ALTERITY AND UNIVERSALISM IN EIGHTEENTH-CENTURY MUSICAL THOUGHT UNIVERSITY OF OXFORD, 30 MAY–1 JUNE 2014

Extract

In every aspect of cultural theory, considering both the apparently universal aspects of our common humanity and the manifold differences between cultures and individuals is such a huge and fraught undertaking that no one conference can hope to do more than chip away at the edges of the questions raised. This is true even if the purview is limited to the historical study of eighteenth-century musical approaches to these questions. Nevertheless, chipping away at those edges is productive and stimulating, and in this spirit we converged at Oxford – part of the time at the music faculty at St Aldate’s, and part of the time at Wadham College – to discuss ‘Alterity and Universalism in Eighteenth-Century Musical Thought’. The conference was organized by David R. M. Irving (Australian National University) and Estelle Joubert (Dalhousie University) under the auspices of Reinhard Strohm's Balzan prize. Strohm is only the second musicologist (the other was Ludwig Finscher) to have received the Balzan award. He will pursue his ambitious project called ‘Towards a Global History of Music’ over the coming three years.