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Since Meiji: Perspectives on the Japanese Visual Arts, 1868–2000. Edited by J. Thomas Rimer; translations by Toshiko MacCallum. Honolulu: University of Hawai‘i Press, 2012. x, 516 pp. $60.00 (cloth); $28.00 (paper).

Published online by Cambridge University Press:  28 November 2013

Maki Kaneko
Maki Kaneko*
Affiliation:
University of Kansas
*
makiuk@ku.edu
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Type
Book Reviews—Japan
Information
The Journal of Asian Studies , Volume 72 , Issue 4 , November 2013 , pp. 1004 - 1006
Copyright
Copyright © The Association for Asian Studies, Inc. 2013 

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References

6 For example, see Mostow, Joshua S., Bryson, Norman, and Graybill, Maribeth, eds., Gender and Power in the Japanese Visual Field (Honolulu: University of Hawai‘i Press, 2003)CrossRefGoogle Scholar; Yoshimoto, Midori, Into Performance: Japanese Women Artists in New York (New Brunswick, N.J.: Rutgers University Press, 2005)Google Scholar; Wong, Aida Yuen, Parting the Mists: Discovering Japan and the Rise of National-Style Painting in Modern China (Honolulu: University of Hawai‘i Press, 2006)CrossRefGoogle Scholar; Croissant, Doris, Vance Yeh, Catherine, and Mostow, Joshua S., eds., Performing “Nation”: Gender Politics in Literature, Theater, and the Visual Arts of China and Japan (Leiden: Brill, 2008)CrossRefGoogle Scholar; Zophar, Ayelet, ed., Postgender: Gender, Sexuality and Performativity in Japanese Culture (Newcastle upon Tyne, U.K.: Cambridge Scholars, 2009)Google Scholar.