Hostname: page-component-cd9895bd7-p9bg8 Total loading time: 0 Render date: 2024-12-27T12:57:08.917Z Has data issue: false hasContentIssue false
  • English
  • Français

Charging the Canons - Disciplining Music Musicology and its Canons Edited by Katherine Bergeron and Philip V. Bohlman Chicago, The University of Chicago Press, 1992. xi + 220 pp. ISBN 0 226 04368 1.

Review products

Disciplining Music Musicology and its Canons Edited by Katherine Bergeron and Philip V. Bohlman Chicago, The University of Chicago Press, 1992. xi + 220 pp. ISBN 0 226 04368 1.

Published online by Cambridge University Press:  01 January 2020

Lawrence Kramer
Lawrence Kramer*
Affiliation:
Fordham University
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Journal of the Royal Musical Association , Volume 119 , Issue 1 , 1994 , pp. 130 - 140
Copyright
Copyright © 1994 Royal Musical Association

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Barthes, Roland, ‘From Work to Text’, The Rustle of Language, trans Richard Howard (Berkeley, 1989), 56–64Google Scholar

2 For some exceptions, see Smith, Barbara Herrnstein, ‘Contingencies of Value’, and Charles Altieri, ‘An Idea and Ideal of a Literary Canon’, Canons, ed Robert von Hallberg, special issue of Critical Inquiry, 10 (1983), 1–36 and 37–60 respectively, and John Guillory, ‘Canon’, Criticai Terms for Literary Study, ed Frank Lentricchia and Thomas McLaughlin (Chicago, 1990), 233–49CrossRefGoogle Scholar

3 ‘A Few Canonic Variations’, Canons, 107–26Google Scholar