and anthropology of rock art: 611–33. Oxford: Oxford University Press. https://doi.org/10.1093/oxfordhb/9780190607357.013.43Google Scholar
Chaloupka, G. 1993. Journey in time. Reed: Chatswood.Google Scholar
Colledge, S. (ed.). 2013. The origins and spread of domestic animals in South-west Asia and Europe. Walnut Creek (CA): Left Coast.Google Scholar
Cooke, P. 2014. Fragile first impressions: a threatened archive of Indigenous reportage. Unpublished exhibition catalogue.Google Scholar
Cummings, V., Jordan, P. & Zvelebil, M. (ed.). 2013. The Oxford handbook of the archaeology and anthropology of hunter-gatherers. Oxford: Oxford University Press. https://doi.org/10.1093/oxfordhb/9780199551224.001.0001Google Scholar
Dowson, T.A. 1998. Like people in prehistory. World Archaeology 29: 333–43. https://doi.org/10.1080/00438243.1998.9980383CrossRefGoogle Scholar
Edwards, R. 1979. Australian Aboriginal art: art of the Alligator Rivers Region, Northern Territory. Canberra: Australian Institute of Aboriginal Studies.Google Scholar
Feakins, C. 2019. Behind the legend: a historical archaeology of the buffalo shooting industry, 1875–1958. Unpublished PhD dissertation, the Australian National University.Google Scholar
Fijn, N. 2017. Encountering the horse: initial reactions of Aboriginal Australians to a domesticated animal. Australian Humanities Review 62: 125.Google Scholar
Flood, J. 1997. Rock art of the Dreamtime. Sydney: Angus and Robertson.Google Scholar
Franklin, A. 2005. Animal nation: the true story of animals and Australia. Sydney: University of NSW Press.Google Scholar
Frieman, C. & May, S.K.. 2019. Navigating contact: tradition and innovation in Australian contact rock art. International Journal of Historical Archaeology 24: 342–66. https://doi.org/10.1007/s10761-019-00511-0CrossRefGoogle Scholar
Goldhahn, J., May, S.K., Maralngurra, J.G. & Lee, J.. 2020. Children and rock art: a case study from western Arnhem Land, Australia. Norwegian Archaeological Review 53: 5982. https://doi.org/10.1080/00293652.2020.1779802CrossRefGoogle Scholar
Gunn, R. et al. 2017. Postcards from the outside: European-contact rock art imagery and occupation on the southern Arnhem Land plateau, Jawoyn lands, in David, B., Taçon, P.S.C., Delannoy, J.J. & Geneste, J.M. (ed.) The archaeology of rock art in western Arnhem Land, Australia (Terra Australis 47): 165–95. Canberra: ANU Press. https://doi.org/10.22459/TA47.11.2017.09CrossRefGoogle Scholar
Keyser, J.D. 2004. Art of the warriors. Salt Lake City: University of Utah Press.Google Scholar
Keyser, J.D. & Klassen, M.. 2001. Plains Indian rock art. Seattle: University of Washington Press.Google Scholar
Leichhardt, L. 1847. Journal of an overland expedition in Australia, from Moreton Bay to Port Essington 1844–1845. London: T. & W. Boone.Google Scholar
Levitus, R. 1982. Everybody bin all day work. Canberra: Australian Institute of Aboriginal Studies.Google Scholar
Lewis, D. 1988. The rock paintings of Arnhem Land, Australia (British Archaeological Reports International Series 415). Oxford: British Archaeological Reports.Google Scholar
Lewis-Williams, J.D. 1981. Believing and seeing: symbolic meanings in southern San rock paintings. London: Academic.Google Scholar
Manhire, A.H., Parkington, J.E., Mazel, A.D. & Maggs, T.M.O'C.. 1986. Cattle, sheep and horses: a review of domestic animals in the rock art of Southern Africa. South African Archaeological Society Goodwin Series 5: 2230. https://doi.org/10.2307/3858142Google Scholar
May, S.K., Taçon, P.S.C., Guse, D. & Travers, M.. 2010. Painting history: Indigenous observations and depictions of the ‘other’ in north-western Arnhem Land, Australia. Australian Archaeology 71: 5765. https://doi.org/10.1080/03122417.2010.11689384CrossRefGoogle Scholar
May, S.K., Taçon, P.S.C., Paterson, A. & Travers, M.. 2013. The world from Malarrak: depictions of Southeast Asian and European subjects in rock art from the Wellington Range, Australia. Australian Aboriginal Studies 2013: 4556.Google Scholar
May, S.K., Wright, D., Domingo, I.S., Goldhahn, J. & Maralngurra, G.. 2020a. The buffaroo: a ‘first-sight’ depiction of introduced buffalo in the rock art of western Arnhem Land. Rock Art Research 37: 204216.Google Scholar
May, S.K., Rademaker, L., Nadjamerrek, D. & Gumurdul, J. Narndal. 2020b. The Bible in buffalo country: Oenpelli Mission 1925–1931. Canberra: ANU Press. https://doi.org/10.22459/BBC.2020CrossRefGoogle Scholar
McCarthy, F.D. 1965. The Northern Territory and Central Australia: report from the select committee on the native and historical objects and areas preservation ordinance 1955–1960, together with minutes of proceedings of the committee. Unpublished report on file with the Australian Institute of Aboriginal and Torres Strait Islander Studies, Canberra.Google Scholar
Morphy, H. 1995. Landscape and the reproduction of the Ancestral past, in Hirsch, E. & O'Hanlon, M. (ed.) The anthropology of landscape: 184209. Oxford: Clarendon.Google Scholar
Morphy, H. 1998. Aboriginal art. London & New York: Phaidon.Google Scholar
Morphy, H. 1999. Encoding the Dreaming: a theoretical framework for the analysis of representational process in Australian Aboriginal art. Australian Archaeology 49: 1322. https://doi.org/10.1080/03122417.1999.11681648CrossRefGoogle Scholar
Miller, E., May, S.K., Goldhahn, J., Taçon, P.S.C. & Cooper, V.. 2021. Kaparlgoo blue: the early adoption of laundry blue pigment into the visual culture of western Arnhem Land, Australia. International Journal of Historical Archaeology 2021. https://doi.org/10.1007/s10761-021-00603-wGoogle Scholar
Mulvaney, D.J. 2004. Paddy Cahill of Oenpelli. Canberra: Aboriginal Studies Press.Google Scholar
Myers, F. 1991. Pintupi country, Pintupi self. Washington, D.C.: Smithsonian Institution.Google Scholar
Nelson, E., Chippindale, C., Chaloupka, G. & Taçon, P.S.C.. 2000. The plateau sites, in Nelson, E. (ed.) The beeswax art of northern Australia: 6782. Burnaby: Simon Fraser University.Google Scholar
Ouzman, S. 2003. Indigenous images of a colonial exotic: imaginings from Bushman southern Africa. Before Farming 1: 122. https://doi.org/10.3828/bfarm.2003.1.6CrossRefGoogle Scholar
Ouzman, S. 2005. The magical arts of a raider nation: central South Africa's Korana rock art. South African Archaeological Society Goodwin Series 9: 101–13.Google Scholar
Robinson, C.J. 2005. Buffalo hunting and the feral frontier of Australia's Northern Territory. Social and Cultural Geography 6: 885901. https://doi.org/10.1080/14649360500353285CrossRefGoogle Scholar
Sundstrom, L. 2004. Storied stone. Norman: University of Oklahoma Press.Google Scholar
Taçon, P.S.C. 1989. From rainbow snakes to ‘X-ray’ fish: the nature of the recent rock painting tradition of western Arnhem Land, Australia. Unpublished PhD dissertation, Australian National University.Google Scholar
Taçon, P.S.C. & May, S.K.. 2013. Rock art evidence for Macassan-Aboriginal contact in north-western Arnhem Land, in Clark, M. & May, S.K. (ed.) Macassan history and heritage : 127–39. Canberra: ANU Press. https://doi.org/10.22459/MHH.06.2013.08CrossRefGoogle Scholar
Taçon, P.S.C., Paterson, A., Ross, J. & May, S.K. 2012. Picturing change and changing pictures: contact-period rock art of Australia, in McDonald, J. & Veth, P. (ed.) A companion to rock art: 420–36. Chichester: Blackwell. https://doi.org/10.1002/9781118253892.ch24CrossRefGoogle Scholar
Taçon, P.S.C., May, S.K., Wesley, D., Jalandoni, A., Tsang, R. & Mangiru, K.. 2021. History disappearing: the rapid loss of Australia's contact-period rock art with a case study from the Djarrng site of Arnhem Land, Northern Territory. Journal of Field Archaeology 46: 119–31. https://doi.org/10.1080/00934690.2020.1869470CrossRefGoogle Scholar
Taylor, L. 1996. Seeing the inside. Oxford: Oxford University Press.Google Scholar
Trigger, D. 2008. Indigenity, ferality, and what ‘belongs’ in the Australian bush: Aboriginal responses to ‘introduced’ animals and plants in a settler-descendant society. Journal of the Royal Institute 14: 628–46. https://doi.org/10.1111/j.1467-9655.2008.00521.xGoogle Scholar
Vinnicombe, P. 1976. People of the Eland. Pietermaritzburg: Natal University Press.Google Scholar
White, C. 1967. Plateau and plain: prehistoric investigations in Arnhem Land, Northern Territory. Unpublished PhD dissertation, Australian National University.Google Scholar