Hostname: page-component-78c5997874-mlc7c Total loading time: 0 Render date: 2024-11-13T02:01:10.024Z Has data issue: false hasContentIssue false
  • English
  • Français

Bennett Zon, Evolution and Victorian Musical Culture (Cambridge: Cambridge University Press, 2017). x + 365 pp. £90.00.

Review products

Bennett Zon, Evolution and Victorian Musical Culture (Cambridge: Cambridge University Press, 2017). x + 365 pp. £90.00.

Published online by Cambridge University Press:  28 February 2019

Stephen Banfield
Stephen Banfield*
Affiliation:
University of Bristolstephendavidbanfield@gmail.com
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Information
Nineteenth-Century Music Review , Volume 17 , Issue 1 , April 2020 , pp. 106 - 108
Copyright
Copyright © Cambridge University Press, 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Lovejoy, Arthur O., The Great Chain of Being: A Study of the History of an Idea (Cambridge, MA: Harvard University Press, 1936)Google Scholar . See also: Wilson, Daniel J., ‘Lovejoy’s The Great Chain of Being after Fifty Years’, Journal of the History of Ideas 48/2 (1987): 187–206CrossRefGoogle Scholar .

2 For instance, see Mohun Tagore, Sourindro, Hindu Music (Delhi: Low Price Publications, 1882/1994)Google Scholar , and Mohun Tagore, Sourindro, Universal History of Music Compiled from Divers Sources together with Various Original Notes on Hindu Music (Delhi: Low Price Publications, 1896/1999)Google Scholar .