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Published online by Cambridge University Press: 16 January 2009
1 Ransom, John Crowe, The World's Body (New York: Charles Scribner's, 1938), p. 78Google Scholar.
2 Williams, William Carlos, “ Marianne Moore ” (1925), Selected Essays (New York: Random House, 1954), p. 123Google Scholar; the date is erroneously given here as 1931.
3 Stein, Gertrude, “The Gradual Making of The Making of Americans” (1935), Selected Writings, ed. Van Vechten, Carl (New York: Random House, 1962), p. 258Google Scholar.
4 Watts, Emily Stipes, The Poetry of American Women from 1632 to 1945 (Austin and London: Univ. of Texas Press, 1977. £9.75). Pp. xvi + 218Google Scholar.
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6 Watts, p. 162; see note 5 above.
7 Bleecker, “To Mr. L****”; cited by Watts, pp. 46–47.
8 Cited by Watts, p. 45.
9 Watts, p. 22; her source is Morison, Samuel Eliot, The Intellectual Life of Colonial New England (New York: New York Univ. Press, 1965)Google Scholar.
10 Winthrop, History of New England, 1630–1649, ed. James Savage; cited by Watts, p. 20.
11 Watts, p. 10. See Pearce, R. H., The Continuity of American Poetry (Princeton, New Jersey: Princeton Univ. Press, 1961), p. 24Google Scholar.
12 Watts, p. 64. See Lewis, R. W. B., The American Adam (Chicago: Univ. of Chicago Press, 1955)Google Scholar.
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16 Smith, Susan Sutton, The Complete Poems and Collected Letters of Adelaide Crapsey (New York: State Univ. of New York Press, 1977, $20.00). Pp. 288Google Scholar.
17 Claude Fayette Blagdon edited a posthumous collection, Verse (Rochester, New York: Manas Press, 1915)Google Scholar, which was reprinted by Alfred Knopf of New York five times between 1922 and 1938.
18 See letters to Esther Lowenthal of 25 Sept. 1913 and 6 May 1914. In the former, Crapsey writes: “Of course I'm not mad about teaching — and if 1 were giving it up because I had enough money to live without it and spend all my time on metrics that would be one thing — but after all its [sic] my profession — and I've put a fair amount of time and energy into it. …” Smith, loc cit., p. 211.
19 Smith, p. 10.
20 See, for instance, K. L. Goodwin'S description of W. C. Williams' “ first poem ” (of about 1901) as “ very like many ‘ Imagist ’ poems, though Imagism as a movement was not inaugurated until 1908 ”: The Influence of Ezra Pound (London: Oxford Univ. Press, 1966), p. 2Google Scholar. The Americanness of Imagist strategies is most interestingly discussed in Tanner, Tony, The Reign of Wonder (Cambridge, England: Cambridge Univ. Press, 1965)Google Scholar.
21 Her discussion here naturally draws on Earl Miner's The Japanese Tradition in British and American Literature (Princeton, New Jersey: Princeton Univ. Press, 1958)Google Scholar, but also on more obscure French and Japanese sources.
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