Hostname: page-component-78c5997874-v9fdk Total loading time: 0 Render date: 2024-11-11T05:48:54.795Z Has data issue: false hasContentIssue false
  • English
  • Français

The need to consider underlying mechanisms: A response from dissonance

Published online by Cambridge University Press:  01 October 2008

Isabelle Peretz
Isabelle Peretz
Affiliation:
International Laboratory for Brain, Music and Sound Research (BRAMS), Department of Psychology, University of Montreal, Montreal, Québec, H3C 3J7, Canada. isabelle.peretz@umontreal.cahttp://www.brams.umontreal.ca/peretz
Get access Rights & Permissions [Opens in a new window]

Abstract

Current research on emotional responses to dissonance has yielded consistent data in both developmental psychology and neuroscience. What seems to be lacking is a definition of what might constitute dissonance in non-musical domains. Thus, contrary to Juslin & Västfjäll's (J&V) proposal for the need to distinguish between six broad mechanisms, I argue that future research should rather focus on perceptual determinants of each basic emotion.

Type
Open Peer Commentary
Information
Behavioral and Brain Sciences , Volume 31 , Issue 5 , October 2008 , pp. 590 - 591
Copyright
Copyright © Cambridge University Press 2008

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Ball, T., Rahm, B., Eickhoff, S. B., Schulze-Bonhage, A., Speck, O. & Mutschler, I. (2007) Response properties of human amygdala subregions: Evidence based on functional MRI combined with probabilistic anatomical maps. PLoS ONE 2(3):e307.CrossRefGoogle ScholarPubMed
Blood, A. J., Zatorre, R. J., Bermudez, P. & Evans, A. C. (1999) Emotional responses to pleasant and unpleasant music correlate with activity in paralimbic brain regions. Nature Neuroscience 2(4):382–87.CrossRefGoogle ScholarPubMed
Fitch, W. T., Neubauer, J. & Herzel, H. (2002) Calls out of chaos: The adaptive significance of nonlinear phenomenon in mammalian vocal production. Animal Behaviour 63(3):407–18.CrossRefGoogle Scholar
Gosselin, N., Peretz, I., Johnsen, E. & Adolphs, R. (2007) Amygdala damage impairs emotion recognition from music. Neuropsychologia 45(2):236–44.CrossRefGoogle ScholarPubMed
Gosselin, N., Peretz, I., Noulhiane, M., Hasboun, D., Beckett, C., Baulac, M. & Samson, S. (2005) Impaired recognition of scary music following unilateral temporal lobe excision. Brain 128(3):628–40.CrossRefGoogle ScholarPubMed
Gosselin, N., Samson, S., Adolphs, R., Noulhiane, M., Roy, M., Hasboun, D., Baulac, M. & Peretz, I. (2006) Emotional responses to unpleasant music correlates with damage to the parahippocampal cortex. Brain 129(10):2585–92.CrossRefGoogle Scholar
Hannon, E. & Trainor, L. J. (2007) Music acquisition: Effects of enculturation and formal training on development. Trends in Cognitive Sciences 11:466–72.CrossRefGoogle ScholarPubMed
Khalfa, S. & Peretz, I. (2004) Electrodermal responses to dissonant and consonant music. Polksie Forum Psychologiczne 9(1):63–72.Google Scholar
Koelsch, S., Fritz, T., von Cramon, D. Y., Müller, K. & Friederici, A. D. (2006) Investigating emotion with music: An fMRI study. Human Brain Mapping 27:239–50.CrossRefGoogle ScholarPubMed
Masataka, N. (2006) Preference for consonance over dissonance by hearing newborns of deaf parents and of hearing parents. Developmental Science 9(1):46–50.CrossRefGoogle ScholarPubMed
McDermott, J. & Hauser, M. (2004) Are consonant intervals music to their ears? Spontaneous acoustic preferences in a nonhuman primate. Cognition 94(2):B11–21.CrossRefGoogle Scholar
Plomp, R. & Levelt, W. J. M. (1965) Tonal consonance and critical bandwidth. Journal of the Acoustical Society of America 37:548–60.CrossRefGoogle Scholar
Trainor, L. J. & Heinmiller, B. M. (1998) The development of evaluative responses to music: Infants prefer to listen to consonance over dissonance. Infant Behavior and Development 21(1):77–88.CrossRefGoogle Scholar
von Helmholtz, H. (1954) On the sensation of tone as a physiological basis for a theory of music, trans. Ellis, A.. Dover.Google Scholar
Zentner, M. R. & Kagan, J. (1996) Perception of music by infants. Nature 383(6595):29.CrossRefGoogle ScholarPubMed