Hostname: page-component-5f745c7db-rgzdr Total loading time: 0 Render date: 2025-01-06T08:09:20.300Z Has data issue: true hasContentIssue false
  • English
  • Français

Hervé Lacombe, Les voies de l'opéra français au XIXe siècle. Les chemins de la musique. Paris: Fayard, 1997. 392 pp. ISBN 2 213 59877 0.

Review products

Hervé Lacombe, Les voies de l'opéra français au XIXe siècle. Les chemins de la musique. Paris: Fayard, 1997. 392 pp. ISBN 2 213 59877 0.

Published online by Cambridge University Press:  01 January 2020

Steven Huebner
Steven Huebner*
Affiliation:
McGill University
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Journal of the Royal Musical Association , Volume 123 , Issue 2 , 1998 , pp. 258 - 263
Copyright
Copyright © Royal Musical Association, 1998

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Cited in Mosco Carner, Puccini: A Critical Biography (New York, 1959), 57.Google Scholar

2 Theodore Zeldin, France 1848-1945: Taste and Corruption (New York, 1959), 57.Google Scholar

3 On this point see Jane F. Fulcher, The Nation's Image: French Grand Opera as Politics and Politicized Art (Cambridge, 1987), 189–94.Google Scholar

4 Letter of 24 March 1892, in Emmanuel Chabrier, Correspondance, ed. Roger Delage, Frans Durif and Thierry Bodin (Paris, 1894), 1025.Google Scholar