Hostname: page-component-6bf8c574d5-8gtf8 Total loading time: 0 Render date: 2025-02-27T17:07:15.409Z Has data issue: false hasContentIssue false

Digital Fandoms and the 227 Incident: A Case of “Cancel Culture with Chinese Characteristics”

Published online by Cambridge University Press:  27 February 2025

Chris K.K. Tan
Affiliation:
School of Social Sciences, Singapore Management University, Singapore
Miao Li*
Affiliation:
Center for Judaic and Inter-religious Studies and Department of Sociology, Shandong University, Jinan, China
*
Corresponding author: Miao Li; Email: limiao@sdu.edu.cn

Abstract

Cancel culture, a phenomenon where norm-transgressing individuals are named and ostracized on social media and elsewhere, receives both public approval and disdain. Recently, it manifested among Chinese fans of the danmei genre of homo-romantic literature. In the “227 Incident,” actions taken by fans of the actor-singer Xiao Zhan allegedly led to the banning of the free literary repository, Archive of Our Own (AO3), in early 2020. Enraged, AO3's other users retaliated by attempting to cancel Xiao both online and off. Both sides of the dispute exhibit what we term “cancel culture with Chinese characteristics.” While there is a lofty social justice behind the original intent of cancel culture, some Chinese fans advocate the cis-heteropatriarchy. Additionally, fan fervour has merged with cyber-nationalism, which complicates the region's geopolitics.

摘要

摘要

取消文化是一种在社交媒体和其他地方公开指责和排斥那些违反规范的个人的社会现象,公众对此褒贬不一。近年来,该现象在中国耽美粉丝群体中有所体现。在 “227 事件” 中,据称演员兼歌手肖战的部分唯粉导致了免费文学存储平台 AO3 于 2020 年初被封禁。愤怒的其他 AO3 用户通过线上和线下联合抵制肖战的方式进行报复。争端双方的行为展现了我们所谓的“有中国特色的取消文化”。尽管取消文化的初衷在于推崇社会正义,但是部分中国粉丝却表现出了对异性恋父权制的拥护。此外,粉丝的狂热与网络民族主义相结合,这复杂化了该地区的地缘政治。

Type
Research Article
Copyright
Copyright © The Author(s), 2025. Published by Cambridge University Press on behalf of SOAS University of London

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Data, Aiman and Weibo, Sina. 2018. “2018 weibo fensi baipi shu” (2018 Weibo Fan White Paper), https://www.chinaindex.net/newsinfo/2/477. Accessed 14 October 2024.Google Scholar
Anjarini, D. Ninggar. 2020. “Cancel culture in the frame of comparison of Indonesia and South Korea.” Jurnal Scientia Indonesia 6(1), 5982.CrossRefGoogle Scholar
Bai, Meijiadai. 2022. “Regulation of pornography and criminalization of BL readers and authors in contemporary China (2010–2019).” Cultural Studies 36(2), 279301.CrossRefGoogle Scholar
Banet-Weiser, Sarah, and Miltner, Kate M.. 2016. “#MasculinitySoFragile: culture, structure, and networked misogyny.” Feminist Media Studies 16(1), 171–74.CrossRefGoogle Scholar
Bérubé, Michael. 2018. “The way we review now.” PMLA 133(1), 132–38.Google Scholar
Castells, Manuel. 2012. Networks of Outrage and Hope: Social Movements in the Internet Age. Cambridge: Polity.Google Scholar
Chen, Rui, and Sharma, Sushil K.. 2011. “Human flesh search – facts and issues.” Journal of Information Privacy and Security 7(1), 5071.CrossRefGoogle Scholar
Clark, Meredith D. 2020. “Drag them: a brief etymology of so-called ‘cancel culture’.” Communication and the Public 5(3–4), 8892.CrossRefGoogle Scholar
Croeser, Sky. 2016. “Thinking beyond ‘free speech’ in responding to online harassment.” Ada 10, https://scholarsbank.uoregon.edu/xmlui/handle/1794/26806. Accessed 17 June 2023.Google Scholar
De Kosnik, Abigail. 2013. “Fandom as free labor.” In Scholz, Trebor (ed.), Digital Labor: The Internet as Playground and Factory. New York: Routledge, 98111.Google Scholar
Dedman, Adam K., and Lai, Autumn. 2021. “Digitally dismantling Asian authoritarianism: activist reflections from the #MilkTeaAlliance.” Contention 9(1), 136.CrossRefGoogle Scholar
Doneda, Danilo, and Almeida, Virgilio A.F.. 2016. “What is algorithm governance?IEEE Internet Computing 20(4), 6063.CrossRefGoogle Scholar
Duffett, Mark. 2013. Understanding Fandom: An Introduction to the Study of Media Fan Culture. New York: Bloomsbury Publishing.CrossRefGoogle Scholar
Fang, Karen. 2018. “Cinema censorship and media citizenship in the Hong Kong film Ten Years.” Surveillance and Society 16(2), 142157.CrossRefGoogle Scholar
Fang, Kecheng, and Repnikova, Maria. 2018. “Demystifying ‘little pink’: the creation and evolution of a gendered label for nationalistic activists in China.” New Media and Society 20(6), 2162–85.CrossRefGoogle Scholar
Fincher, Leta Hong. 2014. Leftover Women: The Resurgence of Gender Inequality in China. London: Zed Books.CrossRefGoogle Scholar
Ge, Liang. 2022. “Dual ambivalence: The Untamed Girls as a counterpublic.” Media, Culture and Society 44(5), 1021–33.CrossRefGoogle Scholar
George, Jordana J., and Leidner, Dorothy E.. 2019. “From clicktivism to hacktivism: understanding digital activism.” Information and Organization 29(3), 100249.CrossRefGoogle Scholar
Guan, Tianru, and Hu, Tingting. 2020. “The conformation and negotiation of nationalism in China's political animations – a case study of Year Hare Affair.” Continuum 34(3), 417430.CrossRefGoogle Scholar
Hebdige, Dick. 1979. Subculture: The Meaning of Style. London: Methuen.Google Scholar
Jackson, Sarah J., Bailey, Moya and Welles, Brooke Foucault. 2020. #HashtagActivism: Networks of Race and Gender Justice. Cambridge, MA: The MIT Press.CrossRefGoogle Scholar
James, Nalita, and Busher, Hugh. 2006. “Credibility, authenticity and voice: dilemmas in online interviewing.” Qualitative Research 6(3), 403420.CrossRefGoogle Scholar
Jenkins, Henry. 2012. Textual Poachers: Television Fans and Participatory Culture. New York: Routledge.CrossRefGoogle Scholar
Jia, Yan. 2023. “Modern ancient Chinese: a discursive construction of Hanfu identity across spatiotemporal scales.” Language, Culture and Society 5(2), 246268.CrossRefGoogle Scholar
Kim, Sung Wook, and Douai, Aziz. 2012. “Google vs China's ‘Great Firewall’: ethical implications for free speech and sovereignty.” Technology in Society 34(2), 174181.CrossRefGoogle Scholar
King, Gary, Pan, Jennifer and Roberts, Margaret E.. 2017. “How the Chinese government fabricates social media posts for strategic distraction, not engaged argument.” American Political Science Review 111(3), 484501.CrossRefGoogle Scholar
Laidlaw, Emily B. 2017. “Online shaming and the right to privacy.” Laws 6(3), 126.CrossRefGoogle Scholar
Lee, Ching Kwan, and Zhang, Yonghong. 2013. “The power of instability: unraveling the microfoundations of bargained authoritarianism in China.” American Journal of Sociology 118(6), 14751508.CrossRefGoogle Scholar
Li, Xiaomeng. 2020. “How powerful is the female gaze? The implication of using male celebrities for promoting female cosmetics in China.” Global Media and China 5(1), 5568.CrossRefGoogle Scholar
Lieberthal, Kenneth, and Oksenberg, Michel. 1988. Policy Making in China: Leaders, Structures, and Processes. Princeton, NJ: Princeton University Press.CrossRefGoogle Scholar
Liu, Hailong (ed.). 2019. From Cyber-Nationalism to Fandom Nationalism: The Case of Diba Expedition in China. London: Routledge.CrossRefGoogle Scholar
Liu, Jun, and Zhao, Jingyi. 2021. “More than plain text: censorship deletion in the Chinese social media.” Journal of the Association for Information Science and Technology 72(1), 1831.CrossRefGoogle Scholar
Lotan, Gilad. 2012. “A tale of three rumors.” Truthiness in Digital Media, 5 March, https://fudcon.net/2012/03/05/541/. Accessed 13 October 2022.Google Scholar
Mao, Dan, Wang, Jingya and Chen, Jiajun. 2023. “Observations of Chinese fandom: organizational characteristics and the relationships inside and outside the ‘fan circle’.” Chinese Journal of Sociology 10, https://doi.org/10.1186/s40711-023-00197-2.Google Scholar
Mathiesen, Thomas. 1997. “The viewer society: Michel Foucault's ‘panopticon’ revisited.” Theoretical Criminology 1(2), 215234.CrossRefGoogle Scholar
McGrady, Clyde. 2021. “The strange journey of ‘cancel,’ from a black-culture punchline to a white-grievance watchword.” The Washington Post, 2 April, https://www.washingtonpost.com/lifestyle/cancel-culture-background-black-culture-white-grievance/2021/04/01/2e42e4fe-8b24-11eb-aff6-4f720ca2d479_story.html. Accessed 13 October 2022.Google Scholar
Negro, Gianluigi. 2017. The Internet in China: From Infrastructure to a Nascent Civil Society. Lugano: Palgrave McMillan.CrossRefGoogle Scholar
Ng, Eve, and Li, Xiaomeng. 2020. “A queer ‘socialist brotherhood’: The Guardian web series, boys’ love fandom, and the Chinese state.” Feminist Media Studies 20(4), 479495.CrossRefGoogle Scholar
Norris, Pippa. 2023. “Cancel culture: myth or reality?Political Studies 71(1), 145174.CrossRefGoogle Scholar
O'Brien, Kevin J., and Deng, Yanhua. 2015. “The reach of the state: work units, family ties and ‘harmonious demolition’.” The China Journal 74, 117.CrossRefGoogle Scholar
O'Brien, Kevin J., and Li, Lianjiang. 2006. Rightful Resistance in Rural China. Cambridge: Cambridge University Press.CrossRefGoogle Scholar
Posner, Eric. 2015. “A terrible shame: enforcing moral norms without the law is no way to create a virtuous society.” Slate, 9 April, https://slate.com/news-and-politics/2015/04/internet-shaming-the-legal-history-of-shame-and-its-costs-and-benefits.html. Accessed 13 October 2022.Google Scholar
Russell, Tom, and Bullock, Shawn. 1999. “Discovering our professional knowledge as teachers: critical dialogues about learning from experience.” In Loughran, John (ed.), Researching Methodologies and Practices for Understanding Pedagogy. New York: Falmer Press, 132151.Google Scholar
Rustamova, Leyli R., and Ivanova, Daria G.. 2023. “Cancel culture towards Russia and how to deal with it.” RUDN Journal of Political Science 25(2), 434444.CrossRefGoogle Scholar
Saint-Louis, Hervé. 2021. “Understanding cancel culture: normative and unequal sanctioning.” First Monday 26(7), https://doi.org/10.5210/fm.v26i7.10891.Google Scholar
Schneider, Florian. 2018. China's Digital Nationalism. Oxford: Oxford University Press.CrossRefGoogle Scholar
Shao, Qinglong, and Kostka, Genia. 2023. “The COVID-19 pandemic and deepening digital inequalities in China.” Telecommunications Policy 47(10), 102644.CrossRefGoogle Scholar
Shirk, Susan. 2008. China: Fragile Superpower. New York: Oxford University Press.Google Scholar
Sun, Taiyi, and Zhao, Quansheng. 2022. “Delegated censorship: the dynamic, layered, and multi-stage information control regime in China.” Politics and Society 50(2), 191221.CrossRefGoogle Scholar
Tian, Xi. 2020. “More than conformity or resistance: Chinese ‘boys’ love’ fandom in the age of internet censorship.” Journal of the European Association for Chinese Studies 1, 189213.Google Scholar
Tian, Xiaoli, and Adorjan, Michael. 2016. “Fandom and coercive empowerment: the commissioned production of Chinese online literature.” Media, Culture and Society 38(6), 881900.CrossRefGoogle Scholar
Trottier, Daniel. 2017. “Digital vigilantism as weaponisation of visibility.” Philosophy and Technology 30(1), 5572.CrossRefGoogle Scholar
Trottier, Daniel. 2020. “Denunciation and doxing: towards a conceptual model of digital vigilantism.” Global Crime 21(3–4), 196212.CrossRefGoogle Scholar
Wang, Erika Ningxin, and Ge, Liang. 2023. “Fan conflicts and state power in China: internalized heteronormativity censorship sensibilities and fandom police.” Asian Studies Review 47(2), 355373.CrossRefGoogle Scholar
Wang, Juan. 2015. “Managing social stability: the perspective of a local government in China.” Journal of East Asian Studies 15(1), 125.CrossRefGoogle Scholar
Wang, Xuan, Juffermans, Kasper and Du, Caixia. 2016. “Harmony as language policy in China: an internet perspective.” Language Policy 15(3), 299321.CrossRefGoogle Scholar
Xia, Shouzhi. 2024. “Fandom culture as a catalyst for propaganda.” The China Quarterly 259, 814823.CrossRefGoogle Scholar
Xia, Yining. 2020. “Netease Lofter aims to cultivate 100 creators with a monthly income exceeding 100,000 yuan.” Sinanet, 30 December, https://k.sina.cn/article_1726918143_66eeadff020012l5t.html?from=animation. Accessed 14 October 2024.Google Scholar
Yan, Qing, and Yang, Fan. 2021. “From parasocial to parakin: co-creating idols on social media.” New Media and Society 23(9), 25932615.CrossRefGoogle Scholar
Ye, Shana. 2023. “Word of Honor and brand homonationalism with ‘Chinese characteristics’: the dangai industry, queer masculinity and the ‘opacity’ of the state.” Feminist Media Studies 23(4), 15931609.CrossRefGoogle Scholar
Ye, Weiming, and Zhao, Luming. 2023. “‘I know it's sensitive’: internet censorship, recoding, and the sensitive word culture in China.” Discourse, Context and Media 51, 100666.CrossRefGoogle Scholar
Yin, Yiyi. 2020. “An emergent algorithmic culture: the data-ization of online fandom in China.” International Journal of Cultural Studies 23(4), 475492.CrossRefGoogle Scholar
Zarkov, Dubravka, and Davis, Kathy. 2018. “Ambiguities and dilemmas around #MeToo: #ForHowLong and #WhereTo?European Journal of Women's Studies 25(1), 39.CrossRefGoogle Scholar
Zhang, Qian, and Negus, Keith. 2020. “East Asian pop music idol production and the emergence of data fandom in China.” International Journal of Cultural Studies 23(4), 493511.CrossRefGoogle Scholar
Zhang, Weili. 2016. The Internet and New Social Formation in China: Fandom Publics in the Making. Abingdon: Routledge.CrossRefGoogle Scholar
Zhao, Jamie J. 2020. “Nationalism and sexual morality on and off the competition show The Rap of China.” Continuum 34(4), 484499.CrossRefGoogle Scholar
Zhao, Suisheng. 2021. “From affirmative to assertive patriots: nationalism in Xi Jinping's China.” The Washington Quarterly 44(4), 141161.CrossRefGoogle Scholar