Hostname: page-component-cd9895bd7-lnqnp Total loading time: 0 Render date: 2024-12-26T08:20:39.630Z Has data issue: false hasContentIssue false

Images of the Canton Factories, 1760–1822: Reading History in Art. By Paul A. Van Dyke and Maria Kar-Wing Mok . Hong Kong: Hong Kong University Press, 2015. Pp. xxii + 125, + 40 unnumbered plates. ISBN 10: 9888313770, 9888208551 (paperback); ISBN 13: 9789888208555.

Published online by Cambridge University Press:  16 January 2017

Kuo-tung Ch'en*
Affiliation:
Academia Sinica, Taiwan E-mail: kchen@asihp.net

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Copyright
Copyright © Cambridge University Press 2017 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Shang, William, “Pearl River Landmarks: A Method of Dating Paintings,” Arts of Asia 31:5 (2001), pp. 102–39Google Scholar.

2 See his The Hongs of Canton: Western Merchants in South China 1700–1900, as Seen in Chinese Export Paintings. London: English Art Books, 2009 Google Scholar.

3 Morse, H. B., The Chronicles of the East India Company Trading to China 1635–1834 (Oxford: Clarendon Press, 1926) vol. 1, pp. 192–93Google Scholar.

4 Jörg, C. J. A., Porcelain and the Dutch China Trade (The Hague: M. Nijhoff, 1982), p. 70CrossRefGoogle Scholar.

5 Clunas, Craig, Chinese Export Watercolors (London: Victoria & Albert Museum, 1984), pp. 1012 Google Scholar.

6 Osbeck, Peter, A Voyage to China and the East Indies (London: Printed for Benjamin White, 1771), p. 217Google Scholar.