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Fast Frames: Insights into Mexican, Latin American, and Brazilian Cinema

Review products

CONTEMPORARY CINEMA OF LATIN AMERICA: TEN KEY FILMS. By ShawDeborah. (New York: Continuum, 2003. Pp. 206. $89.95 cloth, $24.95 paper).

NELSON PEREIRA DOS SANTOS. By SadlierDarlene J. (Urbana and Chicago: University of Illinois Press, 2003. Pp. xii+180. $34.95 cloth; $16.95 paper).

BUÑUEL AND MEXICO: THE CRISIS OF NATIONAL CINEMA. By Acevedo-MuñozErnesto R. (Berkeley: University of California Press, 2003. Pp. xii+202. $60.00 cloth).

Published online by Cambridge University Press:  05 October 2022

Virginia Higginbotham*
Affiliation:
University of Texas, Austin
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Abstract

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Type
Review Essays
Copyright
Copyright © 2005 by the University of Texas Press

References

1. John Mraz, “Absolved by History: On the Aesthetics and Ideology of History in the Cuban Film Institute,” Film-Historia 3, no.3 (1993): 385.

2. Governor-general Mem de Sá, quoted in Shaw, 70.

3. Charles Ramírez Berg, The Cinema of Solitude: A Critical Study of Mexican Film, 1967–1983. (Austin: The University of Texas Press, 1992.)

4. Carlos J. Mora, Mexican Cinema: Reflections of a Society, 1896–1988. (Berkeley: University of California Press, 1989), 91.

5. Víctor Fuentes, “The Constant of Exile in Buñuel,” in Luis Buñuel: New Readings, edited by Peter William Evans and Isabel Santaolalla (London: The British Film Institute, 2004), 164.