Hostname: page-component-cd9895bd7-7cvxr Total loading time: 0 Render date: 2024-12-26T08:22:51.319Z Has data issue: false hasContentIssue false

Women as Poets

Published online by Cambridge University Press:  16 January 2009

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review Essay
Copyright
Copyright © Cambridge University Press 1979

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Ransom, John Crowe, The World's Body (New York: Charles Scribner's, 1938), p. 78Google Scholar.

2 Williams, William Carlos, “ Marianne Moore ” (1925), Selected Essays (New York: Random House, 1954), p. 123Google Scholar; the date is erroneously given here as 1931.

3 Stein, Gertrude, “The Gradual Making of The Making of Americans” (1935), Selected Writings, ed. Van Vechten, Carl (New York: Random House, 1962), p. 258Google Scholar.

4 Watts, Emily Stipes, The Poetry of American Women from 1632 to 1945 (Austin and London: Univ. of Texas Press, 1977. £9.75). Pp. xvi + 218Google Scholar.

5 Eliot, T. S., “ Marianne Moore ” (1923), in Marianne Moore: A Collection of Critical Essays, ed. Tomlinson, Charles (Englewood Cliffs, New Jersey: Prentice-Hall, 1969), p. 51Google Scholar.

6 Watts, p. 162; see note 5 above.

7 Bleecker, “To Mr. L****”; cited by Watts, pp. 46–47.

8 Cited by Watts, p. 45.

9 Watts, p. 22; her source is Morison, Samuel Eliot, The Intellectual Life of Colonial New England (New York: New York Univ. Press, 1965)Google Scholar.

10 Winthrop, History of New England, 1630–1649, ed. James Savage; cited by Watts, p. 20.

11 Watts, p. 10. See Pearce, R. H., The Continuity of American Poetry (Princeton, New Jersey: Princeton Univ. Press, 1961), p. 24Google Scholar.

12 Watts, p. 64. See Lewis, R. W. B., The American Adam (Chicago: Univ. of Chicago Press, 1955)Google Scholar.

13 Eliot, T. S., The American Language and American Literature (St. Louis: Washington Univ. Press, 1953), p. 23Google Scholar.

14 Watts, p. 176.

15 Riding, Laura, Collected Poems (1938)Google Scholar; cited by Watts, pp. 169–70.

16 Smith, Susan Sutton, The Complete Poems and Collected Letters of Adelaide Crapsey (New York: State Univ. of New York Press, 1977, $20.00). Pp. 288Google Scholar.

17 Claude Fayette Blagdon edited a posthumous collection, Verse (Rochester, New York: Manas Press, 1915)Google Scholar, which was reprinted by Alfred Knopf of New York five times between 1922 and 1938.

18 See letters to Esther Lowenthal of 25 Sept. 1913 and 6 May 1914. In the former, Crapsey writes: “Of course I'm not mad about teaching — and if 1 were giving it up because I had enough money to live without it and spend all my time on metrics that would be one thing — but after all its [sic] my profession — and I've put a fair amount of time and energy into it. …” Smith, loc cit., p. 211.

19 Smith, p. 10.

20 See, for instance, K. L. Goodwin'S description of W. C. Williams' “ first poem ” (of about 1901) as “ very like many ‘ Imagist ’ poems, though Imagism as a movement was not inaugurated until 1908 ”: The Influence of Ezra Pound (London: Oxford Univ. Press, 1966), p. 2Google Scholar. The Americanness of Imagist strategies is most interestingly discussed in Tanner, Tony, The Reign of Wonder (Cambridge, England: Cambridge Univ. Press, 1965)Google Scholar.

21 Her discussion here naturally draws on Earl Miner's The Japanese Tradition in British and American Literature (Princeton, New Jersey: Princeton Univ. Press, 1958)Google Scholar, but also on more obscure French and Japanese sources.

22 The Encyclopaedia of Poetry and Poetics, ed. Preminger, Alex (Princeton, New Jersey: Princeton Univ. Press, 1965), p. 126Google Scholar; cited by Smith, p. 24.

23 Smith, p. 24.

24 See Williams, W. C., Autobiography (New York: Random House, 1951), p. 264Google Scholar, and Pound, Ezra, “ Harold Munro ”, The Criterion, 11 (10 193107 1932), 590Google Scholar, cited by Davie, Donald, Ezra Pound: Poet as Sculptor (London: Routledge and Kegan Paul, 1965), p. 98nGoogle Scholar.

25 Dora Schatz; cited by Smith, p. 11.

26 Winters, , Forms of Discovery (Chicago: Allan Swallow, 1967), p. 329Google Scholar; misquoted by Smith, p. 29.

27 Hartley, Marsden, “ Adelaide Crapsey ”, Adventures in the Arts (1921; rept. New York: Hacker Art Books, 1972), pp. 207–14, 214Google Scholar.

28 Hartley, loc. cit., p. 208.

29 Pound, Ezra, “ A List of Books ” (1918); rept. in Selected Prose 1909–1965, ed. Cookson, William (London: Faber and Faber, 1973), p. 394Google Scholar.