Hostname: page-component-78c5997874-mlc7c Total loading time: 0 Render date: 2024-11-13T02:38:53.907Z Has data issue: false hasContentIssue false
  • English
  • Français

Art as the Road to Perfection: The Blackfoot Painted Tipi

Published online by Cambridge University Press:  11 September 2017

María Nieves Zedeño
María Nieves Zedeño*
Affiliation:
Bureau of Applied Research in Anthropology, School of Anthropology, PO Box 210030, University of Arizona, Tucson, AZ 85721, USA Email: mzedeno@email.arizona.edu
Get access Rights & Permissions [Opens in a new window]

Abstract

The Blackfoot bison hunters of the North American Plains are widely known for their artfully painted lodges commonly known as ‘tipis’. Traditionally, tipi designs were not for everyone; rather, they were received individually from the spirit world or ceremonially transferred from one person to another under strict covenants. Painted tipis advertised the spiritual and social stature of their owners and were intricately woven in the ontological fabric of the group. This article explores the role of the painted tipi in individual and social life among the Blackfoot to highlight how art can be used to construct social places, to accumulate material and ritual wealth and, ultimately, to make society.

Type
Research Article
Information
Cambridge Archaeological Journal , Volume 27 , Special Issue 4: Art, Material Culture, Visual Culture, or Something Else , November 2017 , pp. 631 - 642
Copyright
Copyright © McDonald Institute for Archaeological Research 2017 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)