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The Imagined Middle Ages

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BrothersThomas, Chromatic Beauty in the Late Medieval Chanson: An Interpretation of Manuscript Accidentals. Cambridge: Cambridge University Press, 1997. xiv + 226 pp. ISBN 0 521 55051 3.

Published online by Cambridge University Press:  13 January 2020

Dolores Pesce
Dolores Pesce*
Affiliation:
Washington University in St Louis
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Type
Reviews
Information
Journal of the Royal Musical Association , Volume 124 , Issue 2 , 1999 , pp. 283 - 288
Copyright
Copyright © Royal Musical Association, 1999

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References

1 Berger, Karol, Musica ficta: Theories of Accidental Inflections in Vocal Polyphony from Marchetto da Padova to Gioseffo Zarlino (Cambridge, 1987), 170.Google Scholar

2 Ibid., 174.Google Scholar

3 Spanke, Hans, Eine altfranzösische Liedersammlung: Der anonyme Teil der Liederhandschriften KNPX, Romanische Bibliothek, 22 (Halle, 1925), esp. pp. 263-90.Google Scholar

4 Fuller, Sarah, ‘On Sonority in Fourteenth-Century Polyphony: Some Preliminary Reflections’, Journal of Music Theory, 30 (1986), 35–70.Google Scholar

5 Strohm, Reinhard, The Rise of European Music, 1380–1500 (Cambridge, 1993), 1–106.Google Scholar

6 Berger, , Musica ficta, ch. 3.Google Scholar

7 Bent, Margaret, ‘Musica Recta and Musica Ficta’, Musica disciplina, 27 (1972), 73–100; Andrew Hughes, Manuscript Accidentals: Ficta in Focus 1350-1450, Musicological Studies and Documents, 27 (Rome, 1972).Google Scholar

8 Besseler, Heinrich, Bourdon und Fauxbourdon: Studien zur Ursprung der niederländischen Musik, 2nd edn, rev. Peter Gülke (Leipzig, 1974), 41-4.Google Scholar