Hostname: page-component-78c5997874-lj6df Total loading time: 0 Render date: 2024-11-13T07:41:22.906Z Has data issue: false hasContentIssue false

Crossing the boundary from music outside to inside of school: Contemporary pedagogical challenges

Published online by Cambridge University Press:  11 April 2016

Cecilia Wallerstedt
Affiliation:
Department of Education, Communication and Learning, University of Gothenburg, Box 300, SE-405 30Gothenburgcecilia.wallerstedt@gu.se
Monica Lindgren
Affiliation:
University of Gothenburg, Box 210 S-40530, Göteborgmonica.lindgren@hsm.gu.se

Abstract

Music education in formal settings has the last decades been characterised by informal methods borrowed from outside school. In this study we analyse situations in Swedish secondary school where pupils’ experience of music outside school becomes visible in music class. Pedagogical challenges in these situations are identified that concern how to (i) coordinate perspectives on music in classrooms when arenas for learning music is increasing in number, (ii) make space for new musical movements in school, and (iii) consider the situated nature of learning that complicates the transfer from musical experiences outside to inside school.

Type
Research Article
Copyright
Copyright © Cambridge University Press 2016 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

ALLSUP, R. E. (2003) Mutual learning and democratic action in instrumental music education. Journal Of Research In Music Education, 51 (1), 2437.Google Scholar
BURNARD, P. (2007) Reframing creativity and technology: Promoting pedagogic change in music education. Journal of Music Technology and Education, 1 (1), 196206.Google Scholar
BURNARD, P. (2012) Musical Creativities in Practice. Oxford, Oxford Scholarship Online, DOI: 10.1093/acprof:oso/9780199583942.001.0001.Google Scholar
BURNARD, P. (2014) Problematizing what counts as knowledge and the production of knowledges in music. In Georgii-Hemming, E., Burnard, P. & Holgersen, S.-E. (Eds.), Professional Knowledge in Music Teacher Education (pp. 97108). Aldershot: Ashgate.Google Scholar
BYRNE, C. & SHERIDAN, M. (2000) The long and winding road: The story of rock music in Scottish schools. International Journal of Music Education, 36, 4657.Google Scholar
CAMPBELL, P. S. (1998) Songs in their Heads. Music and its Meaning in Children's Lives. Oxford: Oxford University Press.Google Scholar
CAIN, T. (2013) ‘Passing it on’: Beyond formal or informal pedagogie. Music Education Research, 15 (1), 7491Google Scholar
ERICSSON, C. & LINDGREN, M. (2011) The conditions for the establishment of an ideological dilemma: Antagonistic discourses and over-determined identity in school music teaching. Discourse: Studies in the Cultural Politics of Education, 32 (5), 713728.Google Scholar
FINNEY, J. (2007) Music education as identity project in a world of electronic desires. In Finney, J. & Burnard, P. (Eds.), Music Education with Digital Technology. London: Continuum International Publishing Group.Google Scholar
FOLKESTAD, G. (2006) Formal and informal learning situations or practices vs formal and informal ways of learning. British Journal of Music Education, 23,135145.Google Scholar
GEORGII-HEMMING, E. & WESTVALL, M. (2010) Music education – a personal matter? Examining the current discourses of music education in Sweden. British Journal of Music Education, 27 (1), 2133.Google Scholar
GREEN, L. (1988) Music on deaf ears: Musical meaning, ideology, education. Great Britain: Manchester University Press.Google Scholar
GREEN, L. (2002) How Popular Musicians Learn. Aldershot: Ashgate Publishing.Google Scholar
GREEN, L. (2006) Popular music education in and for itself, and for ‘other’ music: Current research in the classroom. International Journal of Music Education, 24 (1), 101118.Google Scholar
GREEN, L. (2008) Music, Informal Learning and the School: A New Classroom Pedagogy. Aldershot: Ashgate.Google Scholar
GROSSEN, M., ZIDDOUN, T. & ROS, R. (2012) Boundary crossing events and potential appropriation space in philosophy, literature and general knowledge. In Hjörne, E., Aalsvoort, G. Van der & Abreu, G. De (Eds.), Learning, Social Interaction and Diversity – Exploring Identities in School Practices (pp. 1533). Rotterdam: Sense.Google Scholar
GULLBERG, A-K. & BRÄNDSTRÖM, S. (2004) Formal and in-formal music learning amongst rock musicians. In Davidson, J. (Ed.), The Music Practitioner: Research for the Music Performer and Listener (pp. 161174). Aldershot: Ashgate Publishing.Google Scholar
HOPMANN, S. (2007) Restrained teaching: The common core of didaktik. European Educational Research Journal, 6 (2), 109124. DOI: 10.2304/eerj.2007.6.2.1.9.CrossRefGoogle Scholar
KRUSE, N. B. & VEBLEN, K. K. (2012) Music teaching and learning online: Considering YouTube instructional videos. Journal of Music, Technology & Education, 5 (1), 7787.CrossRefGoogle Scholar
LAMONT, A., HARGREAVES, D. J., MARSHALL, N. A. & TARRANT, M. (2003) Young people's music in and out of school. British Journal of Music Education, 20, 229241.Google Scholar
LAVE, J. (1988) Cognition in practice: Mind, Mathematics and Culture in Everyday Life. Cambridge, MA: Cambridge University Press.Google Scholar
LAVE, J. & WENGER, E. (1991) Situated Learning: Legitimate Peripheral Participation. Cambridge, MA: Cambridge University Press.CrossRefGoogle Scholar
LINDGREN, M. & ERICSSON, C. (2010) The rock band context as discursive governance in music education in Swedish schools. Action, Criticism & Theory for Music Education, 9, 3.Google Scholar
MEDIERÅDET (2014/2015) Ungar och medier: Fakta om barns och ungas användning och upplevelser av medier [Kids and media: Facts about young people's use and experience of the media] Statens Medieråd. Rapport.Google Scholar
NORDKVELLEN, Y. T. (2003) Didactics: From classical rhetoric to kitchen-Latin. Pedagogy, Culture & Society, 11 (3), 315330.Google Scholar
NORTH, A.C., HARGREAVES, D.J. & TARRANT, M. (2002) Social psychology and music education. In Colwell, R. & Richardson, C. (Eds.), The New Handbook of Research on Music Teaching and Learning. A Project of the Music Educators National Conference (pp. 604625). Oxford: Oxford University Press.Google Scholar
OLSSON, B. (1993) Sämus – en musikutbildning i kulturpolitikens tjänst? En studie om en musikutbildning på 70-talet’ [Sämus – music education in the service of a cultural policy? A study of a teacher training programme during the 1970s]. Göteborg: Skrifter från musikvetenskap, nr 33. Musikhögskolan i Göteborg.Google Scholar
OLSSON, B. (2014) Den IT-baserade musikundervisningens context, kärna och äkthet [The ICT based music education's context, core and authenticy]. In Erixon, P.-O. (Ed.), Skolämnen i Digital Förändring. En Medieekologisk Undersökning [School Subjects in Digital Transformation. A Media Ecological Study] (pp. 77110). Lund: Studentlitteratur.Google Scholar
O'NEILL, S. A. (2012) Becoming a music learner: Towards a theory of transformative music engagement. In McPherson, G. E. & Welch, G. (Eds.), The Oxford Handbook of Music Education (Vol. 1) (pp. 163186). Oxford: Oxford University Press.Google Scholar
PRAMLING, N. & PRAMLING SAMUELSSON, I. (2011) Introduction and frame of the book. In Samuelsson, I. Pramling & Pramling, N. (Eds.), Educational Encounters: Nordic Studies in Early Childhood Didactics (pp. 114). Dordrecht, The Netherlands: Springer.CrossRefGoogle Scholar
RESNICK, L. B. (1987) Learning in school and out. Educational Researcher, 16 (9), 1320.Google Scholar
ROMMETVEIT, R. (1985) Language acquisition as increasing linguistic structuring of experience and symbolic behaviour control. In Wertch, J. V. (Ed.), Culture, Communication, and Cognition. Vygotskian Perspectives (pp. 183204). Cambridge: Cambridge University Press.Google Scholar
SAVAGE, J. (2007) Reconstructing music education through ICT. Research in Education, 78 (1), 6577.CrossRefGoogle Scholar
SCHEID, M. & STRANDBERG, T. (2012) Schools’ permeable walls and media cultures: An example of new prerequisites for music education in Sweden. In Gall, M., Sammer, G. & De Vugt, A. (Eds.), European Perspectives on Music Education 1: New Media in the Classroom (pp. 237255). Innsbruck: Heibling academics.Google Scholar
SOMMAR, D., PRAMLING SAMUELSSON, I. & HUNDEIDE, K. (2009) Child Perspectives and Children's Perspectives in Theory and Practice. Dordrecht, The Netherlands: Springer.Google Scholar
STOWELL, D. & DIXON, S. (2014) Integration of informal music technologies in secondary school music lessons. British Journal of Music Education, 31 (1), 1939.Google Scholar
STÅLHAMMAR, B. (1995) Samspel. Grundskola – Musikskola i Samverkan: En Studie av den Pedagogiska och Musikaliska Interaktionen i en Klassrumssituation [Interplay. School and Music School in Collaboration: A Study of Pedagogic and Musical Interaction in a Classroom Situation]. Göteborg: Göteborgs universitet.Google Scholar
SÄLJÖ, R. (2000) Lärande i Praktiken. Ett Sociokulturellt Perspektiv [Learning in Practice: A Socio-cultural Perspective]. Stockholm: Prisma.Google Scholar
SÄLJÖ, R. (2015) Lärande – en Introduktion till Perspektiv och Metaforer [Learning – an Introduction to Perspectives and Metaphors]. Malmö: Gleerups.Google Scholar
SÄLJÖ, R. & WYNDHAMN, J. (1993) Solving everyday problems in the formal setting. An empirical study of the school as context for thought. In Chaiklin, S. & Lave, J. (Eds.), Understanding Practice. Perspectives on Activity and Context (pp. 327342). Cambridge MA: Cambridge University Press.Google Scholar
THORGESEN, K. & ZANDÈN, O. (2014) The Internet as teacher. Journal of Music, Technology & Education, 7 (2), 233244.CrossRefGoogle Scholar
VÄKEVÄ, L. (2010) Garage band or GarageBand®? Remixing Musical Futures, British Journal of Music Education, 27 (1), 5970.Google Scholar
WALLERSTEDT, C. & HILLMAN, T. (2015) ‘Is it okay to use the mobile phone?’ Student use of information technology in pop-band rehearsals in Swedish music education. Journal of Music, Technology & Education, 8 (1), 7193.Google Scholar
WALLERSTEDT, C. & PRAMLING, N. (2015) ‘Playing by the connected ear’: An empirical study of adolescents learning to play a song from Internet-accessed resources. Research Studies in Music Education, 37 (2), 195213.Google Scholar
WESTERLUND, H. (2006) Garage rock bands: A future model for developing musical expertise? International Journal of Music Education, 24 (2), 119–25.Google Scholar
WISE, S., GREENWOOD, J. & DAVIS, N. (2011) Teachers’ use of digital technology in secondary music education: Illustrations of changing classrooms. British Journal of Music Education, 28 (2), 117134.Google Scholar