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‘The Basilica after the Primitive Christians’: Liturgy, Architecture and Anglican Identity in the Building of the Fifty New Churches

Published online by Cambridge University Press:  11 May 2016

Christopher Moody
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Abstract

The London churches built by Nicholas Hawksmoor – the architect required by the Commission for the Fifty New Churches to provide a template for the new churches according to the principles laid down in 1712 – are often regarded as the idiosyncratic creations of the architect’s individual genius. They were, however, as much the creation of the particular intellectual, theological and political context of the late Stuart period, an expression of a high church attempt to reconnect the Church of England with the early centuries of the Christian Church, particularly the great basilicas built under Constantine and Justinian. Conservative in intent, they were at the same time fed by the new spirit of intellectual enquiry led by the Royal Society and the expansion of global trade at the start of the eighteenth century. These express a new Anglican denominational identity as the inheritor of the ‘purest’ traditions of the ‘primitive’ church, ancient yet modern, orthodox and, at the same time, reformed: one that still influences discussion across the Communion today.

Keywords

architecturebasilicaFifty New ChurchesNicholas HawksmoorLondon
Type
Research Article
Information
Journal of Anglican Studies , Volume 15 , Issue 1 , May 2017 , pp. 37 - 57
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Copyright
© The Journal of Anglican Studies Trust 2016 

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Footnotes

1.

Chris Moody is the Vicar of St Alfege Church in Greenwich, London where he has served since 2005, and author of Eccentric Ministry (London: DLT, 1992). His interest in the subject of this article was inspired by the ongoing needs for conservation of the church; in particular by reading Pierre de la Ruffinière du Prey’s Hawksmoor’s London Churches: Architecture and Theology (Chicago: University of Chicago Press, 2000). He dedicates this article to the author.

References

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24. For two drawings of Hagia Sophia, see du Prey, Hawksmoor’s London Churches, pp. 43, 45 (figs. 19, 20).

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